Chaturbhuj Doshi

Chaturbhuj Doshi (1894–1969) was a Hindi and Gujarati writer-director of Indian cinema. He was one of the top Gujarati screenplay writers, who helped script stories for the Punatar productions. He is stated to be one of the leading figures who launched the Gujarati film industry with work on notable films like Gunsundari (1948) and Nanand Bhojai (1948).[1] Doshi, was “well known” for his family socials and had become “a celebrity in his own right”.[2] He made a name for himself as a journalist initially and was referred to as the "famous journalist" and publicist by Baburao Patel, editor of Filmindia.[3]

Chaturbhuj Doshi
From Filmindia September 1938
Born
Chaturbhuj Anandji Doshi

1894
Kathiawar, Gujarat, British India
Died1969
Bombay, Maharashtra, India
OccupationWriter, director
Years active1938–1958 (as director)

His debut film as a director was Gorakh Aya (1938), produced by Ranjit Movietone,[4] though he joined Ranjit in 1929, as a scriptwriter. In 1938, he directed another film for Ranjit, a social comedy, The Secretary, and both films were box-office successes for Doshi. His forte was socials, regularly adapting stories and novels for films. He worked initially on comedies like Secretary and Musafir (1940), but then "shifted to more significant films".[5]

Early life and career

Chaturbhuj Anandji Doshi was born in Kathiawar, Gujarat, British India. He was educated at the University of Bombay, and after graduation he started work as a journalist for a daily, Hindustan (1926), working for editor Indulal Yagnik. His entry into films was working as a scenarist in the silent era for directors like Jayant Desai, Nandlal Jaswantlal, and Nanubhai Vakil. He joined Ranjit Movietone in 1929, and wrote stories and screenplay for several of Ranjit films.[1][6]

Career

Gorakh Aya (Gorakh has come) in 1938, was the first film directed by Doshi. It was produced by Ranjit Movietone with screenplay by Gunvantrai Acharya and dialogues by P. L. Santoshi. The music, termed "good" was composed by Gyan Dutt. Baburao Patel's review in the September 1938 issue was favourable to the director "Directed by a man who enjoys a good reputation as a journalist… Mr. Chaturbhuj Doshi has given an excellent account of himself as a director considering that this is his very first effort", claiming it to be the "best picture coming out during the year from the Ranjit Studio".[4]

The Secretary in 1938, was a "riotous comedy", starring Madhuri as a rich heiress in love with her secretary played by Trilok Kapoor. Charlie played the third angle causing friction, and was described as the "mainstay" of the film.[5] The music was composed by Gyan Dutt, who became a regular in most of the films directed by Doshi.

Musafir in 1940 was a comedy costume drama, which had Charlie playing a prince who on his return finds his kingdom in disarray. Baburao Patel commended his acting in Filmindia, calling him "versatile" and "inimitable".[7]

Bhakta Surdas, a devotional film directed by Doshi in 1942, is stated to be the "most famous" of the several versions made. It starred K. L. Saigal and Khursheed "the singing idol(s) of millions", winning "unprecedented popularity" everywhere.[8]

Maheman (1942) starred Madhuri, Ishwarlal, Shamim and Mubarak. Music director Bulo C. Rani had come to Bombay in 1942, and joined Ranjit Studios assisting Khemchand Prakash in music direction. Prakash gave him a song to sing in Mehman, "Rootha Pyar Mein", which was "appreciated" and became a "popular number".[1][9]

Doshi helped enormously in the development of the Gujarati cinema. During 1948-49 he directed three successful Gujarati films which "brought immense success to the industry". The success of the Gujarati film Kariyavar in 1948, directed by Chaturbhuj Doshi from a story by Shaida, called Vanzari Vaav, helped establish the Gujarati film industry along with other films like Vadilo Ne Vanke (1948) by Ramchandra Thakur and Gadono Bel (1950) by Ratibhai Punatar.[10] His next Gujarati film was Jesal Toral (1948) based on folk-lore, which proved a big box-office success.[11] In 1949, Doshi directed another Gujarati film, Vevishal, an adaptation of Meghani's novel of the same name.[12]

