Bergamask

Bergamask, bergomask, bergamesca,[1] or bergamasca (from the town of Bergamo in Northern Italy), is a dance and associated melody and chord progression.

For the regional language, see Bergamasque.
Bergamesca ('The Buffens'), Straloch MS., c. 1600[1] Play .
Bergamesca variant, MS. Lute Book, c. 1600[1] Play .

Reputation

It was considered a clumsy rustic dance (cf. Shakespeare, A Midsummer Night's Dream, Act V Scene i Lines 341 and 349) copied from the natives of Bergamo, reputed, according to the Encyclopædia Britannica Eleventh Edition, to be very awkward in their manners.[2]

The dance is associated with clowns or buffoonery, as is the area of Bergamo, it having lent its dialect to the Italian buffoons.[1]

Chord progression

The basic chord progression is I–IV–V–I:[3]

│⎸   I   IV   V   I   I   IV   V   I     :⎹⎸
       I   IV   V   I   I   IV   V   I     ⎹│

Bergomask is the title of the second of the Two Pieces for Piano (1925) by John Ireland (1879–1972).

gollark: You can, technically, just assign things addresses without a `.` in them internally.
gollark: Now make your own dial up ISP!
gollark: That is mildly accursed but cool.
gollark: Do most redstone computers even have central clock things? I don't think they can, the delay on redstone wires is really high.
gollark: No, they run on logic gates like in real ones, the underlying principles are very different.

See also

Sources
  1. (1916). The Musical Times, Volume 57, p.491.
  2.  One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Bergamask". Encyclopædia Britannica. 3 (11th ed.). Cambridge University Press. p. 772.
  3. Apel, Willi (1969). Harvard Dictionary of Music, p.91. ISBN 978-0-674-37501-7.


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