Chloe Piene

Chloe Piene is a visual artist known for her drawings and video work.[1] Her drawings have been described as “brutal, delicate, figurative, forensic, erotic and fantastic.”[2] Chloe Piene was born in the United States and received her BA in Art History at Columbia University and her MFA in Fine Art from Goldsmiths, University of London.[3][4]

Chloe Piene With Goat
Chloe Piene
Born (1972-01-10) January 10, 1972
NationalityAmerican

Work

Her work has made various and diverse associations with prisoners, love letters, failure, history and heroic transformation.[5][6] She is known widely for her delicate and penetrating drawings, which are typically anchored in the body. Her video and sculpture utilize the greater sensory impact of noise, time, shadow, and heavy materials to dig visibly into the more subterranean levels of experience.[7] In her sculptures, Piene has worked primarily with iron, steel, porcelain, and installation.[8]

Her performances include "Familienaufstellung" in Vienna, Austria[9] and "To Serve;" a collaborative dialogue with a United States Special Operations Commander in New York, tandem to her three-part video series which worked directly with cameras strapped to the heads of soldiers stationed in Afghanistan.[10]

Exhibitions (selected)

Piene exhibits internationally, some shows include: "Selections from The Guerlain Collection at The Pompidou" The Albertina, Vienna, 2019[11]; "Reloaded", Piene paired with Egon Schiele as part of his Centennial at the Leopold Museum, Vienna, 2018[12]; "HB + CP - [Drawings by] Hans Bellmer and Chloe Piene" at Galerie Nathalie Obadia, Paris, 2008[13]; “Bodies of Desire: Works on paper by Willem de Kooning and Chloe Piene” at the Locks Gallery, Philadelphia, 2007[14]; and the 2004 Whitney Biennial.[15][16]

Public Collections (selected)

Her work is part of national and state collections worldwide including the following:

Publications (selected)

Her work has been reviewed by The New York Times, Frieze, Le Figaro[25], The Los Angeles Times, BOMB Magazine, The Philadelphia Inquirer, the Frankfurter Allgemeine Zeitung, the Süddeutsche Zeitung, the Berliner Zeitung, among others. Books include Vitamin D, Phaidon; Drawing People, The Hayward Gallery, London; Les Maitres du Desordre The Musée Quai Branly, Paris; A Passion For Drawing, Selection From The Guerlain Collection and Drawing Now, The Albertina Museum, Vienna.

Bibliography (selected)

  • Dexter, Emma (2005). Vitamin D: New Perspectives in Drawing. Phaidon Press. ISBN 9780714857138.
  • Malbert, Roger (20 April 2015). Drawing People: The Human Figure in Contemporary Art. Thames & Hudson. ISBN 9780500291634.
  • Hell, Bertrand; Jacomijn Snoep, Nanette; Adam-Couralet, Sandra; de Loisy, Jean (2012). Les Maitres du Desordre. Paris, France: QUAI BRANLY. ISBN 9782357440562.
  • Albrecht Schröder, Klaus; Lahner, Elsy (4 February 2020). A Passion for Drawing: The Guerlain Collection from the Centre Pompidou. Prestel. ISBN 9783791359427.
  • Germann, Martin; Lahner, Elsy (October 2015). Drawing Now. Hirmer Publishers. ISBN 9783777424347. Retrieved 5 December 2019.
  • Schwabsky, Barry (1 August 2008). Chloe Piene: Carré d'Art - Musée d'Art Contemporain de Nîmes. Carré d'Art-Musée d'Art Contemporain de Nîmes. ISBN 9782907650335. Retrieved 12 December 2019.
  • Dzierzbicka, Agnieszka; Bakic, Josef; Horvath, Wolfgang (1 October 2008). In bester Gesellschaft: Einführung in philosophische Klassiker der Pädagogik von Diogenes bis Baudrillard. Loecker Erhard Verlag. ISBN 978-3854095002. Retrieved 12 December 2019.
gollark: Also, it's probably eventually going to need the ability to update wordlists at runtime.
gollark: It turns out that it's actually a very hard problem to make it work somewhat sensibly even if people use negatives and stuff like "bad" too, so I just made a heuristic thing where it does `weight = 1 / weight` once per instance of not, un, bad and some stuff like that.
gollark: An example of the autobias algorithm working, when I have the bot pick between those options 1000 times.
gollark: What do you mean it definitely works if it completely kills the entire system?
gollark: I think that's a software encoder, yes.

