Angoulême International Comics Festival Best promotional comic

This Prize for best promotional comic is awarded to comics at the Angoulême International Comics Festival from 1986 to 1992, and again since 2003. It is intended to crown the best communication campaign supported by comics of the past year. As is the customary practice in Wikipedia for listing awards such as Oscar results, the winner of the award for that year is listed first, the others listed below are the nominees.

1980s
  • 1986: Lutte contre le vandalisme dans les cabines publiques by Frank Margerin
  • 1987: Felix et le bus, collaboration
  • 1988: Pas de sida pour Miss Poireau by Mandryka and Claude Moliterni
  • 1989: La Var, le département dont vous êtres le héros by Floc'h and Fromental
    • Special mention for Vae Victis, la BD derrière les barreaux by Didier Savard

1990s
  • 1990: Un arbre n’est pas une ville by Fromental and Floc'h
  • 1991: Rires et chansons by Vuillemin
  • 1992: Hergée
    • Special mention for Dossier de Chanel by Pierre Le Tan
  • (1993: no award in this category)
  • (1994: no award in this category)
  • (1995: no award in this category)
  • (1996: no award in this category)
  • (1997: no award in this category)
  • (1998: no award in this category)
  • (1999: no award in this category)

2000s
  • (2000: no award in this category)
  • (2001: no award in this category)
  • (2002: no award in this category)
  • 2003: Les Eaux Blessées by Dominique David, Cristina Cuadra and Rudi Miel, for the European Parliament
  • 2004: Changeons de regard. Faut pô avoir peur by Zep for the city of Angoulême and Handicap International
  • 2005: 24 heures sous tension by Denis Bodart (artist) and Périé and Mykaïa (authors) for Pfizer
  • (2006: no award in this category)


gollark: That still doesn't provide much of an incentive to make intellectual property versus just not doing that, but it would help I guess.
gollark: There are similar issues in the realm of books and stuff, but the convention there is more to actually pay for them.
gollark: I… see.
gollark: It is a shame nobody's come up with a particularly good model for funding IP development which doesn't either make it artificially scarce or basically rely on goodwill.
gollark: Presumably, poor incentives to actually improve performance? Maybe their corporate structure is such that nobody can really work on crosscutting stuff like that and everyone does individual features.
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