Anne Kahane

Anne Kahane (born 1924) is a Canadian artist. Best known for her figures carved in wood, Kahane began her career as a printmaker and commercial artist.

Anne Kahane
BornMarch 1924 (age 96)
NationalityCanada
EducationÉcole des Beaux-Arts, Montreal (night school) (1940); Valentine's School of Commercial Art (1942); Cooper Union, New York (1945–1947)
AwardsInternational competition, London, 1953 for Unknown Political Prisoner; Concours artistique, Quebec, 1956; Canada Council grant 1961
ElectedA.R.C.A., S.S.C.

Early life

Kahane was born in Vienna, Austria March 1, 1924.[1] In 1925, she and her family moved to Canada, and settled in Montreal.[2] In Montreal, Kahane attended high school at Strathcona Academy where no art course was taught. The absence of these studies influenced her to seek extra-curricular activities related to art.[3]

Upon enrolling in night classes at the École des Beaux-Arts in Montreal (1940), she furthered her studies in traditional sculpture, commercial art, industrial design, and architecture.[4] In the fall of 1942 Kahane began training as a commercial artist at Valentine's School of Commercial Art.[5] She was part of a 2-year intensive program while also working at a commercial engraver's studio.[4]

Kahane lived with her mother, using the home of her friends as "studio space", and obtained planks of wood for her art from the local lumberyard.[4]

In 1945 she went to New York to study at the Cooper Union Art School. It was there that she discovered the art of woodcarving, the technique that would later shape her career.[6]

Career

Emerging Recognition

In 1953, Kahane's maquette for The Unknown Political Prisoner Monument was the only Canadian entry to take a prize in the international sculpture competition organized by the Institute of Contemporary Arts of London, England.[4][7] In the same year, Kahane had her first solo exhibition at the Galérie Agnès Lefort.[8] While no financial prize was received from the competition, she was asked to join the Society of Canadian Sculptors in 1952 as a result.[4] At the 1956 Concours Artistique de la province au Quebec, Kahane won the grand prize for her work Ball Game.[9] As an associate member of the Royal Canadian Academy, Kahane exhibited with them between 1964 and 1976, and with the Art Association of Montreal from 1957 to 1965.[10]

Mature Artist

Kahane has received public and private commissions, notably her sculpture for the Winnipeg airport and a piece for Montreal's Place des Arts.[11] She was also an associate member of the Royal Canadian Academy of Arts, exhibiting with them between 1964 and 1976, and a member of the Art Association of Montreal from 1957 to 1965.[10]

Beyond her artistic pursuits, Kahane began teaching fine arts at Concordia University from 1965 to 1980.[4] Later, as a resident sculptor, she taught at McMaster University (1980-1982), where she explored flat structural techniques using flexible materials to depart from traditional three-dimensional structures. Kahane's work has been internationally celebrated, representing Canada at the Canadian Pavilion at the Venice Biennale (1953), the Brussels World's Fair (1968), and at Expo 67 in Montreal.[12]

Media

In addition to her work in sculpting using wood, brass, and aluminum, Kahane's artistic repertoire also includes drawing and printmaking.[10]

Selected Exhibits

  • "Sculpture by Anne Kahane", Galerie Agnès Lefort, Montreal, 1953
  • "International Sculpture Competition 'The Unknown Political Prisoner'", National Gallery of Canada, Ottawa, 1952.
  • "XXIX Biennale D'Arte", Canadian Pavilion Venice, Italy, 1958[13]
  • "41st Pittsburgh International Exhibition of Painting and Sculpture". Carnegie Institute, Pittsburgh, Pennsylvania, 1958-1959
  • "A Trio of Canadian Sculptors", National Gallery of Canada, Ottawa, 1964-1966
  • "Royal Canadian Academy 84th Exhibition", National Gallery of Canada, Ottawa, 1964 and 1976
  • "300 Years of Canadian Art", National Gallery of Canada, Ottawa, 1967
  • 3-D into the 70s: Aspects of Sculpture", Art Gallery of Ontario, Toronto,1970
  • "Spectrum Canada", held in conjunction with the Montreal Olympics, 1979
  • "Artists Drawn to Wood", McMaster Museum of Art, 2011 [14]

Public artworks

  • "Mother and Child" (1959) for Montreal's Rockland Plaza.[15][16]
  • "Captain F.J. Stevenson" for the Winnipeg International Airport (1963-1964)[9]
  • "Chant de la Terre" for Place des Arts in Montreal (1963)[17]
  • "Man on His Head" for Expo '67 in Montreal[18]
  • "La Mer" for the Canadian Embassy in Islamabad, Pakistan (1972-1973)[9]
  • "The Forest" for Environment Canada Forestry Service, Great Lakes Forest Research Centre (GLFRC), Sault Ste. Marie, Ontario (1975) for the official opening of the GLFRC, 25 April-1 May 1976.
gollark: I only assign rights to things above 7.4e8 cells.
gollark: 10nm is more of a marketing name than any actual dimension for them, though.
gollark: Hmmm, so silicon computers are still a lot smaller.
gollark: Quite a lot bigger?
gollark: Aren't bacteria bigger than transistors though?

References

  1. "Anne Kahane". www.gallery.ca.
  2. "Anne Kahane - The Canadian Encyclopedia". www.thecanadianencyclopedia.ca.
  3. Sylvia, Antoniou; Sylvia, Antoniou (1992). "The sculpture of Anne Kahane". spectrum.library.concordia.ca. Retrieved 2018-03-26.
  4. Lambton, Gunda (1994). "Anne Kahane:Humour and the Human Condition". Stealing the Show: Seven Women Artists in Canadian Public Art. pp. 34–49. ISBN 0773511881.
  5. https://spectrum.library.concordia.ca/6091/1/MM80995.pdf
  6. Tippett, Maria (2017-11-11). Sculpture in Canada: A History. Douglas and McIntyre (2013) Limited. ISBN 9781771620949.
  7. https://150ans150oeuvres.uqam.ca/en/artwork/1953-model-for-the-monument-to-the-unknown-political-prisoner-by-anne-kahane/#description
  8. Carney, Lora Senechal (2017). Canadian Painters in a Modern World, 1925-1955: Writings and Reconsiderations. McGill-Queen's University Press. ISBN 9780773551145.
  9. Heller, Jules; Heller, Nancy G. (December 19, 2013). "North American Women Artists of the Twentieth Century: A Biographical Dictionary". Routledge via Google Books.
  10. "Kahane, Anne". Canadian Women Artists History Initiative.
  11. https://www.thecanadianencyclopedia.ca/en/article/anne-kahane
  12. Heller, Jules; Heller, Nancy G. (2013-12-19). North American Women Artists of the Twentieth Century: A Biographical Dictionary. Routledge. ISBN 9781135638894.
  13. "National Gallery of Canada resumes state-of-the-art restoration of the Canada Pavilion at the Venice Biennale". Retrieved 2018-03-26.
  14. "Artists Drawn to Wood". Retrieved 2018-03-26.
  15. Lambton, Gunda (August 17, 1994). "Stealing the Show: Seven Women Artists in Canadian Public Art". McGill-Queen's Press - MQUP via Google Books.
  16. https://www.ville.mont-royal.qc.ca/sites/default/files/documents/politique_culturelle_eng.pdf
  17. "Les chants de la terre (1963) - Anne Kahane". Place des Arts. July 3, 2018.
  18. http://ccca.concordia.ca/artists/work_detail.html?languagePref=en&mkey=50434&title=Man+On+His+Head&artist=Anne+Kahane&link_id=5441
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