He also wrote stories, and one of his stories Pati Bhakti was used in the Tamil film En Kanawar (1948) produced by Ajit Pictures, which starred the Veena maestro, Sundaram Balachander, who was also the debut director and music composer for the film.[13]

Death

Chaturbhuj Doshi died on 21 January 1969 in Bombay, Maharashtra, India.[6]

Filmography

List:[14][15]

Year Film Cast Composer Studio/Producer
1938Gorakh Aya (Gorakh Has Come)Mazhar Khan, Trilok Kapoor, Kalyani, RajkumariGyan DuttRanjit Movietone
1938The SecretaryMadhuri, Trilok Kapoor, Charlie, Kalyani, Wahidan, RajkumariGyan DuttRanjit Movietone
1939Adhuri Kahani (Incomplete Story)Durga Khote, Prithviraj Kapoor, Rose, Keshavrao Date, IshwarlalGyan DuttRanjit
1940Musafir (Traveller)Charlie, Khursheed, Ishwarlal, Vasanti, YakubGyan DuttRanjit
1941Sasural (In-Laws)Motilal, Madhuri, Nurjehan, TarabaiGyan DuttRanjit
1941Pardesi (Foreigner)Motilal, Khursheed, Snehprabha, E. BilimoriaKhemchand PrakashRanjit Movietone
1942Maheman (The Guest)Madhuri, Ishwarlal, Shamim, Rama Shukal, MubarakKhemchand PrakashRanjit Movietone
1942Dhiraj (Patience)Sitara Devi, Ishwarlal, Kesari, NurjehanGyan DuttRanjit
1942Bhakta Surdas (Worshipper Surdas)K. L. Saigal, Khursheed, Monica Desai, NagendraGyan DuttRanjit
1943Shankar ParvatiSadhana Bose, Aroon, Kamala Chatterjee, Brijmala.BhagwandasGyan DuttRanjit
1943Chhoti Maa (The Nurse)Khurshid, Aroon, Prabha, Anil KumarGyan DuttRanjit
1944BhartrahariSurendra, Mumtaz Shanti, Kajjan, Aroon, Sulochana Chatterji, Yashwant DaveKhemchand PrakashNavin Pics
1945Moorti (The Idol)Motilal, Padma Banerjee, Khurshid, Yashwant DaveBulo C. RaniRanjit
1946Phoolwari (The Bower)Khursheed, Motilal, Dixit, MadhubalaHansraj BehlRanjit
1947Hothal Padmini
1947Kaun Hamara (Who's Ours?)Roopa, Nihal, Dixit, Bipin GuptaBulo C. RaniRanjit
1947BelaNigar Sultana, P. Jairaj, S. N. Tripathi, Krishna KumariBulo C. RaniRanjit
1948Sati Sone
1948Kariyawar (Dowry)Dina Sanghvi, Dhulia, ShobhaAjit MerchantSagar Movietone Based on thee Novel Novel - Vanzari Vaav by Shaida
1948Jesal Toral
1949Vevishaal (Engagement)
1949Bhakta Puran (The Story Of Worshippers)
1950Ramtaram
1950Kis Ki Yaad (Remembrance)Sulochana Chatterji, Bharat Bhushan, Jeevan, Paro, VeenaHansraj BehlParo Art
1950Akhand Saubhagya (Immortal Husband)
1954Aurat Teri Yehi Kahani (O Womankind, This is Your Story)Nirupa Roy, Bharat Bhushan, Sulochana, ChandrashekharBulo C. RaniBulo C. Rani, Ranjit Studios
1956DassehraNirupa Roy, Shahu Modak, Gajanan Jagirdar, Daisy IraniN. DuttaNavkala Niketan
1956AabrooKishore Kumar, Kamini Kaushal, Smriti Biswas, Madan PuriBulo C. RaniUma Chitra
1957Shesh NaagShahu Modak, Nirupa Roy, SulochanaAjit Pictures
1957Khuda Ka Banda (God's Beloved)Chandrashekhar, Krishna Kumari, Tiwari, Gope, KanhaiyalalS. N. TripathiChitra Bharti
1958Sanskar (Culture)Ameeta, Jayshree Gadkar, Anant Kumar, Yakub, RanjanaAnil BiswasFilmistan
gollark: > incredible hardwareSomehow I doubt this.
gollark: Anyway, yes, they're surprisingly good at real-looking text generation.
gollark: Fascinating.
gollark: I don't know if there's a GPT-1.
gollark: I mean GPT-2 and GPT-3.

