Border Incident
Border Incident is a 1949 film noir directed by Anthony Mann. The MGM film was written by John C. Higgins and George Zuckerman. The film was shot by cinematographer John Alton, who used shadows and lighting effects to involve an audience despite the fact that the film was shot on a low budget. The drama features Ricardo Montalbán, George Murphy, Howard Da Silva, among others.[2]
| Border Incident | |
|---|---|
 Theatrical release poster | |
| Directed by | Anthony Mann |
| Produced by | Nicholas Nayfack |
| Screenplay by | John C. Higgins |
| Story by | George Zuckerman |
| Starring | Ricardo Montalbán George Murphy Howard Da Silva James Mitchell |
| Music by | André Previn |
| Cinematography | John Alton |
| Edited by | Conrad A. Nervig |
| Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 94 minutes |
| Country | United States |
| Language | English |
| Budget | $749,000[1] |
| Box office | $908,000[1] |
Premise
The story concerns two agents, one Mexican (PJF) and one American, who are tasked to stop the smuggling of Mexican migrant workers across the border to California. The two agents go undercover, one as a poor migrant.
Cast
- Ricardo Montalbán as Pablo Rodriguez
- George Murphy as Jack Bearnes
- Howard Da Silva as Owen Parkson
- James Mitchell as Juan Garcia
- Arnold Moss as Zopilote
- Alfonso Bedoya as Cuchillo
- Teresa Celli as Maria Garcia
- Charles McGraw as Jeff Amboy
- José Torvay as Pocoloco
- John Ridgely as Mr. Neley
- Arthur Hunnicutt as Clayton Nordell
- Sig Ruman as Hugo Wolfgang Ulrich
- Jack Lambert as Chuck
- Otto Waldis as Fritz
Production
The film was among a number of lower budgeted movies produced at MGM under the regime of Dore Schary.[3]
Reception
According to MGM records the film earned $580,000 in the US and Canada and $328,000 overseas resulting in a loss of $194,000.[1]
Critical response
Roger Westcombe compared the film to classic Westerns: "Yet far from a typical Western's sense of freedom, Border Incident shares with [director Mann's previous film noir] T-Men that film's inky, submerged visual quality. These are 'wide' but not 'open' spaces, as Alton's beautifully registered grey-toned but grim visuals make the distant horizons as closed as the American border. The constant presence of vulnerable, innocent peasants adds a piquancy to Border Incident, raising the stakes from the destiny of a mere two police agents to that of an entire underclass."[4]
References
Notes
- The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
- Border Incident at the American Film Institute Catalog.
- Thomas F. Brady Special to The New York Times (Dec 21, 1948). "Metro is Planning Low-Budget Films: 'Border Incident,' To Be Made Next Year, First of Series – Cost Set at $550,000". New York Times. p. 33.
- Westcombe, Roger Archived March 1, 2005, at the Wayback Machine. Big House Film, review. Last accessed: December 25, 2007.
Bibliography
- Harry Tomicek: Das grosse Schwarz. Border Incident, von Anthony Mann, Kamera: John Alton (1949). In: Christian Cargnelli, Michael Omasta .(eds.): Schatten. Exil. Europäische Emigranten im Film noir. PVS, Vienna 1997, ISBN 3-901196-26-9.