Burne Hogarth

Burne Hogarth (born Spinoza Bernard Ginsburg,[1][2] December 25, 1911 – January 28, 1996) was an American artist and educator, best known for his work on the Tarzan newspaper comic strip and his series of anatomy books for artists.

Burne Hogarth
Burne Hogarth at the 1982 San Diego Comic Con
BornSpinoza Bernard Ginsburg
(1911-12-25)December 25, 1911
Chicago, Illinois, U.S.
DiedJanuary 28, 1996(1996-01-28) (aged 84)
Paris, France
NationalityAmerican
Area(s)Artist, educator
Notable works
Tarzan
burnehogarth.com

Early life

Burne Hogarth was born in Chicago in 1911,[3] the younger son of Pauline and carpenter Max[4][5][2][6] He displayed an early talent for drawing. His father saved these efforts and some years later presented them and the young Hogarth to the registrar at the Art Institute of Chicago. At age 12, Hogarth was admitted, embarking on a formal education that took him through such institutions as Chicago's Crane College and Northwestern University, and New York City's Columbia University in New York City – also studying arts and sciences.[7]

Due to his father's early death, Hogarth began work at age 15, when he became the assistant at the Associated Editors Syndicate and illustrated a series called Famous Churches of the World. He worked for several years as an editor and advertising artist. This work provided steady (and, by 1929, crucial) employment. In 1929, he drew his first comic strip, Ivy Hemmanhaw, for the Barnet Brown Company; in 1930 he drew Odd Occupations and Strange Accidents for Ledd Features Syndicate.[7]

As the Great Depression worsened, Hogarth relocated to New York City at the urging of friends. He found employment with King Features Syndicate in 1934, drawing Charles Driscoll's pirate adventure Pieces of Eight (1935). In 1936 came the assignment that catapulted Hogarth's illustration career. With Tarzan, Hogarth brought together classicism, expressionism and narrative into a new form of dynamic, sequential art: the newspaper comic strip. Hogarth drew the Tarzan "Sunday (newspaper comic strip) page" for 12 years (1937–45; 1947–50). This work has been reprinted often, most recently by NBM Publishing.[7][8]

Art instruction

Almost as long as he was a professional artist, Hogarth was a teacher. Over the years, he was an instructor of drawing to a variety of students at a number of institutions, and by 1944 Hogarth had in mind a school for returning World War II veterans. The Manhattan Academy of Newspaper Art was Hogarth's first formal effort, and by 1947 he had transformed it into the Cartoonists and Illustrators School. This academy continued to grow, and in 1956 was again renamed, as the School of Visual Arts (SVA), now one of the world's leading art schools. Hogarth designed the curriculum, served as an administrator and taught a full schedule that included drawing, writing and art history. Hogarth retired from the SVA in 1970 but continued to teach at the Parsons School of Design and, after a move to Los Angeles, the Otis School and Art Center College of Design in Pasadena.[8]

Books
Burne Hogarth's Tarzan (February 7, 1943)

During his years teaching, Hogarth authored a number of anatomy and drawing books. Dynamic Anatomy (1958) and Drawing the Human Head (1965) were followed by further investigations of the human form. Dynamic Figure Drawing (1970) and Drawing Dynamic Hands (1977) completed the figure cycle. Dynamic Light and Shade (1981) and Dynamic Wrinkles and Drapery (1995) explored other aspects relative to rendering the figure.[8]

Graphic novels

After more than 20 years away from strip work Hogarth returned to sequential art in 1972 with Tarzan of the Apes, a large-format hardbound graphic narrative published by Watson Guptill in 11 languages. He followed with Jungle Tales of Tarzan (1976), integrating previously unattempted techniques such as hidden, covert, and negative space imagery with inspired color themes into a harmonious visual description, a pinnacle of narrative art. These texts, in addition to Hogarth's strip work, exert a pervasive and ongoing influence within the global arts community and among delighted readers everywhere.[7][8]

