Amor de la calle

Amor de la calle (Love Street) is a 1950 Mexican drama film directed by Ernesto Cortazar and starring Meche Barba and Fernando Fernández.

Amor de la calle
Directed byErnesto Cortázar
Produced byLuis Manrique
Written byErnesto Cortázar
StarringMeche Barba
Fernando Fernández
Freddy Fernández
Music byManuel Esperón
CinematographyJack Draper
Distributed byProducciones Luis Manrique
Release date
May 4, 1950 (México)
Running time
103 minutes
CountryMexico
LanguageSpanish

Plot

El Pichi (Freddy Fernández) and other street children collect a ticket that has fallen from Fernando El Calavera (Fernando Fernández), which prevents stop them and offers them a job in his place of tortas in the neighborhood of La Lagunilla Market in Mexico City. Fernando knows Queta (Meche Barba), the sister of El Pichi, and both are attracted. This will lead to Fernando namely the hardness of life of people in the suburbs. Queta have to fight against the fate, which forces her to work in a cabaret with the nickname of Cariño.

Cast

Reviews

With great images of American cinematographer Jack Draper, Manuel Esperon songs and musical interventions of Los Panchos and Tona la Negra, Meche Barba gets a great job on Amor de la calle, with Fernando Fernández to restart a long period as her film partner. The success of the film, led to a sequel filmed the same year: Si fuera una cualquiera (If I Were a Any), also directed by Cortázar.[1]

gollark: Maybe. On the one hand I at least like to think I'm vaguely better than average at actually paying attention to explanations for things and won't just immediately consign them to "outgroup → bad" or "not convention → bad". On the other hand probably most people think that since people are bad at comparing things. On the third hand, which I totally have, the alternative is to just assume people doing things are probably right, which seems wrong.
gollark: No, which is why I said I didn't care that much.
gollark: > that might be valid but itS' also an easy to abuse excuse to dislike almost anything> because you can always say that you don't see the pointThis is typically why people explain things.
gollark: I don't care a huge amount either way, but it's vaguely weird.
gollark: I'm against change which isn't particularly useful-seeming and/or basically without notice.

References
  1. Las rumberas del Cine Mexicano. Editorial televisa. p. 36.
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