References

  1. "Chloe Piene: Valkyrie". this is tomorrow. this is tomorrow.
  2. Schwabsky, Barry (1 August 2008). Chloe Piene Carré d'Art - Musée d'Art Contemporain de Nîmes. CARRÉ D'ART-MUSÉE D'ART CONTEMPORAIN DE NÎMES. ISBN 9782907650335.
  3. "826 Schermerhorn: The Department of Art History and Archaeology Annual Publication Fall 2017" (PDF). Columbia.edu. Columbia University. Retrieved 5 December 2019.
  4. "A Recent Selection of Goldsmiths MFA Alumni" (PDF). gold.ac.uk. Goldsmiths, University of London. Retrieved 5 December 2019.
  5. Hunt, David. "Chloe Piene". Frieze. Retrieved 4 December 2019.
  6. Knight, Christopher. "Grand flourishes of paint". pressreader.com. Los Angeles Times. Retrieved 4 December 2019.
  7. Lapointe, Thomas. "Folle entropie". revue-entre.art. Entre. Retrieved 4 December 2019.
  8. Caderby, Marina. "Les profondeurs de l'Astral par l'Espace Culturel Louis Vuitton & Astralis". luxury-touch.com. Luxury Touch.
  9. "A Familienaufstellung Performance by Chloe Piene". bombmagazine.org. Bomb Magazine. Retrieved 4 December 2019.
  10. "Chloe Piene: Valkyrie". vielmetter.com. Susanne Vielmetter Los Angeles Projects, LLC.
  11. "A Passion for Drawing. The Guerlain Collection from the Centre Pompidou Paris". albertina.at. The Albertina Museum Vienna. Retrieved 5 December 2019.
  12. "EGON SCHIELE The Jubilee Show RELOADED". leopoldmuseum.org. LEOPOLD MUSEUM PRIVATE FOUNDATION. Retrieved 5 December 2019.
  13. "HB + CP - Hans Bellmer and Chloe Piene". nathalieobadia.com. Galerie Nathalie Obadia. Retrieved 17 December 2019.
  14. "BODIES OF DESIRE Works on paper by Willem de Kooning and Chloe Piene". locksgallery.com. Locks Gallery. Retrieved 5 December 2019.
  15. "2004 Whitney Biennial Whitney Museum of American Art New York".
  16. Stillman, Nick; Heuer, Megan. "2004 Whitney Biennial". brooklynrail.org. The Brooklyn Rail. Retrieved 5 December 2019.
  17. Smith, Roberta. "MoMA Pushes the Envelope in Works on Paper". nytimes.com. New York Times.
  18. "Artists: Chloe Piene". Whitney Museum of American Art. Retrieved 4 December 2019.
  19. "Art & Artists: Chloe Piene". walker art.org. Walker Art Center.
  20. "Chloe Piene Works in Collection". sfmoma.org. San Francisco Museum of Modern Art. Retrieved 10 December 2019.
  21. "Piene Chloe Artwork". galaerieheikecurtze.com. Gallery Heike Curtze. Retrieved 10 December 2019.
  22. "Collection Chloe Piene". moca.org. The Museum of Contemporary Art. Retrieved 10 December 2019.
  23. "Collections: Chloe Piene". museum.cornell.edu. Herbert F. Johnson Museum of Art, Cornell University. Retrieved 10 December 2019.
  24. "Chloe Piene 1972". burgercollection.org. Burger Collection. Retrieved 10 December 2019.
  25. "Chloe Piene". plus.lefigaro.fr. Le Figaro. Retrieved 4 December 2019.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.