Carlos Alomar

Carlos Alomar (born 7 May 1951) is a Puerto Rican guitarist, composer, and arranger. He is best known for his work with David Bowie from the mid-1970s to the early 2000s, having played on more Bowie albums than any musician other than pianist Mike Garson. He has also performed with Duran Duran side project Arcadia, on the album So Red the Rose.

Carlos Alomar
Born
Carlos Alomar

(1951-05-07) 7 May 1951
Ponce, Puerto Rico
OccupationMusician, guitarist, songwriter
Spouse(s)Robin Clark (m. 1970)
Musical career
Genres
Instruments
  • Vocals
  • guitar
Labels
Associated acts

History

The son of a Pentecostal minister, Alomar was raised in New York. From the age of ten he taught himself to play the guitar, and started playing professionally at age sixteen. In the 1960s he performed during "Amateur Hour" at the Apollo Theater, eventually joining the house band, backing Chuck Berry and many leading soul artists. Around 1968–69 he toured for eight months in James Brown's live band, eventually quitting after being docked wages for missing a musical cue. In 1969 Alomar formed a group called Listen My Brother with vocalists Luther Vandross, Fonzi Thornton (later to work with Chic and Roxy Music), and Robin Clark. Alomar and Clark later wed and had a daughter named Lea.[1]

Alomar subsequently played as a session musician for RCA Recording Studios, and others including Ben E. King ("Supernatural Thing", 1975) and Joe Simon ("Drowning in the Sea of Love"). He also met drummer Dennis Davis while they were both playing with jazz artist Roy Ayers. Alomar then toured with the band The Main Ingredient.

Collaboration with David Bowie

Alomar met David Bowie in early 1974, during sessions for Lulu's recording of the Bowie-penned song "Can You Hear Me?". Bowie was keen for Alomar to join his band for the Diamond Dogs tour, but negotiations with Bowie's management stalled and Alomar stayed with The Main Ingredient. During a six-week break from his tour in mid-1974, Bowie recorded a series of songs for a new album in Sigma Sound Studios with Alomar, who brought in Vandross, Clark, Davis, and bassist Emir Kassan to contribute to the recordings as well. Most of the material for the Young Americans album was recorded during these sessions, and Alomar joined Bowie for the second leg of the Diamond Dogs tour (dubbed "The Philly Dogs Tour") in September–December 1974. In January 1975, Bowie and John Lennon recorded "Across the Universe" at Electric Lady Studios and from this session resulted the impromptu song "Fame", which evolved from the guitar riff Alomar had originated for the song "Foot Stompin'" during the Philly Dogs shows. With writing credit divided between Bowie, Alomar and Lennon (and funky guitar riffs later copied for James Brown's 1975 recording "Hot (I Need to be Loved)"), "Fame" gave Bowie his first US#1 single, and its parent album Young Americans (1975) marked Carlos Alomar's first appearance on a David Bowie album.[2] This began a long period of collaboration in which Alomar led the rhythm section of Alomar/Dennis Davis/George Murray that would underpin Bowie's recordings for the next half-decade, behind a variety of lead guitarists, including Earl Slick, Stacey Heydon, Ricky Gardiner, Robert Fripp, and Adrian Belew.[3]

Alomar played on Bowie's next album, Station to Station (1976), designing the riffs that opened the songs "Golden Years" and "Stay", and touring with Bowie for the Station To Station tour of 1976. This was Alomar's first Bowie tour as musical director; around this time, Alomar, Bowie, and Iggy Pop wrote the song "Sister Midnight"; originally performed by Bowie during the 1976 tour, it was later recorded by Bowie and Iggy as the opening track on Iggy's album The Idiot (1977) before being re-written by Bowie as "Red Money" for his album Lodger (1979). Alomar played on Bowie's groundbreaking "Berlin Trilogy" of albums—Low (1977), "Heroes" (1977) and Lodger; he also co-wrote the "Heroes" track "The Secret Life of Arabia" and the Lodger track "DJ" with Bowie and Brian Eno. In the Lodger single "Boys Keep Swinging", Alomar swapped instruments with Dennis Davis and played drums. Alomar played guitar on Iggy Pop's two Bowie-produced albums of 1977, The Idiot and Lust For Life,[2] and in 1978, he joined Bowie for the world tour which resulted in the live album Stage. On this tour, Alomar was again the musical director, swapping his guitar for a baton to conduct the band during the drum-free instrumental pieces from Low and "Heroes".

