Brian Moore's early fiction

Brian Moore's early fiction refers to the seven pulp fiction thrillers, published between 1951 and 1957,[1][2] that the acclaimed novelist Brian Moore wrote before he achieved success and international recognition with Judith Hearne (1955) and The Feast of Lupercal (1957).

Moore, who was born in Belfast, wrote his first fiction in Canada, where he lived from 1948 to 1958.[3] His earliest books were thrillers, published under his own name or using the pseudonyms Bernard Mara or Michael Bryan.[4] The first two of these pieces of pulp fiction, all of which he later disowned,[2][5] were published in Canada by Harlequin – Wreath for a Redhead in March 1951 and The Executioners later in 1951.

Arguably the most significant of these early works is Intent to Kill (written by Moore as "Michael Bryan" and published in 1957) which was adapted into a film of the same name, released in 1958. In the film noir genre, it was directed by Jack Cardiff and starred Richard Todd, Betsy Drake and Herbert Lom. In a reappraisal of the novel, Canadian literature historian Brian Busby says: "Care went into it composition. Most writers would take pride in having their name on its cover, but then so very few writers can compare to Moore".[6]

Busby is also complimentary about Moore's final pulp fiction work, Murder in Majorca, for which the working title was Free Ride Home, describing it as "one of the finest thrillers going. He shows off his talent by telling the story from various points of view."[7] Moore returned to the thriller genre years later with his novels The Colour of Blood (1987), Lies of Silence (1990) and The Statement (1995}. Busby says "They're the sort of books Graham Greene would have described as 'entertainments'. Murder in Majorca is very much in their league."[7]

List of works

As Brian Moore
  • Wreath for a Redhead (March 1951) Toronto: Harlequin #102 (paperback) (U.S. title: Sailor's Leave New York: Pyramid #94, 1953)[8]
  • The Executioners (1951) Toronto: Harlequin #117 (paperback; no U.S. edition published). Reprinted in Australia by Phantom Books[8]

As Bernard Mara

As Michael Bryan
gollark: BOOLS ARE 28-BYTE OR SOMETHING BIGINTS APPARENTLY
gollark: Wow, Python is extremely stupid.
gollark: `int`
gollark: That gets OCRed poolr.y
gollark: ↑ lyricly now

References
  1. Crowley, Michael. "A Brian Moore Bibliography" in The Canadian Journal of Irish Studies, Vol. 23, No. 2 (Dec 1997), pp. 89–121 DOI: 10.2307/25515225
  2. Busby, Brian (2017). The Dusty Bookcase: A Journey Through Canada's Forgotten, Neglected and Suppressed Writing. Windsor, Ontario: Biblioasis. p. 208. ISBN 978-1-77196-168-4.
  3. Lynch, Gerald (16 December 2013). "Brian Moore". The Canadian Encyclopedia. Retrieved 19 January 2018.
  4. Sampson, Denis (1998). Brian Moore: The Chameleon Novelist. Toronto: Doubleday Canada.
  5. Melgaard, Michael (1 September 2017). "Uncovering Canada's 'forgotten, neglected and suppressed' books, from pulp fiction to gothic horror". National Post. Retrieved 9 August 2020.
  6. Busby, Brian (2017). The Dusty Bookcase: A Journey Through Canada's Forgotten, Neglected and Suppressed Writing. Windsor, Ontario: Biblioasis. p. 214. ISBN 978-1-77196-168-4.
  7. Busby, Brian (2017). The Dusty Bookcase: A Journey Through Canada's Forgotten, Neglected and Suppressed Writing. Windsor, Ontario: Biblioasis. pp. 215–16. ISBN 978-1-77196-168-4.
  8. Lewis, Steve (December 2005). "Fatal Kiss". Mystery*File: The Crime Fiction Research Journal. Retrieved 14 August 2020.
  9. The Brian Moore papers: first accession and second accession. An inventory of the archive at the University of Calgary Libraries. Compiler: Marlys Chevrefils. Editors: Jean F. Tener and Apollonia Steele. Biocritical essay: Hallvard Dahlie. Calgary: University of Calgary Press, 1987.
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