Charles Fergus Binns

Charles Fergus Binns (4 October 1857 in Worcester – 4 December 1935 in Alfred, New York) was an English-born studio potter.[1] Binns was the first director of the New York State School of Clayworking and Ceramics, currently called the New York State College of Ceramics at Alfred University. He began his position in 1900 and retired in 1931.[2] His work included authorship of several books on the history and practice of pottery. Some of his more notable students included Arthur Eugene Baggs,[1] William Victor Bragdon,[2] R. Guy Cowan,[1] Maija Grotell[1] and Elizabeth Overbeck.[2] This has led Binns to be called "the father of American studio ceramics".[3]

Charles Fergus Binns working on the potter's wheel. From The Potter's Craft (1910)

Ceramic technique

Binns's ceramic technique focused on the vessel as a utilitarian object. His work include vases, urns, and bowls.[4] Binns threw each piece in three forms on a wheel, turning them on a lathe and piecing them together afterwards. One of the concepts Binns taught was 'dead ground', in which aspects of making that could not be precisely controlled, such as firing temperature or glaze calculations, were mitigated by control over glaze placement - e.g., glaze was to run to a certain point but not to encroach on the foot.[5]

Binns wrote of the artistic limitations of china-painting, which many amateur artists, mainly women, practiced at the time. He argued that “no-one with a spark of artistic fire can be content to copy the design of another or to merely add the finishing touches to work begun in a factory”, and that this feeling has caused china-painting to give place to pottery-making, in which, from “the consciousness of honest effort”, the artist experiences liberation.[6] His book The Craft of the Potter (1910) may have given rise to the first use of the phrase “studio pottery”. In it Binns referred to "studio work" and the "artist potter", and a review of it in Adelaide Alsop Robineau's magazine Keramic Studio referred to “studio pottery”.[7]

As a critic and influential educator in the ceramic field, his praise of utilitarian wares with artistic quality led the Arts and Craft Movement in American studio pottery.[8]

Influence

Binns authored several books about ceramics. Among these was The Story of the Potter published by George Newnes in 1901, prior to his position at as director of the New York State School of Clayworking and Ceramics. He was an avid contributor to Keramic Studio.[8]

Collections

Examples of Binns's work can be found in museums around the world, including:

  • Alfred Ceramic Art Museum, Alfred University, Alfred, NY[4]
  • Art Institute of Chicago, IL[9]
  • Los Angeles County Museum of Art, CA[10]
  • Metropolitan Museum of Art, New York, NY[11]
  • Museum of Contemporary Craft, Portland, OR
  • Museum of Fine Arts, Boston, MA[12]
  • National Museum of American History, Smithsonian Institute, Washington, DC [13]
gollark: It is apparently blocked as over-18 content, which makes a slight bit of sense because it could let you access some indirectly, but seriously why.
gollark: The wikipedia page for `The Underground History of American Education` seems to have archive.org links to some stuff, but naturally my mobile network blocks archive.org because that makes sense and is an entirely reasonable thing to do.
gollark: I've heard it said that it works more to teach conformity, or make people happier with low level abuse.
gollark: "What, you can just *look up* that information in ten seconds? Nope! Not allowed! Let us never speak of such things."
gollark: Or forcing people to memorize useless information they will never need so that they can remember it for long enough to write down the right bits in an exam so that someone can say that they Know™ this subject... oh wait.

References
  1. Ellen Paul Denker. "Binns, Charles Fergus." In Grove Art Online. Oxford Art Online, (accessed February 3, 2012; subscription required).
  2. Evans, Paul (1974). Art Pottery of the United States. New York: Charles Scribner's Sons. p. 8. ISBN 9780684140292.
  3. Carney, Margaret. (1998) Charles Fergus Binns: The Father of American Studio Ceramics. Hudson Hills Press. ISBN 1-55595-144-9
  4. "The Stonewares of Charles Fergus Binns: Father of American Studio Ceramics". Schein-Joseph International Museum of Ceramic Art. New York State College of Ceramics. Retrieved 22 November 2014.
  5. de Waal, Edmund (2003). 20th Century Ceramics (1st ed.). New York, NY: Thames & Hudson. p. 23. ISBN 0-500-20371-7.
  6. Binns, Charles F., "The craft of the potter", in Gustav Stickley (ed.), The craftsman, Vol. IX, Number 6 (March 1906), pp. 854-856
  7. Keramic Studio (Syracuse, New York), Vol. XII, No.2, June 1910, p.23
  8. Kaplan, Wendy (1987). "The Art that is Life": The Arts & Crafts Movement in America, 1875-1920. Boston, MA: Museum of Fine Arts. p. 251. ISBN 0-87846-265-1.
  9. "Bottle Vase - Charles Fergus Binns". About This Artwork- The Collection. Art Institute of Chicago. Retrieved 22 November 2014.
  10. "Search the Collection- Charles Binns". Los Angeles County Museum of Art. Museum Associates. Retrieved 22 November 2014.
  11. "Search Results for Charles Binns". The Collection Online. Metropolitan Museum of Art. Retrieved 22 November 2014.
  12. "Vase - Charles F. Binns". Artwork. Museum of Fine Arts, Boston. Retrieved 22 November 2014.
  13. "Charles F. Binns vase". National Museum of American History. Smithsonian Institute. Retrieved 6 July 2020.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.