Arthur Lismer

Arthur Lismer, CC RCA (27 June 1885 23 March 1969) was an English-Canadian painter, educator, and member of the Group of Seven. He is known for his paintings of ships in dazzle camouflage.

Arthur Lismer
Arthur Lismer, 1930
Born(1885-06-27)27 June 1885
Died23 March 1969(1969-03-23) (aged 83)
Montreal, Quebec, Canada
NationalityBritish and Canadian
Known forPainter
AwardsOrder of Canada

Early life

Lismer was born in Sheffield, Yorkshire, England, the son of Harriet and Edward Lismer, a draper's buyer.[1] At age thirteen, he apprenticed at a photo-engraving company. He was awarded a scholarship, and used this time to take evening classes at the Sheffield School of Art from 1898 until 1905. In 1905, he moved to Antwerp, Belgium, where he studied art at the Academie Royale.

Lismer immigrated to Canada in 1911, settled in Toronto, Ontario and took a job with Grip Ltd.

Lismer's brother, Ted, remained in Sheffield and became a notable trade unionist and communist activist.[2]

President of NSCAD University

From 1916-1919 Lismer served as the President of the Victoria College of Art (now NSCAD University).

Official war artist

RMS Olympic in dazzle at Pier 2 in Halifax, Nova Scotia

In wartime Halifax, Lismer was inspired by the shipping and naval activity of the port, notably the dramatically painted dazzle camouflaged ships. This work came to the attention of Lord Beaverbrook who arranged for Lismer to be commissioned as an official war artist.[3] His best-known work from the war years depicted what he observed and learned about in Halifax, Nova Scotia: Mine sweeping, convoying, patrolling and harbor defense.[4] He also did some sketches of the Halifax Explosion.[5]

Group of Seven

Group of seven artists: Frederick Varley, A. Y. Jackson, Lawren Harris, Fairley, Frank Johnston (artist), Arthur Lismer, and J. E. H. MacDonald

The collaboration of four artists at Grip gradually evolved into the Group of Seven, whose work was intended to contribute to the process of giving Canada a distinctive national voice in painting.[6][upper-alpha 1] The group was known for its depictions of the North American wilderness. He also worked with the cadre at Grip.[8]

Arthur Lismer's style was influenced by his pre-Canadian experience (primarily in Antwerp), where he found the Barbizon and post-impressionist movements a key inspiration. Collaborating with the group of artists who would, in 1919, become the Group of Seven, Lismer exhibited the characteristic post-impressionist style, and spiritual connection with the landscape that would embody that group's work. That same year, he became the first art director of the Hart House Theatre until 1921.[9]

Like the other members of the Group of Seven many of his works began as small en plein air sketches in oil on hardboard.[10]

During the Centennial of the City of Toronto, in 1934, Lismer was on the Pictures Committee. His work in art education was effective; and this service to the wider community caused Lismer to become influential in ways not always achieved by his artist colleagues. For example, he started a children's art program at the Art Gallery of Toronto, which became successful in the 1930s.[11]

Several members of the Group of Seven including Lismer became members of the Canadian Group of Painters. The gallery L'Art français exhibited his works.[12] Lismer was made a member of the Royal Canadian Academy of Arts.[13] In 1967, he was made a Companion of the Order of Canada.

Lismer died on March 23, 1969 in Montreal, Quebec and was buried alongside other members of the original Seven at the McMichael Gallery Grounds.

Legacy

In Toronto, Lismer Hall, the auditorium at Humberside Collegiate Institute is named in his honour. He painted one of the largest murals in Canada for the school during the 1930s that hangs on the auditorium's walls today.[14]

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See also

References

Notes

  1. Several members of the Group of Seven later became members of the Canadian Group of Painters including Lawren Harris, A. J. Casson, Arthur Lismer, A. Y. Jackson, and Franklin Carmichael. The gallery L'Art français exhibited his works.[7]

Citations

  1. https://www.jstor.org/stable/42615266
  2. Stevenson, Graham. "Lismer Ted". Compendium of Communist Biography. Retrieved 9 August 2019.
  3. Brandon, Laura. (2008). Art and War, p. 46., p. 46, at Google Books
  4. Gallatin, Albert. (1919). Art and the Great War, p. 142., p. 142, at Google Books
  5. Kelly, Gemey. "The Group of Seven and the Halifax Harbour Explosion: Focus on Arthur Lismer" (PDF). CBC. Retrieved 14 January 2016.
  6. Grigor, Angela Nairne. (2002). Arthur Lismer, Visionary Art Educator, p. 54., p. 54, at Google Books
  7. "L'Art Français in Montreal", Gallery Profile, in Le Collectionneur, Vol.1, n°2, 1978, "L'Art Français also sold the paintings of more "classical" painters such as (...) Lismer"
  8. Lismer, Arthur. "Canadian Encyclopedia". thecanadianencyclopedia.com. Retrieved 2020-05-28.
  9. Grigor, Angela N. (2002). Arthur Lismer, Visionary Art Educator, p. 52.
  10. Bradfield, Helen (1970). Art Gallery of Ontario: the canadian collection. Toronto: McGraw-Hill Company. pp. 245–250. ISBN 0070925046. Retrieved 2020-05-25.
  11. Reid, Dennis R. (1988). A Concise History of Canadian Painting, p. 179.
  12. "L'Art Français in Montreal", Gallery Profile, in Le Collectionneur, Vol.1, n°2, 1978, "L'Art Français also sold the paintings of more "classical" painters such as (...) Lismer"
  13. "Members since 1880". Royal Canadian Academy of Arts. Archived from the original on 26 May 2011. Retrieved 11 September 2013.
  14. Liong, Alvin. "lismer`s beautiful white twisted fantasy". alvinluong.com. Alvin Luong. Retrieved 2020-08-13.

Sources

  • Brandon, Laura. (2008). Art and War. New York: I.B. Tauris. ISBN 9781845112370; OCLC 225345535
  • Darroch, Lois. (1981). Bright Land: a Warm Look at Arthur Lismer. Toronto: Merritt. ISBN 9780920886076; OCLC 421844431
  • Gallatin, Albert Eugene. (1919). Art and the Great War. New York: E.P. Dutton. OCLC 422817
  • Grigor, Angela Nairne. (2002). Arthur Lismer, Visionary Art Educator. Montréal : McGill-Queen's University Press, 2002. ISBN 9780773522954; OCLC 500964462
  • Reid, Dennis R. (1988). A Concise History of Canadian Painting. Toronto: Oxford University Press. ISBN 9780195406641; ISBN 978-0-19-540663-4; OCLC 18378555

Further reading

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