Caffe Cino

Caffe Cino was an Off-Off-Broadway theater founded in 1958 by Joe Cino. The West Village coffeehouse, located at 31 Cornelia Street, was initially imagined as a venue for poetry, folk music, and visual art exhibitions. The plays produced at the Cino, however, became most prominent, and it is now considered the "birthplace of Off-Off-Broadway".[1]

Caffe Cino
Address31 Cornelia St
New York City
United States
OperatorJoe Cino
TypeOff-Broadway theatre
Opened1958
Closed1968
Website
caffecino.wordpress.com


Beginnings and early productions

Joe Cino was born into an Italian-American family, and moved from Buffalo, New York to be a dancer in New York City. After ten years, he used his $400 in savings and opened the "Caffe Cino Art Gallery".[2] Initially, Cino encouraged his friends to hang their artwork on the walls. That led to poetry readings, which led to staged readings and eventually to productions of plays.[3]

During the early days of the Cino, plays were produced on the floor. A makeshift 8x8-foot stage was later created using milk cartons and carpet remnants. Productions were initially limited to 30 minutes, and the audience could stand anywhere. The space was only 18x30-feet, and audience members often perched atop the cigarette machine.[2] Admission was one dollar, and audience members were offered a coffee and an Italian pastry along with the show.[3]

The fire (1965) and Joe Cino's death (1967)

On Ash Wednesday of 1965, a fire destroyed the interior of the Cino. The building's structure was not affected. A new lighting system had recently been installed, along with the fireproofing of the Caffe's ceiling, which prevented the fire from spreading to the rest of the tenement building.[4] The official cause of the fire was a gas leak, but some suspected that Cino's lover set the fire. The community raised money by staging benefit performances while the Caffe was closed for renovations.[1] Ellen Stewart, founder of La MaMa Experimental Theatre Club, offered Cino and his staff a space to continue Caffe Cino productions on Sunday and Monday nights at her theater.[4]

Joe Cino died three days after an attempted suicide in 1967. Some suspected that the attempt was due to the death of Cino's lover, John Torrey, and to his drug use.[2]

Notable contributors

The Caffe Cino was an incubator for first-time directors, playwrights, actors, and lighting or set designers. Many continued to work in stage, screen, or both after the Cino closed. Notable contributors include:

gollark: "hmm, I feel too persecuted as a woman, I will change gender, thus becoming an even more persecuted minority"
gollark: Yes, but it's entirely different.
gollark: > Oh IFcoltransG said that that option doesn't really exist for genderIt doesn't. Gender transitioning is way harder and slower and more serious and also less accepted than hair dye.
gollark: A non mandatory one would be biased towards people who really care about whatever aspects of their identity it records.
gollark: I'd assume 10%ish, but nearby countries should be able to provide okay figures.

References
  1. Steven McElroy (December 7, 2001). "Portal to Off Off Broadway's Early Days". The New York Times. Retrieved April 9, 2018.
  2. Dusica Sue Malesevic (December 2, 2015). "'Magic Time' at the Caffe Cino". The Villager (Manhattan). Retrieved April 9, 2018.
  3. Tony Ortega (September 10, 2009). "Caffe Cino Goes Up in Smoke". The Village Voice. Retrieved April 9, 2018.
  4. The Ghastly One: The Sex-Gore Netherworld of Andy Milligan by Jimmy McDonough

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