An Oxford Elegy

An Oxford Elegy is a work for narrator, small mixed chorus and small orchestra, written by Ralph Vaughan Williams between 1947 and 1949. It uses portions of two poems by Matthew Arnold, "The Scholar Gipsy" and "Thyrsis". The first performance took place privately, whilst the public premiere took place in Oxford in June 1952, with Steuart Wilson as the speaker and Bernard Rose conductor.

An Oxford Elegy
Choral composition by Ralph Vaughan Williams
The composer c. 1920
Textpoems by Matthew Arnold: "The Scholar Gipsy", "Thyrsis"
LanguageEnglish
Composed1947 (1947)–1949 (1949)
Performed1952 (1952)
Scoring
  • narrator
  • small mixed choir
  • small orchestra

All his life, Vaughan Williams wanted to create an opera from Arnold's Scholar Gipsy. As early as 1901, he had sketched a tune that eventually found its way into the later work.[1] In an unusual move, he employed a narrator to deliver the text. The chorus generally sings wordlessly, only occasionally declaiming portions of the text to echo the speaker.

Vaughan Williams did not usually write music of melancholy nostalgia, but the subject matter makes such an approach necessary. The piece does have a subtle shift to resignation and even acceptance at the end. The work as a whole is a loving and ruminative evocation of Arnold's time and place. Hugh Ottaway has characterised the work as "pastoral" in nature.[2] Peter Pirie has postulated that this work is Vaughan Williams' homage to his friend and fellow-composer Gustav Holst, and noted its aesthetic affinity with Flos Campi.[3]

A typical performance usually lasts 20–25 minutes.

Recordings
gollark: I had it ages ago, apiobeeoid.
gollark: .bump
gollark: >contacts
gollark: Sure? I would move it to beside <#733816666089062511> but mobile.
gollark: Heavpoot is to be declared SCP-3125-A with immediate effect.

References
  1. Kennedy, Michael (May 1966). "Early VW: More Facts". The Musical Times. The Musical Times, Vol. 107, No. 1479. 107 (1479): 404–406. doi:10.2307/954114. JSTOR 954114.
  2. Ottaway, Hugh (October 1972). "Scott and after: The Final Phase". The Musical Times. The Musical Times, Vol. 113, No. 1556. 113 (1556): 959–962. doi:10.2307/955236. JSTOR 955236.
  3. Pirie, Peter J. (July 1983). "Choral". The Musical Times. The Musical Times, Vol. 124, No. 1685. 124 (1685): 433–434. doi:10.2307/960834. JSTOR 960834.
  4. Hugh Ottaway, Review of Vaughan Williams, An Oxford Elegy et al. (1970). The Musical Times, 111 (1527): p. 512.
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