Anders Zorn

Anders Leonard Zorn (18 February 1860 – 22 August 1920) was one of Sweden's foremost artists. He obtained international success as a painter, sculptor, and etcher.[1][2]

Anders Zorn
Anders Zorn 1908
Born
Anders Leonard Zorn

(1860-02-18)18 February 1860
Mora, Sweden–Norway
Died22 August 1920(1920-08-22) (aged 60)
Stockholm, Sweden
NationalitySwedish
EducationRoyal Swedish Academy of Arts, Stockholm
Known forPainting
Sculpture
Printmaker in etching
Spouse(s)Emma Lamm
Anders Zorn signature
Anders and Emma Zorn around 1885.
Reveil (Awakening), the artist's wife
Sommarnöje, 1886. Sweden's priciest painting ever; sold at 26 million SEK on June 3, 2010.
Emma Zorn, reading, 1887

Among Zorn's portrait subjects were King Oscar II of Sweden, and three American Presidents, Grover Cleveland, William H. Taft, and Theodore Roosevelt.

At the end of his life, he established the Swedish literary Bellman Prize in 1920.

Biography

Zorn was born and raised on his grandparents' farm in Yvraden, a hamlet near the village of Utmeland in the parish of Mora, Dalarna.[3] He studied until the age of twelve in the school at Mora Strand before progressing in the autumn of 1872 to a secondary grammar school in Enköping.

From 1875 to 1880 Zorn studied at the Royal Swedish Academy of Arts in Stockholm, where he amazed his teachers with his talent.[2] Members of Stockholm society approached him with commissions. This was how Zorn met his wife, Emma Lamm, early in 1881. Her background was different from Zorn's. Coming from a wealthy Jewish merchant family, she was interested in art and culture. Zorn traveled extensively to London, Paris, the Balkans, Spain, Italy and the United States, becoming an international success as one of the most acclaimed painters of his era.[1] It was primarily his skill as a portrait painter that gained Zorn international acclaim based principally upon his incisive ability to depict the individual character of his model.[1] His subjects included three American Presidents, one of whom was Grover Cleveland in 1899, as well as his wife, along with William H. Taft and Theodore Roosevelt. At 29, he was made a Chevalier de la Légion d'honneur at the Exposition Universelle 1889 Paris World Fair.[4]

Collection

Zorn's art made him wealthy and he was thus able to build up a considerable collection of art. The objects were not only bought in his native country but also during the many travels he made abroad. In their joint will, Anders and Emma Zorn donated their entire holdings to the Swedish State.

Some of his most important works can be seen at the National Museum of Fine Arts (Swedish: Nationalmuseum) in Stockholm. Among them is Midsummer Dance (1897), a depiction of dancers in the evening light of a rural Midsummer's Eve celebration. Other museums holding major works by Zorn include the Musée d'Orsay in Paris, the Metropolitan Museum of Art in New York, and the Museum of Fine Arts, Boston. The Zorn Collections (Swedish:Zornsamlingarna) located in Mora and Garberg, Älvdalen, consist of four museums dedicated to the life and works of Anders Zorn. The main museum – Zornmuseet – was designed by Ragnar Östberg and opened in 1939. Shown there are extensive works of Zorn and his collected art by Rembrandt Harmensz van Rijn, 'The Hovingham Master' (Poussin's follower), Bruno Liljefors, Albert Edelfelt, and Pehr Hilleström.

The Bellman Prize (Bellmanpriset) is a literature prize for "an outstanding Swedish poet", every year awarded by the Swedish Academy. The prize was established by Anders Zorn and his wife Emma in 1920.[6][7]

Zorngården

In 1886, Anders Zorn and his wife Emma, bought land close to Mora church and here they moved to a cottage from his maternal grandfather's farm. When Anders and Emma Zorn decided to return to Sweden after several years abroad, they began to enlarge the cottage. Zorngården[8] was completed in 1910.

Zorngården remains today much as it was at the time of Emma Zorn's death in 1942. It is a fine example of an artist's home from the turn of the century. With inspiration from English and Swedish architecture, it is today an excellent example of the architectural freedom that characterizes the years around 1900.

Anders Zorn's atelier at his house, Zorngården in Mora

The main part of Zorngården consists of Zorn's home and a museum with his art, but there are two other museums that also are part of the Zorn Collections. Gammelgården is in the southern part of Mora and consists of some 40 timber houses that Zorn bought to make sure that the old art of building such houses would not be forgotten. Gopsmor, Zorn's refuge when under stress, is in the municipality of Älvdalen and is only open for visitors in July.[9]

  • Self Portraits
  • Self portrait, undated
  • Self portrait, 1882
  • Self Portrait with Model, 1896
  • Self Portrait with Hat 1907
  • Self Portrait with Fur, 1915
  • Self-portrait in red, 1915
  • Self Portrait with Faun and Nymph (before 1920)

Paintings

While his early works were often brilliant, luminous watercolors, by 1887 he had switched firmly to oils. Zorn was a prolific artist. He became an international success as one of the most acclaimed portrait painters of his era. His sitters included three American Presidents, nobility, the Swedish king and queen and numerous members of high society. Zorn also painted portraits of family members, friends, and self-portraits. Zorn is also noted for his nude paintings.[1] His fondness of painting full-figured women gave rise to the terms Zorn kulla or dalkulla, an unmarried woman or girl from Dalarna, as the women were called in the local dialect of the region Zorn lived.

