Brighton Beach Memoirs

Brighton Beach Memoirs is a semi-autobiographical play by Neil Simon, the first chapter in what is known as his Eugene trilogy. It precedes Biloxi Blues and Broadway Bound.

This article is about the play. For the film based on the play, see Brighton Beach Memoirs (film).
"Brighton Beach Memoirs"
Original Playbill
Written byNeil Simon
Date premieredDecember 10, 1982
GenreComedy

Productions

Brighton Beach Memoirs had a pre-Broadway engagement at the Ahmanson Theatre in Los Angeles on December 10, 1982, and following an additional pre-Broadway engagement at the Curran Theatre in San Francisco,[1] the play premiered on Broadway at the Alvin Theatre[2] on March 27, 1983 and transferred to the 46th Street Theatre, where it closed on May 11, 1986 after 1,299 performances and 7 previews. Directed by Gene Saks, the cast featured Matthew Broderick (Eugene Jerome), Elizabeth Franz (Kate Jerome), Peter Michael Goetz (Jack Jerome), Mandy Ingber (Laurie Morton), Željko Ivanek (Stanley Jerome), Jodi Thelen (Nora Morton) and Joyce Van Patten (Blanche Morton). Van Patten joined the cast after Piper Laurie was let go during rehearsals. Scenic design was by David Mitchell, Costumes were by Patricia Zipprodt and lighting was by Tharon Musser.[3][4] Cast replacements included Fisher Stevens, Doug McKeon, Jon Cryer, Robert Sean Leonard, and Jonathan Silverman as Eugene and Elizabeth Perkins, Josh Hamilton, Stanley Tucci, Anita Gillette, Patrick Brennan, Dick Latessa and Verna Bloom in other roles. Brighton Beach Memoirs is the last non-musical play to run over 1,000 consecutive performances on Broadway.[5]

Broadway revival

A revival opened on Broadway on October 25, 2009 at the Nederlander Theatre. Directed by David Cromer, the cast featured Laurie Metcalf as Kate Jerome and Dennis Boutsikaris as Jack Jerome, with Santino Fontana as Stanley Jerome, Jessica Hecht as Blanche, Gracie Bea Lawrence as Laurie, Noah Robbins as Eugene and Alexandra Socha as Nora.[6][7]

The production was planned to run in repertory with Broadway Bound, which was to feature the same cast with the exception of Josh Grisetti, who was to assume the role of the "older" Eugene (played by Noah Robbins in the earlier play) and Allan Miller in the role of Ben. The two plays were produced and promoted as "The Neil Simon Plays".[8] Despite generally positive reviews from New York critics, Brighton Beach Memoirs closed on November 1, 2009 after 9 performances and 25 previews due to weak ticket sales. Subsequently, the planned production of Broadway Bound was cancelled.[9]

The New York Times, in analyzing the revival's failure, wrote that "What went wrong with 'Brighton Beach Memoirs' is a case study in success and failure on Broadway today. There were no big stars like Jude Law in the current commercial hit 'Hamlet,' there was no marketing campaign that framed the Simon play as a can’t-miss theatrical event, and there was no wow factor that brought the period piece to life, like the breakneck pacing of the popular farce 'Boeing-Boeing' last year. But the failure also reflects America’s evolving sense of humor and taste... It actually received good reviews, but the play was shuttered because people, for whatever reason, did not want to see the Simon show about a Depression-era family laughing through the tears. The show cost $3 million to produce but never grossed more than $125,000 a week in ticket sales during preview performances — or 15 percent of the maximum possible — an amount that did not even cover running costs."[10]

Plot overview

Set in the Brighton Beach section of Brooklyn, New York in September 1937 during The Great Depression, this coming-of-age comedy focuses on Eugene Morris Jerome, a Polish-Jewish American teenager who experiences puberty, sexual awakening, and a search for identity as he tries to deal with his family, including his older brother Stanley, his parents Kate and Jack, Kate's sister Blanche, and her two daughters, Nora and Laurie, who come to live there after their father's death. The new living arrangement is taking its toll on Jack's health, as he has to work two stressful jobs to support the extended family. Meanwhile Aunt Blanche is interested in dating their neighbor, who has a drinking problem, despite Kate's objections; Stanley faces problems with his own job, when he stands up to his somewhat tyrannical boss; cousin Nora, whom Eugene has a crush on, is eager to be a dancer in a Broadway musical, even though the family's circumstances might not allow it; and cousin Laurie, who has heart problems, is a source of annoyance for Eugene.

