Bryce Hudson

Bryce Hudson (March 29, 1979, Rabat, Morocco) is a Moroccan-American Neo-plasticist (De Stijl) painter. Hudson's early geometric paintings explore race and stereotypes through means of the Geometric abstraction style. Later in his career, influenced by the theories of Constructivism the paintings and wall sculptures referenced abstracted architectural and spatial elements. His printmaking combines movements in art history such as Minimalism and Rococo.[1]

Bryce Hudson
Bryce Hudson
Born(1979-03-29)March 29, 1979
Rabat, Morocco
NationalityAmerican
EducationKent State University
Known forPainting, murals, psychology
MovementAbstract art, cubism, geometric abstraction, neoclassicism
Patron(s)Brown-Forman Corporation, Matthew Barzun, Henry Schein Corporation

Along with contemporaries Pierre Clerk and Ilya Bolotowsky, Hudson works within a small set of artist working within the Neo-Plastic style - not adhering to strict rules, but exploring the depth and future of geometric abstract art.[2]

Life

Bryce Hudson was born in Rabat, Morocco and adopted into an American family as an infant. He studied painting, psychology, and sculpture at Kent State University School of Fine Art. In a 1999 exhibit at the Speed Museum, he explored mixed-race and psychological influences of race and identity in contemporary society.

Notable exhibits, awards, and medals
  • 1999 – Beyond The Walls - Speed Art Museum, Louisville KY.[3]
  • 2006 – Contemporary Geometric Abstraction - Mason Muir Fine Art, Atlanta, Georgia
  • 2007 – Finding Family - 21c Museum Hotel, Louisville, KY
  • 2008 – Neue Perspektiven in der Malerei (New Perspectives in Painting) - Tsinghua University, Beijing, China
  • 2010 – Embracing Ambiguities – California State University, Fullerton, California
  • 2011 – Art Taipei – Taipei, Taiwan
  • 2012 – Thomas More College – Cincinnati, Ohio
  • 2012 – Koru Contemporary – Hong Kong, HK
  • 2012 – East African Art Biennale – Dar es Salaam, Tanzania, Africa
  • 2014 – Art Miami – The Duane Reed Gallery
  • 2015 – Koru Contemporary Art Center – Hong Kong, HK
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gollark: They don't interfere or block it, the eye just interprets "green plus things" as some other color.
gollark: Also true but not very relevant.
gollark: Sure.
gollark: Assuming by "higher low frequencies" you mean "more intensity at the lower frequencies".

References
  1. "Bryce Hudson Website". Modernist Icon. Retrieved 26 September 2015.
  2. "Neo Plasticism, DeStijl and its Contemporary Influences". Contemporist Icon. Retrieved 26 December 2012.
  3. "Speed Museum - Past Exhibits of 2000". Speed Art Museum. Archived from the original on 10 October 2010. Retrieved 29 January 2001.

Further reading
  • Van Bogaert, Emily; Stephanie brothers (2009). Bryce Hudson: Explorations in the Shadow of Pop Culture (Hardcover). Holland Brown Books. ISBN 978-0979700613.
  • Henger, Sue (2010). Embracing Ambiguity: Faces of the Future (Paperback). California State University Fullerton. ISBN 978-0935314786.
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