Charles Malherbe

Charles Théodore Malherbe (21 April 1853 – 5 October 1911) was a French violinist, musicologist, composer and music editor.

Charles Malherbe

Life and career

Malherbe was born in Paris, son of Pierre Joseph Malherbe (1819–1890)[1] and Zoé Caroline Mozin (1832–1921) the youngest daughter of French painter Charles Mozin (1806–1862). He studied law and was admitted to the bar, but instead decided on music as a profession. He studied music with Adolphe Danhauser, Jules Massenet and André Wormser, and served as Danhauser's secretary on a tour through Holland, Belgium and Switzerland to survey systems of music pedagogy in the public schools. He afterward settled in Paris, and became assistant to Charles Nuitter, the archivist-librarian of the Paris Opera Library in 1896, succeeding him in 1899. He edited the music periodical Le Ménestrel and also wrote for a number of other publications, including Le Guide musical, Progrès artistique, Revue internationale de musique and Le Monde artiste.[2][3]

Beginning in 1895, Malherbe annotated sixteen volumes of Jean-Philippe Rameau's Œuvres complètes ("Complete works") (1895–1913),[4] providing much information concerning performance practice and genre history, as well as Rameau himself. He initiated, in collaboration with Felix Weingartner, the first edition of Hector Berlioz's complete works (1900–1907).[5] Although replete with errors (and now superseded by Hector Berlioz: New Edition of the Complete Works, edited by Hugh Macdonald), it was indispensable at the time.[3]

Malherbe was a collector of documents, and acquired, besides thousands of autograph letters, a number of important manuscripts, including the largest extant collection of Beethoven sketches, the autograph scores of Berlioz's Symphonie fantastique, two Rameau cantatas, and several Bach cantatas.[3] He discovered the original orchestral score of Rossini's opera Guillaume Tell at a secondhand book seller's shop.[6] In 1901 he located previously uncatalogued works of Mozart, including a soprano aria from the opera Mitridate, re di Ponto, written at age 14 and an Elegy in F for two sopranos written at age 11.[7] He also owned a number of Liszt manuscripts.[8] With Albert Soubies, Malherbe published Précis de l'histoire de l'Opéra-Comique in 1887.[9]

Malherbe died in Cormeilles, Eure at age 58, and his collection of manuscripts was donated to the Paris Conservatoire. Many are now housed at the Bibliothèque Nationale.

Notable violin students include composer Eugénie-Emilie Juliette Folville.

Selected works

Malherbe composed several comic operas, plus chamber and orchestral music. Selected compositions include:

  • Duo concertant
  • Entr'acte–Sérénade
  • Menuet de Lucette
  • En Route, quickstep for orchestra
gollark: Interestingly enough, you see, the CPU time required to factor a number like that is roughly proportional to the *square root* of it.
gollark: Won't help.
gollark: WhaT?
gollark: I should really patch that.
gollark: With `uninstall` or putting it in a disk drive?

References
  1. Primary source: the genealogy of the Malherbe family, as established by François Piet, on GeneaNet (by inscription).
  2. "Malherbe, Charles Theodore". Retrieved 23 February 2012.
  3. Elisabeth Lebeau, "Malherbe, Charles (Théodore)", in Grove Music Online.
  4. Rameau Œuvres complètes. OCLC 7750304.
  5. Complete works of Hector Berlioz, OCLC 9560930, 2235077.
  6. The Monthly musical record (Digitized online by GoogleBooks). 39. 1900.
  7. The Monthly musical record (Digitized online by GoogleBooks). 31. 1901.
  8. Saffle, Michael (1998). Liszt and his world: proceedings of the International Liszt Conference.
  9. "Précis de l'histoire de l'Opéra-Comique". Retrieved 23 February 2012.

Sources
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