  • Nudes
  • Freya, 1901
  • Woman bathing at Sandhamn, 1906
  • Skärgårdsblomster (Archipelago flower), 1916
  • Woman in a boat, 1917
  • In the bedroom, 1918
  • Studio Idyll, 1918

The paintings have the freedom and energy of sketches, using warm and cool light and shade areas[1] with contrasting areas of warm and cool tones, and an understanding of colour contrasts and reflected lights. Zorn's accomplished use of the brush allows the forms and the texture of the painted subject to reflect and transmit light. In addition to portraits and nudes, Zorn excelled in realistic depictions of water, as well as scenes depicting rustic life and customs.

Zorn's palette

Zorn is known to use a basic color palette consisting of Lead White (Flake White), Yellow Ochre, Vermilion and Ivory Black. This limited color palette shows tremendous range in terms of color mixing. A large variety of tonal ranges are possible to mix and considered as a very important development for portrait painting. However, the color palette can also be used in still life and landscape painting under certain circumstances. Most striking aspect is that a kind of an olive green color is possible to obtain by mixing Ivory Black and Yellow Ochre as Ivory Black is bluish in nature.

Other major works

Works
gollark: > imagine being a peasant who uses public transportYes, when I need to go somewhere I just teleport.
gollark: The CDC has a "disease of the week"?
gollark: Still, as koishi said, it probably won't be an issue here.
gollark: If, on other servers, there is a significant enough furry presence already that there's actually much of a "war", then you would expect that to have already triggered a war if that's all that's needed.
gollark: It, er, sounds like you stir up conflict somehow then?

See also

References
  1. "ART / 4 / 2DAY".
  2. "Anders Zorn: Sweden's Master Painter, National Academy Museum, New York – review". National Academy Museum, New York. Retrieved 2014-04-24.
  3. Life of Anders Zorn
  4. "Anders Zorn". Artinthepicture.com. Archived from the original on 2011-07-18.
  5. Henry Clay Pierce Archived December 25, 2013, at the Wayback Machine
  6. "Bellmanpriset 2012" [Bellman Prize 2012] (in Swedish). Swedish Academy. Archived from the original on January 16, 2013. Retrieved February 11, 2013.
  7. International Who's who in Poetry 2005. Europa Publications. 2004. p. 1724. ISBN 0-203-32580-X.
  8. The Zorn smallholding/estate/farmstead/residence
  9. Alsing, Peter (April 22, 2007). "Anders Zorn, the Artist and Collector". Alsing.com.
  10. "Archived copy". Archived from the original on 2007-02-24. Retrieved 2010-01-20.CS1 maint: archived copy as title (link)
  11. "Archived copy". Archived from the original on 2007-02-24. Retrieved 2010-01-20.CS1 maint: archived copy as title (link)
  12. "Archived copy". Archived from the original on 2007-02-24. Retrieved 2010-01-20.CS1 maint: archived copy as title (link)

Other sources
  • Birnbaum, Britta (1985). Paintings at Nationalmuseum. (Stockholm: Nationalmuseum) ISBN 91-7100-273-1
  • Lidbeck, Sven (2007). Anders Zorn Etchings – Catalogue Raisonné 2007. (Stockholm: Zorn Gallery) ISBN 978-91-631-8962-3
  • "Anders Zorn in the Gilded Age", PBS biography (Colorado Public Television), one hour, 2013.
  • Oliver Tostmann, ed., Anders Zorn: A European Artist Seduces America (Boston: The Isabella Stewart Gardner Museum (2013))

Further reading
  • Asplund, Karl. Anders Zorn: His Life And Work (edited By Geoffrey Holme The Studio, Ltd. 1921)
  • Facos, Michelle, Swedish Impressionism and Its Boston Champion: Anders Zorn and Mrs. Gardner (Boston: The Isabella Stewart Gardner Museum, 1993)
  • Facos, Michelle, “Anders Zorn and English Art,” The Nationalmuseum Bulletin (Spring 1994) vol. 18, no. 1: 58–67
  • Laurvik, John Nilsen Anders Zorn (F. Keppel. 1913)
  • Engstrom, Albert Anders Zorn (Stockholm: Albert Bonniers Forlag. 1928) Swedish
  • Boethius, Gerda Anders Zorn;: An international Swedish artist, his life and work (Stockholm: Nordisk Rotogravyr, 1962) Swedish
  • Hagans, William and Willow Zorn In America: A Swedish Impressionist of the Gilded Age (Swedish American Historical Society, 2009) English
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.