Ashita, Mama ga Inai

Ashita, Mama ga Inai (明日、ママがいない, (Japanese: "Tomorrow, Mother will not be here) is a 2014 television drama that first aired on Nippon Television (NTV) on January 15, 2014. It follows the stories of ten children living in an orphanage.[1] The drama stars child actresses Mana Ashida and Rio Suzuki, who are noted for their roles in the television dramas Mother and Woman respectively.[2]

Ashita, Mama ga Inai
Publicity poster for Ashita, Mama ga Inai
GenreFamily
Drama
Written bySaya Matsuda
StarringMana Ashida,
Rio Suzuki,
Konomi Watanabe,
Hiyori Sakurada
Theme music composerYoshihiro Ike,
Kazuyoshi Saito
Ending themeDare ka Watashi o
(Kotringo)
Country of originJapan
Original language(s)Japanese
No. of episodes9
Production
Executive producer(s)Hibiki Ito
Producer(s)Shota Fukui, Toshiaki Nanba
CinematographyRyuichi Inomata, Makoto Nakanuma
Editor(s)Shinji Nojima
Running time60 minutes
Release
Original networkNTV
Picture formatHDTV 1080i
Audio formatStereophonic
Original releaseJanuary 15 (2014-01-15) –
March 12, 2014 (2014-03-12)
External links
Official website

The series aired for nine episodes and garnered an average viewership rating of 12.85% in the Kanto region.[3] The series was embroiled in a controversy due to its depiction of orphanages, which was criticized by Japanese welfare organisations.[1]

Plot

9-year old Maki Watanabe was left in an orphanage, named Kogamo no Ie (コガモの家) Japanese: Duck's House after her mother was arrested for involuntarily causing hurt. Here, she meets "Post", a girl who was abandoned at birth at a baby hatch and other children who have been abandoned by their parents or are taken into care due to child abuse or Child abandonment The orphanage is run by 50-year-old retired detective, Tomonori Sasaki, an eccentric housekeeper who runs the orphanage with an iron fist.

Every week, Sasaki holds trials, which are foster parent applications, and he trusts the children to essentially choose their own parents based on their preferences. The children then spend 1-2 days with their selected foster parents, and then decide whether or not they want to be adopted or not.

The children at the home face discrimination from society as well as the psychological trauma of being abandoned at the home. While most of the children harbour the hope of eventually being adopted into a loving family, Maki clings onto the hope that her mother would return one day to claim her from the orphanage.

In the end, some children are adopted, some go back to their birth parents, and some even choose to stay at the orphanage.

Cast
  • Mana Ashida as Kirara Sasaki, nicknamed "Post" (ポスト), a tomboyish, headstrong, wise, and perceptive 9-year-old girl and one of the first children at the orphanage. She is the leader out of all the children. Her nickname comes from her being abandoned at a baby post. She also despises her real name due to its girly-sounding nature. Since she was raised by Maou, she is the most similar to him. Despite her tough prsonality, she has a soft spot when it comes to her friends. (For example, fighting off Piami's bullies, breaking into an apartment to save Pachi, helping Otsubone to leave her abusive home, and staying loyal to Locker when he made a mistake).
  • Rio Suzuki as Maki Watanabe, (later Maki Kawashima), nicknamed "Donki" (ドンキ), A naïve, and somewhat spoiled, 9-year-old girl who was abandoned at the orphanage by her mother. Her nickname comes from the Japanese word Donki, (meaning blunt weapon), that her mother used in her assault towards her boyfriend. She rejects her nickname at first, as she does not want to live at the orphanage. However, she later accepts the name when she realizes her mother will not be back anytime soon.
  • Hiyori Sakurada as Naomi Toba, nicknamed "Piami" (ピア美), an elegant, girly, and romantic 9-year-old girl. She is talented at the piano, hence her nickname Piami, (a combination of her given name Naomi and the word piano).
  • Konomi Watanabe as Yuiko Tōjō, nicknamed "Bombi" (ボンビ), a bubbly, excitable, and childlike 9-year-old girl with a big imagination. Her Dream is to be adopted by Angelina Jolie and Brad Pitt, due to their several international adoptions. Her nickname comes from a combination of the words Bimbō, a Japanese word for poverty, and Disney's Bambi . Her parents died in a natural disaster, but their bodies were never found, hence, she secretly believes her real parents are poor and will come back to get her when they have enough money.
  • Shohei Miura as Locker (ロッカー), A good-hearted, quiet, 21-year-old man who was the first ever child at the orphanage. He was never adopted, so he continued to work as a staff member and their chef. At first, he suffered from Selective mutism, but later found his voice. Despite his own trauma, he is one of the most kind-hearted person st the orphanage. He also seems closest to Post out of all the children.
  • Suzuka Ohgo as Otsubone (オツボネ), an emotional, naïve, and somewhat desperate 17-year-old-girl who still has hope of being adopted, despite being the age of majority, and will be forced to move out of the orphanage. She suffers from a heterochromia, caused by a piece of broken beer bottle thrown at her by her mother, and wears a patch over her right eye. Her previous nickname was Usa-Tan (a combination of the Japanese word Usagi, meaning rabbit, and the Japanese honorific -tan, which is used to sound cute). Her nickname comes from the Japanese slang word Otsubone, meaning an older woman who has been stuck in the same working position for several years. She often goes to Post for advice on her situation.
  • Hiroshi Mikami as Tomonori Sasaki
  • Fumino Kimura as Kana Mizusawa
  • Yu Shirota as Yuki Tōjō

