Amina Edris

Amina Edris is an Egyptian/New Zealand lyric soprano.

Amina Edris
OccupationOpera singer (soprano)
AgentZemsky/Green Artists Management
Spouse(s)Pene Pati
Websiteaminaedris.com

Education

Edris was born in Cairo, Egypt, to parents who worked in the tourism industry. She was introduced to music as a child by her uncle who plays the lute, guitar and Egyptian percussion instruments.

Edris' musical studies began with piano lessons at age seven. The family moved to New Zealand in 2002, where she continued her musical studies in high school. In addition to private voice lessons, she was a member of the Barbershop Quartet and choir, and she played trombone in the school's orchestra, concert band and jazz band.

She initially enrolled in the University of Canterbury in Christchurch, New Zealand, as an Engineering student. After one semester, however, she auditioned and was accepted into the music programme, and began studying with Dame Malvina Major. In 2011, she graduated with her Bachelor of Music degree.[1]

Her studies then brought her to Wales, where she enrolled in the master's degree programme at the Wales International Academy of Voice,[2] studying under Dennis O'Neill. After graduating in 2013 with her Masters in Music, she met her current teacher, Cesar Ulloa, with whom she began private lessons before studying with him at the San Francisco Conservatory of Music as a postgraduate student. She was awarded her postgraduate diploma in 2015.[3]

She was accepted into the Merola Program in the summer of 2015[4], where she made her role debut as Norina in Don Pasquale.[5]

In 2016, she became an Adler Fellow at the San Francisco Opera.[6] During her two years as a fellow she sang Frasquita in Carmen, Trainbearer in Elektra, Flower/Lady in Waiting in Dream of the Red Chamber, Countess Ceprano in Rigoletto, and Annina in La traviata. She also covered the roles of Karolka and Barna in Jenůfa, Norina in Don Pasquale, Zerlina in Don Giovanni, Musetta in La bohème, and the title role in Manon.[6]

Career

Edris made her professional debut with Opera San José as Susanna in Mozart's The Marriage of Figaro in 2015.[7] In 2017, she sang Tina in the rarely performed opera Flight by Jonathan Dove with Opera Parallèle.[8] In 2018, she made her debut with New Zealand Opera as Adina in L'elisir d'amore[9], followed by her debut with Washington National Opera as Glycère in Gounod's Sapho.[10]

In 2019, she made her debut in France singing the title role in Manon at Opéra national de Bordeaux substituting for Nadine Sierra, receiving praise from the French press, including Le Monde that called her voice "beautiful and round".[11] The same year, she returned to the San Francisco Opera for her debut in the role of Juliette in Gounod's Roméo et Juliette,[12] followed by her debut at the Grand Théâtre de Genève as Fatime in Les Indes galantes.[13] She returned to the role of Manon in February 2020, when she made her debut at the Paris Opera in a new production by Vincent Huguet.[14]

Her operatic repertoire includes Micaëla in Carmen, Mimì and Musetta in La bohème, Violetta in La traviata, Leïla in Les pêcheurs de perles, Adina in L'elisir d'amore, and Norina in Don Pasquale.

Her concert repertoire includes Fauré's Requiem, Mahler's Symphony No. 4, Rossinis Petite messe solennelle, J. S. Bach's cantata Jauchzet Gott in allen Landen, BWV 51 and St John Passion, and Vivaldi's Lauda Jerusalem.

Edris is represented by Zemsky/Green in New York City.[15]

Personal life

Edris and Pene Pati, 2014

Edris is married to New Zealand tenor Pene Pati.[12]

Awards

  • First Prize female Singer and Audience Prize, 2018 Concours Bordeaux Medoc Lyrique[4]
  • Winner of the Deborah Riedel Award, Joan Sutherland and Richard Bonynge Bel Canto Competition[16]
  • Winner, Sydney Eisteddfod McDonald's Operatic Aria Competition[17]
  • Winner, Palm Springs Opera Guild Competition 2016[17]
gollark: Maybe just have a few hardcoded "esolang types" - symbol-y, stack-based, register machines, whatever.
gollark: But not actual original interesting ideas.
gollark: You could probably make Turi/BF-type things easily by just having some fixed list of commands and randomly assigning them symbols.
gollark: Like MetaGolfScript.
gollark: Hmm, idea: automated bad esolang generator which makes unoriginal boring eoslangs which are *sort of* different enough to be considered esolangs for the quota.

References

  1. "UC graduate wins largest aria competition". The University of Canterbury. Retrieved 2020-07-23.
  2. "WIAV Alumni - University of Wales Trinity Saint David". www.uwtsd.ac.uk. Retrieved 2020-07-23.
  3. "SFCM Graduates Named to Adler Fellowship Program | SFCM". sfcm.edu. Retrieved 2020-07-23.
  4. "Amina Edris | @operabordeaux". www.opera-bordeaux.com (in French). Retrieved 2020-07-23.
  5. Profile, Paris Opera
  6. "Amina Edris bio". sfopera.com. Retrieved 2020-04-12.
  7. The Marriage of Figaro trailer, Opera San José on YouTube Retrieved 2020-04-12.
  8. "Production: Flight". Opera Parallèle – San Francisco Contemporary Opera. Retrieved 2020-04-12.
  9. "Pene Pati and Amina Edris debut in L'elisir d'amore". HarrisonParrott. 2018-05-25. Retrieved 2020-04-12.
  10. "Gounod's Sapho". Washington Concert Opera. Retrieved 2020-04-12.
  11. Roux, Marie-Aude (26 April 2010). "Opéra: Benjamin Bernheim, le chevalier idéal de Manon". Le Monde (in French).
  12. "Juliet versus the aria: Soprano Amina Edris tackles the infamous 'Poison' aria", San Francisco Opera, September 2019
  13. "Les Indes galantes by Jean-Philippe Rameau". Grand Théâtre de Genève. Retrieved 2020-04-12.
  14. "Manon – Opera – Season 19/20 Programming". Opéra national de Paris. Retrieved 2020-04-29.
  15. Profile, Zemsky/Green
  16. Edris, Amina (23 July 2020). "Amina Edris on LinkedIn". Linked In. Retrieved 23 July 2020.
  17. "Amina Edris – Biography". www.operamusica.com. Retrieved 2020-04-12.
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