Ayaal

Ayaal is a 2013 Malayalam film directed by Suresh Unnithan. Lal, Lena, Ineya and Lakshmi Sharma play the lead roles.[1] The story, screenplay and dialogue of the film is written by Dr. K. Ampady.[2][3] The film is produced by Madhusoodanan Mavelikara (Seashell Movies) and M. T. Dileep Kumar (Elements Vision).[4] The cinematography is by Sujith Vasudev. Ayaal was earlier titled Nagabandham.[5] The film released on 28 June 2013.[4][3]

Ayaal
Directed bySuresh Unnithan
Produced byMadhusoodanan Mavelikara
M. T. Dileep Kumar
Written byK. Ampady
StarringLal
Lena
Ineya
Lakshmi Sarma
Music byMohan Sitara
Somashekharan Unnitan
MG Anil
CinematographySujith Vasudev
Edited bySobin K. Soman
Production
company
Seashell Movies
Elements Vision
Distributed bySeashell Movies Release
Release date
  • 28 June 2013 (2013-06-28)
CountryIndia
LanguageMalayalam

Ayaal is a story of intense human relations. It’s a story of a man who effortlessly floated along the estuaries of time, the back waters of Vembanad. If love is the flowering of one’s own heart, can it have a direction? Is it Scalar (direction less). This is an uncomfortable question raised by him, the protagonist, Guru Dasan. The film problematizes the conventional fabric of human relations, its rules and its sanctity.[6][7]

Plot

Set in late 1950s, the film uses the symbols of Serpentine Worship and socio-political rebellions during that period of time to create an ambience for storytelling. The protagonist Dasan is a practicing Pulluvan, who has an aura of ascribed divinity around him. He has two wives, Janaki and Chakara. Janaki’s love with Dasan is platonic, but Chakara true to her name is possessive. Dasan along the course of time becomes passionate with Devaki Antharjanam, the wife of the village landlord as well. Be it wine, women or smoke, Dasan has no restrictions. His mastery over the profession was unparalleled. Due to the ascribed divinity around him, he is unquestioned. But not for too long. Something happens which makes his life topsy-turvy! The event also brings out the tenacity and quality of relations he had. The film depicts the various shades of love and problematizes the conventional concepts around it. It is also an attempt to transcend the definitions of love and to explore the flowering of bonds which are more deep rooted than love. What do we call it?

Cast

Awards

Music

The music was done by Mohan Sitara, Somashekharan Unnitan and MG Anil.[6] The songs are sung by Jayachandran, Shweta Mohan, Vijay Yesudas and Anuradha Sriram. The film has five songs. The lyrics were by Devadas (famous for Kattukurinju poovum kondu) and MT Pradeep Kumar.

gollark: Am I just supposed to MANUALLY check the Maclaurin serieseseses of all the functions I use for this sort of thing?
gollark: Also, how can we prove that common special functions don't have this kind of backdoor?
gollark: See, this is what I'm worried about.
gollark: Those are probably contaminated.
gollark: I can't use them due to the Greek letter shortage.

References
  1. "Lal to romance three heroines". The Times of India.
  2. Nita Sathyendran. "The Malayali connection". The Hindu.
  3. Athira M. "Shot Cuts: Debut of a veteran". The Hindu.
  4. "Lal in two releases this month".
  5. http://articles.timesofindia.indiatimes.com/2013-03-27/news-and-interviews/38041034_1_omegaexe-ineya-nagabandham
  6. Athira M. "Tangled in tradition". The Hindu.
  7. "Decoding myth and morality". The New Indian Express.
  8. "Lena goes bold in Ayal". The Times of India.
  9. "Photos: Lena was comfortable doing intimate scenes in Ayal". www.filmibeat.com.
  10. "'Drishyam' Bags Kerala Film Critics Association Awards". The New Indian Express.
  11. http://www.newindianexpress.com/cities/kochi/Drishyam-Bags-Kerala-Film-Critics-%5B%5D Association-Awards/2014/01/30/article2027269.ece
  12. "Gulf". ManoramaOnline.
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