Reception

Ashita, Mama ga Inai garnered a viewership rating of 14% in the Kanto region for its first episode.[4] However, due to the controversy it was embroiled in, the viewership rating for its second episode fell to 13.5%.[5] Overall, the series garnered an average viewership rating of 12.85% in the Kanto region.[3]

The cast's performance was well received by viewers, with 50.8％ of the viewers expressing high satisfaction with the performance of the main cast in the series's first episode in a survey carried out by Oricon.[6]

Controversy

After the first episode of the drama aired on January 15, 2014, there were widespread complaints from foster care associations, orphanages and Japan's only hospital that accepts abandoned children via a baby hatch, Jikei Hospital (慈恵病院).[7] Jikei Hospital criticized the depiction of such abandoned children, and in particular, against the naming of an abandoned child character "Post" because this constitutes "mental abuse" against children who were actually left at a baby hatch.[7] The controversy escalated on January 21, when Japan's national association for orphanages and other related organisations requested that NTV cancel the series.[1] The series was also mentioned during a session of the Japanese legislature,[8] when then-Welfare Minister Norihisa Tamura mentioned that "There were reports about a girl living in a children's home having hurt herself (after watching the drama)".[1]

Due to the controversy, Japanese advertisers such as Mitsubishi Estate and Kao announced that they would withhold their sponsorship of this series.[9] Thus, on January 22, the second episode was aired with none of the usual sponsorship credits.[10] while the third episode was shown with public service announcements in place of commercials.[9]

The controversy was resolved when Nippon Television offered to "give greater consideration to children" by making unspecified changes to the drama's script in a statement made to the nursing home council on February 4, 2014. The next day, the president of the national council for children's homes, Koichi Fujino, acknowledged the broadcaster's statement, and hinted that he will watch the series until its last episode.[1]

gollark: What's that, one of those grip strength thingies?
gollark: Does that actually... mean anything meaningful? It doesn't look like, well, a sentence which actually makes sense.
gollark: Generally, you'd hope that you learn approximately what is taught, or it's really bad teaching.
gollark: Sparring is better than... basically doing nothing realistic, which seems to be the alternative.
gollark: In practice, you're more likely to stick to a diet or whatever if you can eat foods which are actually tasty and which you like rather than just trying to override it with willpower, no?

See also

References
  1. "NTV drama controversy represents conflict between delicate issue and freedom of expression". Mainichi Shimbun (in Japanese). 2014-02-06. Archived from the original on 2014-11-07. Retrieved 2015-01-15.
  2. 芦田愛菜、鈴木梨央と初共演で“泣ける”母なき子ドラマ主演. Oricon, Inc (in Japanese). 2013-11-29. Retrieved 2015-01-15.
  3. 明日、ママがいない　＜日本テレビ＞. Audience Rating TV (in Japanese). Retrieved 2015-01-15.
  4. 芦田愛菜主演『明日、ママがいない』初回14.0%. Oricon (in Japanese). 2014-01-16. Retrieved 2015-01-15.
  5. 芦田愛菜主演『明日、ママがいない』2話は13.5%. Oricon (in Japanese). 2014-01-23. Retrieved 2015-01-15.
  6. 芦田愛菜の演技に好評価『明日、ママがいない』. Oricon (in Japanese). 2014-02-08. Retrieved 2015-01-15.
  7. 日テレのドラマ「明日、ママがいない」への抗議問題。施設の子どもに対する「想像力の欠如」と「加害性」. The Huffington Post Japan (in Japanese). 2014-01-18. Retrieved 2015-01-15.
  8. 明日ママ、影響調査へ　厚労相「全国協議会に確認したい」. Sankei Shimbun (in Japanese). 2014-02-03. Archived from the original on 2015-01-15. Retrieved 2015-01-15.
  9. 日テレ「明日、ママがいない」スポンサー全社がＣＭ見合わせ. Sanpo (in Japanese). 2014-01-27. Archived from the original on 2014-01-30. Retrieved 2014-01-28.
  10. 「明日ママ」提供表示なし…一部ＣＭがＡＣ広告に差し替え. Sponichi (in Japanese). 2014-01-22. Retrieved 2014-01-28.
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