Canray Fontenot

Canray Fontenot (October 16,[a] 1922[1] – July 29, 1995)[2] was an American Creole fiddle player, who has been described as "the greatest Creole Louisiana French fiddler of our time."[3]

Canray Fontenot
Canray Fontenot and Bois Sec playing at the Newport Folk Festival in 1966.
Background information
Born(1922-10-16)October 16, 1922
L'Anse aux Vaches, Evangeline Parish, Louisiana, U.S.
DiedJuly 29, 1995(1995-07-29) (aged 72)
Welsh, Louisiana, U.S.
GenresCreole
Cajun
InstrumentsFiddle

Early life

Canray Fontenot was born in L'Anse aux Vaches, near Basile, Louisiana;[3][4] his family was from nearby Duralde.[5] Fontenot, who grew up working on a family farm, inherited his musical skills from his parents, who played accordion; his father Adam, known as "Nonc Adam", played with Amédé Ardoin.[3] Canray first played a cigar-box fiddle that had strings taken off the screen door of his home. His bow was made from the branches of pear trees and sewing thread.

Canray stated: "So, we took some cigar boxes... In those days, cigar boxes were made of wood. So, we worked at it and finally made ourselves a fiddle. For our strings, we had no real strings ... we took strands off the screen door. We made fiddles out of that stuff, and then we started practicing." He visited a neighbor "to see how he tuned his fiddle. He would sound a string, and then I would try mine, but I couldn't go as high as his fiddle; every time I tried to match his pitch, I'd break a string.... But then when he would break a string, I would take the longest end. Then my fiddle sounded pretty good. And that's how I learned. It's just a matter of having music on your mind."[5]

Music career

By 1934, Fontenot had begun performing with Amédé Ardoin, who wanted him to play on a recording session with him in New York; however, his parents would not allow him to travel.[3] In the late 1930s, he formed a string band with George Lenard and Paul Frank, playing boogie woogie, western swing and jazz as well as traditional tunes, but after a few years Fontenot established a more lasting partnership with accordionist Alphonse "Bois Sec" Ardoin (a cousin of Amédé) from nearby Duralde. In 1948 the pair formed the Duralde Ramblers, who became highly popular in south west Louisiana and made many radio broadcasts through the 1950s, notably on KEUN in Eunice.[3] He also began writing songs. His most well-known original songs are "Joe Pitre a Deux Femmes", "Les Barres de la Prison", and "Bonsoir Moreau", which have become standards in the Cajun and Zydeco music repertoires.[2] Fontenot was never a professional musician; he was a rice farmer for many years, and also worked as a labourer in a feed store in the town of Welsh.[3]

Fontenot and Ardoin made their debut outside of Louisiana in 1966, performing at the Newport Folk Festival. At the time, Fontenot had not performed in public for several years, but was persuaded to do so by folklorist Ralph Rinzler.[3] Following the festival, the pair recorded an album with producer Dick Spottswood, Les Blues Du Bayou, and from then on started appearing in a steady stream of festivals in Louisiana and around the world, becoming the last Creole musicians playing music in the "old style".[3]

In 1986, Fontenot and Ardoin were both awarded National Heritage Fellowships by the National Endowment for the Arts, which is the United States government's highest honor in the folk and traditional arts.[6] Also in 1986, he and Ardoin were appointed adjunct professors at the University of Southwestern Louisiana. In later years he was featured in many documentaries on Cajun and Creole culture, including the 1989 film J'ai Ete au Bal as well as PBS's American Patchwork Don't Drop the Potato. He also performed in New Orleans and toured Europe with the band Filé.[3] There is a portrait of Canray in Yasha Aginsky's 1983 film Cajun Visits, and in Jean-Pierre Bruneau's 1993 film Louisiana Blues, edited by Yasha Aginsky.

Canray Fontenot died in 1995 at his home in Welsh, Louisiana, from cancer.[4][7]

Legacy

The New Orleans culture magazine OffBeat Magazine has compared Fontenot to contemporary artist Jourdan Thibodeaux, who also performs music of the "Cajun French" style.[8] Mark DeWitt, an expert of Louisiana's traditional music styles has noted that modern zydeco style has moved away from the fiddle to emphasize the accordion. Zydeco DJ James "J.B." Adams has noted that most of the Creole fiddlers have died: "When Canray passed, it’s like it’s gone. It’s almost like a lost art."[9]

Recordings

Fontenot's music can be found on Arhoolie Records, CD 381, Canray Fontenot: Louisiana Hot Sauce, Creole Style, 1993; also on Arhoolie Records, Les Blues de Bayou, 1970; and also on Arhoolie Records, La Musique Creole, 1983.

  • "Les Blues du Voyageur" Canray Fontenot & Alphonse 'Bois-Sec' Ardoin Listen (MP3)
  • "Jolie Bassette" Canray Fontenot & Alphonse 'Bois-Sec' Ardoin Listen (MP3)
gollark: > As an additional clarification to the above clause, this privacy policy supersedes and overrides the "EndOS" privacy policy regardless of any contradictory claims it may contain. The TaterOS privacy policy is to be ignored.
gollark: > By using potatOS, agreeing to be bound by these terms, misusing potatOS, installing potatOS, reading about potatOS, knowing about these terms, knowing anyone who is bound by these terms, disusing potatOS, reading these terms, or thinking of anything related to these terms, you agree to be bound by these terms both until the last stars in the universe burn out and the last black holes evaporate and retroactively, arbitrarily far into the past.
gollark: It says "or", so no you don't.
gollark: Nope, the potatOS privacy policy does *not* require me to so I won't.
gollark: Oh, I should add that.

See also
  • History of Cajun Music
  • List of Notable People Related to Cajun Music

Notes

a. ^ Some sources say the 23rd

References
  1. Savoy, Ann Allen, ed. (1986) [1984]. Cajun Music: A Reflection of a People. 1. Eunice, Louisiana: Bluebird Press. p. 329. ISBN 978-0-930169-00-8.
  2. "Canray Fontenot". Archived from the original on September 28, 2007.
  3. Harris, Paul (2008). "Biography of Canray Fontenot". Juke Blues (65).
  4. Eagle, Bob; LeBlanc, Eric S. (2013). Blues - A Regional Experience. Santa Barbara: Praeger Publishers. p. 381. ISBN 978-0313344237.
  5. "NEA National Heritage Fellowships: Canray Fontenot". Archived from the original on June 6, 2011. Retrieved January 9, 2011.
  6. "NEA National Heritage Fellowships 1986". www.arts.gov. National Endowment for the Arts. Retrieved October 30, 2018.
  7. Eagle, Bob; LeBlanc, Eric S. (2013). Blues - A Regional Experience. Santa Barbara: Praeger Publishers. p. 314. ISBN 978-0313344237.
  8. Willging, Dan (March 28, 2018). "Jourdan Thibodeaux Et Les Rôdailleurs, "Boue, Boucane, Et Bouteilles" (Valcour Records)". Offbeat Magazine. Retrieved March 21, 2019.
  9. Myers, Ben (June 17, 2018). "Meet Willie Durisseau, the 100-year-old purveyor of Creole fiddle playing who's inspired a new contest". The Acadiana Advocate. Retrieved March 21, 2019.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.