References
  1. Ashish Rajadhyaksha; Paul Willemen (10 July 2014). "Doshi, Chaturbhuj Anandji". Encyclopedia of Indian Cinema. Taylor & Francis. pp. 1994–. ISBN 978-1-135-94325-7. Retrieved 25 August 2015.
  2. Cine Blitz. 19. Blitz Publications. 1993. p. 19. Retrieved 25 August 2015.
  3. Patel, Baburao (August 1938). "Image of Gorakh Aya". Filmindia. 4 (8): 58. Retrieved 25 August 2015.
  4. Patel, Baburao (September 1938). "Round The Town". Filmindia. 4 (9): 37. Retrieved 25 August 2015.
  5. Sanjit Narwekar (12 December 2012). "5-The Puppet Masters". Eena Meena Deeka: The Story of Hindi Film Comedy. Rupa Publications. p. 50. ISBN 978-81-291-2625-2. Retrieved 25 August 2015.
  6. Sanjit Narwekar (1994). "Doshi, Chaturbhuj Anandji". Directory of Indian film-makers and films. Flicks Books. p. 94. Retrieved 25 August 2015.
  7. Sanjit Narwekar (12 December 2012). "3-The Indian Charlie". Eena Meena Deeka: The Story of Hindi Film Comedy. Rupa Publications. p. 23. ISBN 978-81-291-2625-2. Retrieved 25 August 2015.
  8. Rachel Dwyer; Senior Lecturer in Indian Studies Rachel Dwyer (27 September 2006). "The Devotional Film-note 55, 56". Filming the Gods: Religion and Indian Cinema. Routledge. pp. 87–. ISBN 978-1-134-38070-1. Retrieved 25 August 2015.
  9. Ashok Damodar Ranade (1 January 2006). Hindi Film Song: Music Beyond Boundaries. Bibliophile South Asia. pp. 226–. ISBN 978-81-85002-64-4. Retrieved 25 August 2015.
  10. P.Ram (1 December 2014). "Gujarati cinema". Life in India: Culture. Ponram P. pp. 161–. GGKEY:43NZKK4BRBF. Retrieved 25 August 2015.
  11. Smt. Hiralaxmi Navanitbhai Shah Dhanya Gurjari Kendra (2007). Gujarat. Gujarat Vishvakosh Trust. Retrieved 25 August 2015.
  12. K. Moti Gokulsing; Wimal Dissanayake (17 April 2013). Routledge Handbook of Indian Cinemas. Routledge. pp. 468–. ISBN 978-1-136-77284-9. Retrieved 25 August 2015.
  13. Vikram Sampath. "3 Celluloid Magic". Voice of the Veena S Balachander. Rupa Publications. pp. 52–. ISBN 978-81-291-3379-3. Retrieved 25 August 2015.
  14. "Chaturbhuj Doshi". citwf.com. Alan Goble. Retrieved 25 August 2015.
  15. "Chaturbhuj Doshi". muvyz.com. Muvyz, Ltd. Retrieved 25 August 2015.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.