An American Tragedy (opera)

An American Tragedy is an opera in two acts composed by Tobias Picker, with a libretto by Gene Scheer. This was Picker's fourth opera, written four years after the debut of Thérèse Raquin (also composed with Scheer). Based on the 1925 Theodore Dreiser novel, An American Tragedy, the opera was commissioned by the Metropolitan Opera, and premiered in New York City on December 2, 2005.[1][2]

Tobias Picker

Roles
RoleVoicePremier Cast, 2004 (Conductor: James Conlon)
Roberta AldenSopranoPatricia Racette
Sondra FinchleyMezzo-SopranoSusan Graham
Clyde GriffithsBaritoneNathan Gunn
Elvira GriffithsMezzo-SopranoDolora Zajick
Elizabeth GriffithsMezzo-SopranoJennifer Larmore
Bella GriffithsSopranoJennifer Aylmer
Samuel GriffithsTenorKim Begley
Gilbert GriffithsTenorWilliam Burden
Orville MasonBaritoneRichard Bernstein
Grace MarrSopranoClare Gormley
Young ClydeBoy SopranoGraham Phillips
HortenseSopranoAnna Christy

[3]

Synopsis

This has been described as a progressive drama of temptation, responsibility, and faith. Clyde Griffiths, son of a Midwestern missionary, is a young man working as a bellhop in Chicago, where he flirts with young society women. He relocates to New York upon being offered a position in his Uncle Samuel's shirt factory. Wasting no time, he pursues one of the young workers there, Roberta Alden, after being warned not to by fellow workers. Clyde quickly moves on to a new love interest in Sondra Finchley. Before long, Clyde is juggling Roberta and Sondra, but Roberta soon confides that she is pregnant. Clyde believes his true love is Sondra, and feels resentful of Roberta, who hopes to marry him. Clyde schemes to rid himself of the burden of an unwanted lover with a child on the way.[4]

Note from the composer

"Based on a true story, Theodore Dreiser's novel An American Tragedy is one literature's great, universal subjects. The central character Clyde Griffiths is Everyman, and his dilemma is at the heart of the American experience, then as well as now. The people upon whom Dreiser's characters were based also echo throughout the pages of the entire opera. They are the haunting spirits that made the story and the writing of the music 'real' for me. The heart-breaking hand-written letters of Grace Brown, the tragic real life factory worker Dreiser brings us so painfully close to, inspired me to give them song as they are projected onto the stage in all their endless optimism and sorrow."[5]

gollark: Can you even work out where it is in 3D space unambiguously without *two* cameras?
gollark: Ah. Yes. Would we not need much information about the camera and stuff?
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gollark: Ideally for feed the fish and whatever we would know exactly where the robot is and exactly where the target object is in 3D space and have some code work out exactly how to turn and whatever to go there, but hahahahano.
gollark: I did want to have a web UI for controlling the bot, and this should integrate okay with that.

References
  1. Tommasini, Anthony. "Dreiser's Chilling Tale of Ambition and Its Price".
  2. Ross, Alex. "Tobias Picker's An American Tragedy".
  3. "World Premiere, An American Tragedy, Metropolitan Opera House: 12/02/2005". archives.metoperafamily.org. Retrieved 2018-07-09.
  4. "Metropolitan Opera | An American Tragedy". www.metopera.org. Retrieved 2018-07-24.
  5. Picker, Tobias. "Composer Note".
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