Aria of the Devil
Aria of the Devil is the second of two studio albums by Theatre of Hate issued posthumously after the band's dissolution in 1983. It was released in 1998 by Original Masters/Snapper Music
| Aria of the Devil | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1998 | |||
| Recorded | 1982 at Wessex Studios | |||
| Genre | Post-punk, new wave | |||
| Length | 38:44 | |||
| Label | Original Masters/Snapper Music | |||
| Producer | Mick Jones | |||
| Theatre of Hate chronology | ||||
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Track listing
All songs written by Kirk Brandon.
- "Ovature" - 3:14
- "Aria of the Devil" - 4:18
- "Dreams of the Poppy" - 4:03
- "Omen of the Times" - 3:12
- "The Incinerator" - 4:07
- "Nero" - 5:10
- "Americanos" - 3:51
- "Eastworld" - 3:29
- "The Black Madonna" - 3:24
- "Solution" - 3:35
Personnel
- Kirk Brandon – vocals, guitar
- Stan Stammers – bass guitar
- Nigel Preston – drums
- Mick Jones - recording, production
gollark: See, it's important to recognize that distinction.
gollark: What do you mean you "perceive" time as discrete? You mean you *arbitrarily think so*, or what?
gollark: Quite a lot.
gollark: > The Planck time is the unique combination of the gravitational constant G, the special-relativistic constant c, and the quantum constant ħ, to produce a constant with dimension of time. Because the Planck time comes from dimensional analysis, which ignores constant factors, there is no reason to believe that exactly one unit of Planck time has any special physical significance. Rather, the Planck time represents a rough time scale at which quantum gravitational effects are likely to become important. This essentially means that while smaller units of time can exist, they are so small their effect on our existence is negligible. The nature of those effects, and the exact time scale at which they would occur, would need to be derived from an actual theory of quantum gravity.
gollark: Oh, no, never mind, that's not it.
References
- Aria of the Devil - SMM CD 527 (1998)
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