His energetic speeches were known for addressing any topic that was thrown at him with a lengthy string of ideas that could cover the French Revolution and amusement parks by way of Postmodernism and graffiti art, meandering through economics and globalization, only to return to an enlightened answer to the original question. In his teaching he was known for a vigorous and surprising approach, which could include instructions such as: "Paint me this sound: a spider walking on his web. What is the music of that sound?"[8]

Awards

He received recognition for his work in the United States, including the National Cartoonist Society Advertising and Illustration Award for 1975, Magazine and Book Illustration Award for 1992, and Special Features Award for 1974, and dozens of awards internationally. He taught, wrote, created and theorized lucidly and passionately into his last days. For decades he was regularly invited to international events, frequently in a starring capacity. Shortly after attending the Angoulême International Comics Festival in 1996, Hogarth returned to Paris where he suffered heart failure, dying January 28 at age 84.[3]

2010 The Will Eisner Award Hall of Fame[9][10]

Bibliography

Comics work includes:

  • Tarzan:
    • Tarzan, Lord of the Jungle
    • Tarzan and the Elephants
    • Tarzan and the Adventurers
    • Tarzan and the Pygmies
  • Miracle Jones
  • Drago[11]

Non-fiction books, mainly on the principles of art and design, include:

  • Dynamic Anatomy (1958, reprint 2003, ISBN 0-8230-1552-1)
  • Drawing the Human Head (1965, reprint, 1989, ISBN 0-8230-1376-6)
  • Dynamic Figure Drawing (1970, reprint, 1996, ISBN 0-8230-1577-7)
  • Drawing Dynamic Hands (1977, reprint 1988, ISBN 0-8230-1368-5)
  • Dynamic Light and Shade (1981, reprint 1992, ISBN 0-8230-1581-5)
  • Dynamic Wrinkles and Drapery (1995, ISBN 0-8230-1587-4)

Articles

Writings:

Written by Burne Hogarth, this article details the pitfalls of traditional art school, and points out the benefits of The Cartoonist's and Illustrator's Center (the present-day School of Visual Arts), which he co-founded.[12]

This article details (among other things) the influence of Burne Hogarth's artwork on Vittorio Storaro, ASC, AIC during the making of Apocalypse Now. From the article: "Storaro's surrealistic treatment of the jungle scenes was partially inspired by the art of Burne Hogarth, whose bold use of color brought the Tarzan comic strip to vivid life during the late 1930s."[12]

gollark: Basically!
gollark: And also the good things.
gollark: But Void has 64-bit repos and is designed for somewhat more advanced users.
gollark: They have somewhat good reasons to be 32-bit because they want one image for all Pis (except 4s now)?
gollark: Yes.

References
  1. Contento, William G. "Miscellaneous Anthologies Index". Galactic Central. Galactic Central Publications. Retrieved 18 April 2016.
  2. Jay, Alex. "Ink-Slinger Profiles by Alex Jay: Burne Hogarth". Stripper's Guide. Allan Holtz. Retrieved 18 April 2016.
  3. De Weyer, Geert (2008). 100 stripklassiekers die niet in je boekenkast mogen ontbreken (in Dutch). Amsterdam / Antwerp: Atlas. p. 215. ISBN 978-90-450-0996-4.
  4. Commrie, Anne (March 1991). "Something about the Author".
  5. "Burne Hogarth - Artist, Fine Art Prices, Auction Records for Burne Hogarth".
  6. Ancestry.com. Ancestry.com http://search.ancestry.com/cgi-bin/sse.dll?uidh=000&rank=1&new=1&so=3&msT=1&gsln=Libermann&MSAV=1&cp=0&cpxt=0&catBucket=rstp&db=mediaphotopublic&sbo=t&gsbco=Sweden&noredir=true&geo_a=r&o_iid=62817&o_lid=62817&o_sch=Web+Property. Retrieved 18 April 2016. Missing or empty |title= (help)
  7. Lambiek: Burne Hogarth
  8. Comicbookdb
  9. Award List
  10. Live Blogging the 2010 Eisner Awards
  11. Drago at Don Markstein's Toonopedia. Archived from the original on March 6, 2015.
  12. Official Website of Burne Hogarth
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.