Anna-Marie Holmes

Anna-Marie Holmes (born April 17, 1942) is a Canadian-born ballet dancer, educator and choreographer. The daughter of George Ellerbeck and Maxine Botterill, she was born Anna-Marie Ellerbeck in Mission City, British Columbia and attended school there. She studied piano at the Royal Conservatory of Music in Toronto and ballet with Heino Heiden and Lydia Karpova in Vancouver, with Wynne Shaw in Victoria, with Audrey de Vos and Errol Addison in London, with Felia Doubrovska in New York City, with Natalia Dudinskaya in Leningrad and with Karel Shook in Amsterdam.[1]

In 1960, she married dancer David Holmes.[1] The couple had a daughter but later separated.[2]

She was a soloist with the Royal Winnipeg Ballet from 1960 to 1962 and a guest performer with the Kirov Ballet during the early 1960s, the first North American dancer invited to perform with them. Holmes has also performed with the London Festival Ballet, the Scottish Ballet, the Berlin State Opera, the Dutch National Ballet, the Chicago Ballet and Les Grands Ballets Canadiens. In 1985, after retiring from performing, she joined the Boston Ballet as ballet mistress and was named that company's artistic director in 1997. She also served as dean of faculty for the Boston Ballet's Center for Dance Education. She left the Boston Ballet in 2001. Holmes received an Emmy Award in 2000 for her staging of Le Corsaire for PBS.[1][3][4][5]

She has taught at The Royal Ballet in London, the Ballet du Capitole in Toulouse, the Norwegian National Opera and Ballet in Oslo and the Royal Danish Ballet in Copenhagen. Holmes was founder and co-artistic director for the International Academy of Dance Costa do Sol in Portugal. She has been artistic director for the school of the USA International Ballet Competition in Jackson, Mississippi.[6] Holmes has also been artistic director for the Jacob's Pillow dance festival.[4] In 2006, she was co-founder of Ballet Adriatico, a summer festival in Italy.[5]

She danced a pas de deux with her husband in Norman McLaren's award-winning film Ballet Adagio.[4] The pair were also featured in Grant Munro's documentary Tour en l'air, which won first prize in its category at the American Film Festival.[7]

She is known for her restagings of classic ballets, particularly those from Russia, such as Swan Lake, Giselle, Don Quixote, The Sleeping Beauty, La Bayadère and The Nutcracker.[6]

Various choreographers including Agnes de Mille, Peter Darrell and Ruth Page have created works for her.[3]

She later became co-manager of Editions Anna-Marie Holmes, a publishing house for ballet music.[5]

References
  1. Reference Division, McPherson Library, University of Victoria (1971). Creative Canada: A Biographical Dictionary of Twentieth-century Creative and Performing Artists. Volume 1. pp. 2128–29. ISBN 1442637838.CS1 maint: multiple names: authors list (link)
  2. "Ballet West: The crazy love of 'Don Quixote'". Salt Lake Tribune. February 3, 2012.
  3. "Anna-Marie Holmes". Royal Winnipeg Ballet.
  4. "The Russian Who Tried to Bar the Canadian Ballerina during the Cold War". Vancouver Sun. December 15, 2009.
  5. "Fonds - Anna-Marie Holmes". Manitoba Archival Information Network.
  6. "Anna-Marie Holmes". American Ballet Theater.
  7. "Honorary Degree Citation - Grant Munro". Concordia University.

Anna-Marie has staged Corsaire at ABT, Teatro Colon Argentina, English National Ballet, Hungarian National Ballet, Washington Ballet, Pittsburgh Ballet, La Scala Milan Italy, Hong Kong Ballet, La Bayadere for Antwerp Ballet and Swan Lake for Norwegian National Ballet. She staged and choreographed Raymonda for Finnish National Ballet and ABT.

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.