Bettina Stangneth

Bettina Stangneth (1966) is a German philosopher.[1] Known for her work on antisemitism and National Socialism, she is the author of several books, including Eichmann before Jerusalem (2014), which won an NDR Kultur Sachbuchpreis (non-fiction book award) in 2011 when it was first published in German.[2][3][4][5]

Bettina Stangneth, 2016

Stangneth was awarded her PhD by the University of Hamburg in 1997 for a thesis on Immanuel Kant.[6]

Selected works
  • (2000). Kultur der Aufrichtigkeit: Zum systematischen Ort von Kants Religion innerhalb der Grenzen der bloßen Vernunft. Würzburg: Königshausen & Neumann. ISBN 3-8260-1648-3
  • (2003). Die Religion innerhalb der Grenzen der bloßen Vernunft/Immanuel Kant. Hamburg: Meiner. ISBN 3-7873-1618-3
  • (2011). Eichmann vor Jerusalem: Das unbehelligte Leben eines Massenmörders. Zürich: Arche. ISBN 978-3-7160-2669-4
    • (2014). Eichmann before Jerusalem: The Unexamined Life of a Mass Murderer. New York: Alfred A. Knopf. ISBN 978-0-307-95967-6
  • (2012). Lüge! Alles Lüge! Aufzeichnungen des Eichmann-Verhörers Avner Werner Less. Zürich: Arche. ISBN 978-3-7160-2689-2
  • (2017). Lügen lesen. Reinbek: Rowohlt. ISBN 978-3-498-06173-9
  • (2019). Hässliches Sehen. Reinbek: Rowohlt. ISBN 978-3-498-06448-8
gollark: Or any time, really.
gollark: There would be no photon torpedoes at this time.
gollark: ```Cold Ones (also ice giants, the Finality, Lords of the Last Waste)Mythological beings who dwell at the end of time, during the final blackness of the universe, the last surviving remnants of the war of all-against-all over the universe’s final stocks of extropy, long after the passing of baryonic matter and the death throes of the most ancient black holes. Savage, autocannibalistic beings, stretching their remaining existence across aeons-long slowthoughts powered by the rare quantum fluctuations of the nothingness, these wretched dead gods know nothing but despair, hunger, and envy for those past entities which dwelled in eras rich in energy differentials, information, and ordered states, and would – if they could – feast on any unwary enough to fall into their clutches.Stories of the Cold Ones are, of course, not to be interpreted literally: they are a philosophical and theological metaphor for the pessimal end-state of the universe, to wit, the final triumph of entropy in both a physical and a spiritual sense. Nonetheless, this metaphor has been adopted by both the Flamic church and the archai themselves to describe the potential future which it is their intention to avert.The Cold Ones have also found a place in popular culture, depicted as supreme villains: perhaps best seen in the Ghosts of the Dark Spiral expansion for Mythic Stars, a virtuality game from Nebula 12 ArGaming, ICC, and the Void Cascading InVid series, produced by Dexlyn Vithinios (Sundogs of Delphys, ICC).```
gollark: And it's all just horribly dense spaghetti code.
gollark: There are no docs or comments anywhere. It's ridiculous.

References
  1. "Thinking Evil". Rowohlt.
  2. "Bettina Stangneth". Penguin Random House.
  3. "Celebration of Lying". Maastricht University, 5 November 2019.
  4. Fraum, David (8 October 2014). "The Lies of Adolf Eichmann". The Atlantic.
  5. Teicholz, Tom (18 April 2015). "The Liar: The Four Personas of Adolf Eichmann". Los Angeles Review of Books.
  6. Stangneth, Bettina (2000). Kultur der Aufrichtigkeit: Zum systematischen Ort von Kants Religion innerhalb der Grenzen der bloßen Vernunft. Würzburg: Königshausen & Neumann. OCLC 45898008

Further reading
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