Braco Dimitrijević

Slobodan "Braco" Dimitrijević (born 18 June 1948) is a Bosnian conceptual artist. His works deal mainly with history and the individual's place in it. He lives and works in Paris, France.

Braco Dimitrijević
Born
Slobodan Dimitrijević

(1948-06-18)18 June 1948
Sarajevo, PR Bosnia and Herzegovina, FPR Yugoslavia
NationalityBosnian
EducationAcademy of Fine Arts, Zagreb
Saint Martin's School of Art, London
MovementConceptual Art
Websitewww.bracodimitrijevic.com

He has exhibited internationally since the 1970s, including at the Tate Gallery in 1985. He has participated in documenta (1972, 1977 and 1992) and the Venice Biennale (1976, 1982, 1990, 1993 and 2009). His works are held in the collection of the Tate Gallery, MoMA Museum of Modern Art New York, and that of the Centre Pompidou, among others.[1][2]

Early life & work

Braco Dimitrijević was born on 18 June 1948 in Sarajevo, Bosnia and Herzegovina, FPR Yugoslavia. His father was the painter Vojo Dimitrijević, one of the most famous modern artists in Yugoslavia. He started painting at the age of 5 and was featured in a TV show entitled Filmske Novosti (Film News) in 1957.[3] His first conceptual work dates back to 1963.

He went on to study at Academy of Fine Arts in Zagreb, from which he graduated in 1971. He then studied at Saint Martin's School of Art in London from 1971 to 1973.

In 1976, he wrote Tractatus Post Historicus, which formed the theoretical basis of his early work.

Casual Passers-by

In the 1970s, Dimitrijevic gained attention when he began his Casual Passer-by series. The work features very big close-up photographic portraits of everyday people that were hung on buildings and billboard in different cities in Europe and America. He then went on to produce memorial plaques in honour of other people that he met. About the one he made for the Lucio Amelio's "Terrae Motus" collection[4] he said: "I Stopped the first man i saw in the street, explained to him what my work was and then asked him to be the model for the foto".[5]

Animals

His work from the 1980s which joined animals and works of art would go on to become an exhibition in 1998 at the Paris Zoo that was visited by over a million people.

New work

His Triptychos Post Historicus installations feature paintings by old or modern masters in conjunction with everyday objects and fruits/vegetables. More than 500 of these installations exist. Controversy arose when a man who visited the exhibition at the Tate realized that the paintings in question were not copies but the originals and reported this to The Times who then wrote about it.[6]

Exhibitions

2017: Braco Dimitrijević. Retrospektiva, Museum of Contemporary Art, Zagreb, Croatia

2016: Braco Dimitrijević: Retrospective, GAM – Galleria Civica d’Arte Moderna e Contemporanea, Turin, Italy

2016: Braco Dimitrijević – My Berlin Years, Daniel Marzona, Berlin, Germany

2014: Early London Years 1971 – 1979, MOT International, London, UK

2013: Braco Dimitrijević, National Art Gallery Sofia, Sofia, Bulgaria

2012: Sailing to Post-History, Latvian National Museum of Arts, Riga, Latvia

2011: Louvre is my Studio, Street is my Museum, White Box, New York, USA

2011: Braco Dimitrijević, Musée National d’Histoire et d’Art, Luxembourg City, Luxembourg

2009: Future Post History, Collateral Event 53rd Venice Biennial, Ca’ Pesaro, Galleria Internazionale d’Arte Moderna, Venice, Italy

2009: Louvre is my studio, street is my museum, Musée d’Art moderne de Saint-Etienne, Saint-Etienne, France

2008: Braco Dimitrijević: Retrospective Exhibition, Ludwig Museum – Museum of Contemporary Art, Budapest, Hungary

2008: Louvre is my Studio, Street is my Museum, National Museum of Contemporary Art (MNAC), Bucharest, Romania

2005: Triptychos Post Historicus, Musée d’Orsay, Paris, France

2005: Braco Dimitrijević, State Russian Museum, St. Petersburg, Russia

2005: Braco Dimitrijević, Mudima – Fondazione per l´Art Contemporanea, Milan, Italy

2004: Braco Dimitrijević, Museum of Modern Art Dubrovnik, Dubrovnik, Croatia

2000:Triptychos Post Historicus, Pori Taidemuseo / Pori Art Museum, Pori, Finland

1996: Braco Dimitrijević, Kunsthalle Düsseldorf, Düsseldorf, Germany

1995: Braco Dimitrijević: against historic sense of gravity, Hessisches Landesmuseum Darmstadt, Darmstadt, Germany

1994: Braco Dimitrijević: slow as light, fast as thought, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria

1987: Braco Dimitrijević – für Malewitsch, Mondrian, Einstein, Wilhelm Hack Museum, Ludwigshafen, Germany

1987: Triptichos Post Historicus, Le Consortium, Dijon, France

1984: Culturescapes. 1976 – 1984, Kunstmuseum Bern, Bern, Switzerland / Museum Ludwig, Cologne, Germany

1979: Photographs and Installations, Institute of Contemporary Arts, London, UK

1975: Braco Dimitrijevic, Städtisches Museum Abteiberg, Mönchengladbach, Federal Republic of Germany

1974: Braco Dimitrijevic, Museum of Contemporary Art Zagreb, Zagreb, former Yugoslavia

gollark: Balanced as in "players are generally roughly equal in ability to get things" is, I believe, a good goal.
gollark: That doesn't really work either.
gollark: Arguably a game is "more fun" if it's fair and stuff.
gollark: I'm saying - no, CBs are not intrinsically better, but they're given trade value - the ability to get stuff you like - so that affects balance.
gollark: I'll rephrase that. To have some sort of meaningful discussion about game balance, we need to define better somehow.

See also

References
  1. http://www.tate.org.uk/servlet/ArtistWorks?cgroupid=999999961&artistid=1008&page=1
  2. "Archived copy". Archived from the original on 2009-04-03. Retrieved 2009-07-06.CS1 maint: archived copy as title (link)
  3. http://bracodimitrijevic.com/index.php?album=filmography/little_painter&image=litle+painter.flv
  4. "Terrae Motus virtual exhibition".
  5. A cura di Livia Velani, Ester Coen, Angelica Tecce (2001). Terrae Motus, La collezione Amelio alla Reggia di Caserta. Milano: Skira editore. p. 163. ISBN 88-8491-066-8.CS1 maint: multiple names: authors list (link)
  6. http://bracodimitrijevic.com/index.php?album=contemporaries&image=film_24.flv
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