Characters
  • Eugene Morris Jerome, almost 15
  • Blanche Morton, 38: Eugene's widowed aunt
  • Kate Jerome, about 40: Eugene's mother, a strong Jewish matriarch
  • Laurie Morton, 13: Eugene's younger cousin, has heart problems
  • Nora Morton, 16½: Eugene's beautiful older cousin
  • Stanley Jerome, 18½: Eugene's older brother
  • Jacob "Jack" Jerome, about 40: Eugene's father

Awards and nominations

Jewish Culture

Because of Neil Simon’s own Jewish background and upbringing, much of his work, Brighton Beach Memoirs being a clear example, is semi-autobiographical. Simon infused Jewish humor into Brighton Beach Memoirs and represents Jewish culture in a way that many Jews find comforting and reminiscent of their own families. However through his characters, Simon also shows real American Jews what they look like, offering “an unsettling mirror: one in which we watched our community identify as Jews only in the most cursory ways, through humor and cultural touchstones.”[11]

Reception

Reviews for the original Broadway production were mixed. Clive Barnes of the New York Post called Brighton Beach Memoirs Simon's "best play yet" but also "a slight disappointment" because the playwright "always pulls back from the jugular."[12] Frank Rich of the New York Times judged the play to be "a pleasant evening" that "never quite stops being nice and starts being either consistently involving or entertaining."[4] Nevertheless, the play was popular with Broadway audiences and had a long and successful run. When the play was not nominated for the Tony Award for Best Play, producer Emanuel Azenberg called the snub "an outrageous injustice" and "a personal insult," and Variety published an editorial declaring "Neil Simon Deserves Better."[5] In 1983 Dolores Dolan of The New York Times said that after it achieved popularity on Broadway, the community of Brighton Beach "attracted some notice" when it had historically "receive[d] little attention".[13]

Theatre scholar Jordan Schildcrout notes that many critics compared elements of Brighton Beach Memoirs to classic American plays including Eugene O'Neill's Ah! Wilderness, Tennessee Williams' A Streetcar Named Desire, Clifford Odets' Awake and Sing, and Arthur Miller's Death of a Salesman.[5]

Film adaptation

In 1986 the play was adapted into a movie directed by Gene Saks with the screenplay by Neil Simon. The cast featured Jonathan Silverman (Eugene), Blythe Danner (Kate), Bob Dishy (Jack), Lisa Waltz (Nora), Brian Drillinger (Stanley), Stacey Glick (Laurie), and Judith Ivey (Blanche). The film frequently breaks the fourth wall by having Eugene speak directly to the camera.

Roger Ebert, in his review for the Chicago Sun-Times wrote: "The movie feels so plotted, so constructed, so written, that I found myself thinking maybe they shouldn't have filmed the final draft of the screenplay. Maybe there was an earlier draft that was a little disorganized and unpolished, but still had the jumble of life in it.... The movie was directed by Gene Saks, who directs many of Simon's plays on both the stage and the screen, and whose gift is for the theater. His plays have the breath of life; his movies feel like the official authorized version. Everything is by the numbers."[14][15]

gollark: I think that might have been to mildly irritate users? Still, it's there now.
gollark: Anyway, I should be able to patch it now without much trouble.
gollark: Er, not flags, content.
gollark: I mean, the key is the *type* of thing (or was meant to be), the contents are flags to filter on.
gollark: Oh, it iterates over it anyway!

References
  1. SHN Season History: 1983
  2. "Neil Simon Theatre". Nederlander Organization. Since 1927, this theatre was known as the Alvin. It was renamed in 1983 to honor America’s most prolific playwright, Neil Simon...
  3. Brighton Beach Memoirs (1983 production) at the Internet Broadway Database
  4. Rich, Frank. "Theater Review. Neil Simon's Brighton Beach' " The New York Times, March 28, 1983
  5. Schildcrout, Jordan (2019). In the Long Run: A Cultural History of Broadway's Hit Plays. New York and London: Routledge. p. 194. ISBN 978-0367210908.
  6. Brantley, Ben."Theater review. Neil Simon’s Jeromes, at Home at the Nederlander" The New York Times, October 26, 2009
  7. Brighton Beach Memoirs (2009 revival) at the Internet Broadway Database
  8. Gans, Andrew and Jones, Kenneth. "'Brighton Beach Memoirs' and 'Broadway Bound' to Play the Nederlander" Playbill, June 17, 2009
  9. Jones, Kenneth. "Broadway's Neil Simon Plays Will Close Nov. 1" Archived 2012-06-06 at the Wayback Machine Playbill, October 31, 2009
  10. Healy, Patrick. Neil Simon Flop May Be a Case of the Missing ‘Wow’ " The New York Times, November 1, 2009
  11. Miller, Dr. Yvette Alt. "Neil Simon and the American Jewish Experience". aish.com. Aish.com. Retrieved 5 April 2020.
  12. Clive Barnes,"Simon's Brighton Beach Memoirs His Best Play Yet," New York Post (28 March 1983), 21.
  13. Dolan, Dolores. "IF YOU'RE THINKING OF LIVING IN: BRIGHTON BEACH." The New York Times. June 19, 1983. Retrieved on October 15, 2012.
  14. Ebert, Roger. " 'Brighton Beach Memoirs' " Chicago Sun-Times, December 25, 1986
  15. Brighton Beach Memoirs on IMDb
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