Charles Labie
Charles Labie was a 19th-century French playwright.
His plays were presented on the most important Parisian stages of his time, including the Théâtre du Gymnase, the Théâtre de la Gaîté, the Théâtre du Palais-Royal, the Théâtre de la Porte-Saint-Martin, and the Théâtre des Variétés.
Works
- 1834: Le Commis et la grisette, one-act comédie en vaudevilles, with Paul de Kock and Charles Monier
- 1836: Jeune fille et roi, one-act comedy, mingled with songs, after from a short story by Mme Marceline Desbordes-Valmore, with Joanny Augier
- 1837: Le Cauchemar, revue of 1836
- 1837: La Nouvelle Héloïse, three-act drama, with Charles Desnoyer
- 1837: Le Cauchemar, revue lyonnaise of 1836, one-act vaudeville épisodique, with Joanny Augier
- 1837: Les Giboulées de mars, poisson d'avril en 11 morceaux, with Eugène de Lamerlière
- 1837: Micaela, ou la Folle de Marie de Bourgogne, three-act drama mingled with singing, from a short story by Alphonse Royer, with J. Augier
- 1837: L'Ombre de Nicolet, ou De plus fort en plus fort !, one-act vaudeville épisodique, with Desnoyer
- 1839: Les Femmes laides de Paris, one-act comédie en vaudevilles, with Joanny Augier
- 1839: La Maupin, ou Une vengeance d'actrice, one-act comédie en vaudevilles
- 1839: Le Mauvais sujet, one-act comédie en vaudevilles, with J.Augier and Adolphe Salvat
- 1840: Le Lion et le rat, two-act comédie en vaudevilles, with Saint-Amand
- 1841: Coucou !, one-act comédie en vaudevilles
- 1843: Gloire et perruque, one-act comédie en vaudevilles
- 1846: Les Fleurs animées, one-act comédie en vaudevilles, with Commerson and Xavier de Montépin
- 1846: Les Trois baisers,[1] one-act comédie en vaudevilles, with de Montépin
- 1851: Drinn-Drinn, one-act comédie en vaudevilles, with Édouard Brisebarre and Eugène Nyon
- 1853: La Pompadour des Porcherons, one-act comédie en vaudevilles
- 1854: Jean Pain-Mollet, one-act comédie en vaudevilles
- 1856: La Cigale et la fourmi, saynète
- 1862: Un Merlan en bonne fortune, one-act comédie en vaudevilles, with Charles de Courcy and Varin
- 1865: Roland à Pont-de-Vaux, méli-mélo de grande et de petite musique in 4 acts
- undated: Une nuit de Venise, grand scene in 6 parts
gollark: Have you SEEN ancient times?
gollark: Also that, yes, you can choose what to do as long as it is indirectly valued enough to get people to give you food and such.
gollark: I am not, however, forced to work all the time, and if I work I get a significant cut of the reward for this, unlike a slave.
gollark: I mean, broadly speaking, I'm at least... strongly incentivized... to do work (when I'm at the societally approved™ age for this).
gollark: This is not how slavery works.
References
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