Catherine Morland

Catherine Morland is the heroine of Jane Austen's 1817 novel Northanger Abbey. A modest, kind-hearted ingénue, she is led by her reading of Gothic literature to misinterpret much of the social world she encounters.

Catherine Morland
Jane Austen character
In-universe information
GenderFemale
FamilyRichard Morland
Mrs Morland
RelativesJames Morland (brother)
Sarah "Sally" Morland (sister)
George Morland (brother)
Harriet Morland (sister)
2 elder brothers
3 younger siblings
HomeNorthanger Abbey/Woodston Parsonage

Character

Catherine is barely out of the schoolroom when she enters the social whirl of Bath society, and the novel centres around her attempts, often laughable, to learn about life and social realities.[1] Many of her problems stem from her excessive tendency to take people at their own evaluations;[2] However, while socially naive, Catherine also has an underlying sense of reality to support her;[3] and her honesty and strength eventually see her successfully through her troubles.[4]

Her confrontation at the Abbey itself with the novel's main father figure, General Tilney, brings matters to a head. Unable to see through his manipulations over her postulated inheritance,[5] or to recognise him beneath his fine words as a domestic tyrant,[6] Catherine turns to Gothic fantasy to explain her sense of unease, only to be embarrassed and humiliated when her imaginings of a gruesome murder are laid bare.[7] Arguably, however, she has been both wrong and right in her preconscious judgement of the General,[8] using her Gothic imaginings to articulate the gap between her experience of the General and his social facade.[9]

gollark: In a sense, the idea of the ancap is as bad as the ancap itself.
gollark: recreational orbital lasers > recreational nukes
gollark: Well, it would make polluting with carbon dioxide more expensive, and disincentivize it.
gollark: That's generally just called "negative externalities".
gollark: Governments are especially bad because you don't really get alternatives for a given area.

See also

References
  1. Sheila Kaye-Smith, Talking of Jane Austen (London 1946) p. 218-9
  2. J. Nardin, Those Elegant Decorums (1973) p. 65
  3. R. Liddell, The Novels of Jane Austen (London 1963) p. 9
  4. Sheila Kaye-Smith, Talking of Jane Austen (London 1946) p. 228-9
  5. E. J Sabiston, Private Sphere to Public Stage (2008) p. 18
  6. M. Waldron, Jane Austen and the Fiction of her Time (Cambridge 1999) p. 31
  7. Sheila Kaye-Smith, Talking of Jane Austen (London 1946) p. 18
  8. Tony Tanner, Jane Austen (2007) p. 45
  9. J. Nardin, Those Elegant Decorums (1973) p. 75=7
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