Brian Ulrich

Brian Ulrich (born 1971) is an American photographer known for his photographic exploration of consumer culture.[1]

Photograph from Ulrich's Copia series

Born in Northport, New York, Ulrich lives in Providence, Rhode Island. In 2001 in response to a national call for citizens to bolster the American economy through shopping, Ulrich began a project to document consumer culture. This project, Copia, is a series of large scale photographs of shoppers, retail spaces, and displays of goods. Initially focused on big-box retail establishments and shoppers, the series expanded to include thrift stores, back rooms of retail businesses, art fairs and most recently empty retail stores and dead malls.

Ulrich's work is held in the collections of the Museum of Contemporary Art San Diego; Museum of Fine Arts, Houston; Art Institute of Chicago; and Museum of Contemporary Photography, Chicago. Photo District News named Ulrich as one of 30 Emerging Photographers of 2007. In 2009 he was awarded a Guggenheim Fellowship in photography. He is an Associate Professor of Photography at the Rhode Island School of Design.

Ulrich works with a combination of 4x5" and medium format cameras,[2] and also incorporates found objects as sculpture, juxtaposed with his photographs on gallery walls.[3]

Publications
  • Closeout: Retail Relics and Ephemera, Anderson Gallery, 2013
  • Is This Place Great or What, Aperture Foundation, Cleveland Museum of Art. 2011

Selected exhibitions

Solo
  • 12 x 12: Shoppers, Museum of Contemporary Art, Chicago (2005)
  • Copia, Robert Koch Gallery, San Francisco (2006)
  • Copia, Museum of Contemporary Art, San Diego (2006–2007)
  • Thrift, Rhona Hoffman Gallery, Chicago, IL (December 1, 2006 – 2007)
  • Copia, Julie Saul Gallery, New York, NY (2007)
  • Thrift, Quality Pictures, Portland, OR (2008)
  • Copia, Nerman Museum of Contemporary Art, Overland Park, KS (2008)
  • Thrift and Dark Stores", Julie Saul Gallery, New York, NY (2009)

Group
  • Manufactured Self, Museum of Contemporary Photography, Chicago, IL (2005)
  • Contemporary American Photography/Internationalen Fototage Mannheim, Cologne (2005)
  • On the Scene, Art Institute of Chicago, Chicago, IL (2005)
  • Photocentric, Minnesota Center for Photography, Minneapolis, MN (2005)
  • MP3, Kelli Connell, Justin Newhall, and Brian Ulrich, Museum of Contemporary Photography, Chicago, (2006)
  • Art Basel Miami Beach, Rhona Hoffman Gallery, (2006, 2007)
  • Chicagraphy", Galerie f5,6, Munich, Germany (2007)
  • "Presumed Innocence: Photographic Perspectives of Children", DeCordova Museum, Lincoln, MA, (2008)
  • World's Away: New Suburban Landscapes, Walker Art Center, Minneapolis, MN & Carnegie Museum of Art, Pittsburgh, PA (2008)
  • Made in Chicago, Photographs from the LaSalle Bank Collection:, Chicago Cultural Center, Chicago, IL (2008)
  • Dystopia", Robert Koch Gallery, San Francisco, CA (2009)
gollark: Spoken languages would just be represented as Haskell ASTs, obviously.
gollark: Does the JVM have tagged unions? No, I do not think so.
gollark: This would have many benefits.
gollark: As a certified idea haver, I have a better idea. We force all languages ever to compile to a common IL which does have all the features people want. There may be resistance to this, which is why it would be deployed via a "trusting trust" attack on all popular compilers simultaneously.
gollark: Although I guess you'd then lose out on the nice language features on each end.

References
  1. Cleveland, Larissa (2008). Collector: Collection/possession/persona. ProQuest. p. 19. ISBN 978-0-549-49063-0.
  2. "Brian Ulrich" Archived 2017-07-24 at the Wayback Machine, Lost at E Minor, 10 September 2008. Retrieved on 2 August 2015.
  3. "Brian Ulrich, Is This Place Great or What: Artifacts and Photographs @Julie Saul", Collector Daily, New York, 6 April 2012. Retrieved on 1 August 2015.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.