Scary Monsters (1980) marked the last time Alomar would play alongside George Murray and Dennis Davis on a Bowie album; a planned Scary Monsters tour was aborted and Alomar instead joined Iggy Pop's band for a series of shows in October–December 1981 (the show from San Francisco on 25 November has been released on VHS and DVD). Alomar did not play on Bowie's album Let's Dance (1983) – the role of rhythm guitarist was undertaken by that album's co-producer, Nile Rodgers – but he re-joined Bowie as rhythm guitarist and musical director for the mammoth Serious Moonlight world tour in 1983. In 1984, Alomar played on Bowie's album Tonight; he also co-wrote the album's closing track, "Dancing With the Big Boys", with Bowie and Iggy Pop. In 1987, Alomar played on Bowie's album Never Let Me Down; the album's title track – released as a single and credited to Bowie/Alomar – was originally an Alomar composition entitled "I'm Tired," before it was re-written by Bowie. Alomar was the musical director/rhythm guitarist for Bowie's infamous and highly theatrical Glass Spider Tour in 1987 (beginning every show with a frenzied guitar solo), but Bowie ended his long-running creative association with Alomar after the critical panning of Never Let Me Down and the Glass Spider tour. The two men would not record together again until January–February 1995, during sessions in New York for Bowie's album Outside (1995). In the meantime, Alomar recorded and released his first solo album, Dream Generator, in 1988.

Alomar toured with Bowie's band for the first leg of the Outside Tour (September 1995 – February 1996). The tour was not a pleasant experience for Alomar, who found Bowie inaccessible and didn't get along with musical director Peter Schwartz, and he did not re-join Bowie when the tour resumed in September 1996. However, Alomar later played guitar on the Bowie tracks "Everyone Says 'Hi'" (from the album Heathen in 2002) and "Fly" (a bonus track on the limited edition version of the album Reality in 2003).

Collaboration with artists apart from Bowie

Alomar has performed with a number of other famous musicians including Paul McCartney, Simple Minds, Graham Parker, Mick Jagger,[2] Iggy Pop, The Pretenders for their album Get Close in 1986, and Argentine rock band Soda Stereo. In all, Alomar has played on a total of 32 Gold and Platinum albums. He is currently the director of Boombacker Records. He was the bandleader on the short-lived TV chat show, The Caroline Rhea Show (2002–2003) and is also the president of the New York chapter of The Recording Academy,[4] the organization responsible for the Grammy Awards. In 2005, Alomar joined the teaching staff of Stevens Institute of Technology (Hoboken, New Jersey) as an adjunct professor of Music & Technology, producing several tracks for the inaugural release of the school's Castle Point Records label's Delusions of Grandeur (2006). In 2010 Carlos Alomar was made their first "Distinguished Artist in Residence" and in 2011 he was awarded an honorary Bachelor of Arts.[3]

Alomar collaborated with Scissor Sisters for their second album Ta-Dah, and one track from these recording sessions, "Transistor", which ultimately featured on the second disc of the deluxe edition of the album, featured his wife Robin and daughter Lea on backing vocals. In October 2008, he performed with Richard Barone at Carnegie Hall, as a special guest in Barone's theatrical concert, "FRONTMAN: A Musical Reading". In 2010 Alomar performed as guitarist on Alicia Keys album The Element of Freedom.

Alomar resides in North Bergen, New Jersey.[5]

Selected discography

With Kenny Barron

With David Bowie

With Iggy Pop

With Julia Fordham

With Ben E. King

With Arcadia

With Carly Simon

With Cyndi Lauper

With Debbie Gibson

With Mick Jagger

With Paul McCartney

With Jimmy Owens

With Jennifer Rush

With Belouis Some

With Casiopea

With Soda Stereo

  • Doble Vida (as producer, guest guitar and rapper) (1988)

With FUN

  • PAX (as guitar) (1996)
  • CHAOS (as guitar) (1997)

With Brandon Flowers

With ANGIESCREAMS

  • The Revelation of Arthur Lynn (as producer) (2010)

Solo albums

  • Dream Generator (1987)

Equipment
gollark: Maybe just that, as I said, civilisations with more resources can afford to be nicer regardless of whether it is an actual advantage.
gollark: I got *that* bit, I'm just saying that I don't think that implies what Runa implies it implies.
gollark: To what I said.
gollark: I don't see the relevance.
gollark: It could equally be that better-off societies can afford to be nicer without becoming uncompetitive.

References
  1. Carlos Alomar. 2011. Retrieved 13 October 2011.
  2. Prato, Greg. "Carlos Alomar: Biography". Allmusic. Retrieved 1 June 2011.
  3. Carlos Alomar. Archived 11 April 2012 at the Wayback Machine Stevens Institute of Technology. College of Arts and Letters. Institute of Music & technology. 2011. Retrieved 13 October 2011.
  4. "GRAMMY.com". Archived from the original on 4 June 2004. Retrieved 22 April 2017.CS1 maint: BOT: original-url status unknown (link)
  5. Smith, Ray. "The future of music; Guitar legend Carlos Alomar shares his craft at Stevens" Archived 10 May 2017 at the Wayback Machine, Hudson Reporter, 4 November 2010. Accessed 10 April 2016. "Alomar, who now lives in North Bergen, began teaching at Stevens five years ago, but is 'extremely honored' after being named the Distinguished Artist in Residence."
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.