American Modern Ensemble

The American Modern Ensemble is a contemporary classical music ensemble based in the United States in New York City with the goal of premiering, performing and recording and commissioning the widest possible repertoire written by American composers. The group's focus is to celebrate and showcase American music and especially works written by living composers.[1] AME is also dedicated to education and outreach programs that expose communities to American music, and particularly to new music written by living composers. AME was founded in 2005 by American composer Robert Paterson,[2] who serves as the ensemble's Artistic Director, and his wife, Victoria Paterson, a violinist, who also serves as the ensemble's Executive Director.[3][4][5]

American Modern Ensemble
OriginNew York, New York, United States
GenresContemporary classical
Occupation(s)Chamber ensemble
Years active2005 -present
LabelsAmerican Modern Recordings, Bridge Records
Websitehttp://www.americanmodernensemble.org

Instrumentation

Instrumentation for each concert is repertoire/instrumentation-based and is drawn from a sinfonietta-sized group: flute (doubling alto flute and piccolo), clarinet (doubling bass clarinet and E-flat clarinet), oboe (doubling English horn), bassoon (doubling contrabassoon), horn, trumpet (C trumpet, B-flat trumpet and piccolo trumpets in E-flat and D), trombone, percussion, piano (doubling synthesizer), two violins, viola, violoncello, bass.

Programmed composers

Incomplete list of composers whose works have been programmed by the American Modern Ensemble through the 2014-15 season:

Artists

Performer Members of AME as of the 2015-16 Season:

Artistic Director, House Composer and Conductor

Guest Conductors

  • Tyson Deaton
  • Delta David Gier
  • Steven Mackey
  • David Alan Miller
  • Steven Osgood
  • Robert Wood

Flute

Oboe

Clarinet

  • Benjamin Fingland†
  • Nicholas Gallas†
  • Michael Lowenstern
  • William O. Smith
  • Meighan Stoops
  • Eric Umble

Saxophone

  • Jeremy Justeson†
  • Allen Won
  • Javier Oviedo

French horn

  • Amie Margoles†
  • Jeff Scott

Bassoon

  • Charles McCracken†
  • Gilbert DeJean

Trombone

  • Stuart Dempster
  • Mark Broschinsky

Percussion

  • Matt Ward†
  • Robert Paterson†
  • Bill Solomon
  • Clara Warnaar
  • Tom Kolor
  • Pablo Rieppi
  • Peter Jarvis

Piano

  • Blair McMillen†
  • John Eaton
  • Stephen Gosling
  • Maya Hartman
  • Eric Huebner
  • Riko Higuma
  • Ieva Jokubaviciute
  • Aaron Likness
  • Molly Morkoski

Violin

  • Regi Papa†
  • Victoria Paterson†
  • Robin Zeh†
  • Philip Payton†
  • Eugenia Choi†
  • Curtis Macomber
  • Todd Reynolds

Viola

  • Jessica Meyer†
  • Orlando Wells†
  • Danielle Farina
  • Junah Chung
  • Hsin-Yun Huang

Cello

  • Dave Eggar†
  • Arash Amini†
  • Raman Ramakrishnan†
  • Wendy Sutter
  • Michael Katz
  • Robert Burkhart
  • Laura Bontrager
  • Eric Jacobsen

Bass

  • Sean McClowry†
  • Roger Wagner†

Guitar

  • Scott Kuney
  • Austin Moorehead

Harp

  • Jacqueline Kerrod†
  • Bridget Kibbey

Vocalists

  • Leah Edwards, soprano
  • Jacquelyn Familant, soprano
  • Nancy Allen Lundy, soprano
  • Sharon Quattrin, soprano
  • Melissa Wimbish, soprano
  • Anna Tonna, mezzo-soprano
  • Jesse Blumberg, tenor
  • Robert Frankenberry, tenor
  • Brandon Snook, tenor
  • Dimitri Pittas, tenor
  • Paul Sperry, tenor
  • Kyle Guglielmo, baritone
  • Robert Gardner, baritone
  • David Neal, bass-baritone
  • Pamela Z, voice

Choreographer-In-Residence

  • Annmaria Mazzini, Mazzini Dance Collective

†Denotes current core member.

AME Composition Competition

Since 2006, AME has held an annual composition competition for American composers (North, Central and South America).[6] Through 2011, this competition was for composers ages 18–35. Starting in 2012, awards are now given in three categories: Tier I (Young Artist), ages 22 and under; Tier II (Emerging), ages 18–35, and Tier III (Professional), all ages. Former winners from 2011 and past are now considered Tier II winners. Winners receive cash awards, archival recordings and performances of either their winning work or another work.

2014 Ninth Annual Competition

Tier III

  • Winner: John Fitz Rogers - Sehnen
  • Honorable Mention: Max Grafe - Kheir
  • Honorable Mention: Nicholas Omiccioli - push/pull
  • Honorable Mention: Wayne Oquin - In Dreams Awake

Tier II

  • Winner: Gabriella Smith - Brandenburg Interstices
  • Honorable Mention: Michael Gilbertson - who remembers day
  • Honorable Mention: Carolina Heredia - Lus in Bello
  • Honorable Mention: Alexander Miller - Echoes in the Dark

Tier I

  • Winner: Vincent Gover - Brook’s Release
  • Honorable Mention: Ryan Lindveit - Short Stories

2013 Eighth Annual Competition

Tier III

  • Winner: Carl Schimmel - Roadshow for Otto
  • Honorable Mention: Nicolas Scherzinger - Fractured Mirrors
  • Honorable Mention: Roger Zare - Fractal Miniatures

Tier II

  • Winner: Nicholas Omiccioli - Flourishes
  • Honorable Mention: Paul Frucht - Echo in Roger’s Park
  • Honorable Mention: Takuma Itoh - Undercurrent

Tier I

  • Winner: Katherine Balch - Triple Point
  • Honorable Mention: Molly Joyce - Parade
  • Honorable Mention: Brendan McMullen - Seven Cicadas

2012 Seventh Annual Competition

Tier III

  • Winner: Alejandro Rutty - Black Box Bossa
  • Honorable Mention: John Liberatore - Lennon Scatters and Fleeces His Flock

Tier II

  • Winner: Lembit Beecher - Frantic Gnarly Still
  • Honorable Mention: Piotr Szewczyk - Nimbus

Tier I

  • Winner: Hillary Purrington - Fixed Mediums
  • Honorable Mention: Loren Loiacono - Waking Rhythm

Past Winners

  • 2011: Eric Nathan
  • 2010: Christopher Chandler
  • 2009: Spencer Topel
  • 2008: Derrick Wang
  • 2007: Sean McClowry
  • 2006: Karim Al-Zand
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gollark: Repetitive content can have really good compression ratios.
gollark: Wayland appears technically superior in some ways and worse in others (no consistent standards for asking compositors to do screenshots or whatever, and all window managers reinventing compositor bits), but also support is quite bad.
gollark: Oh yes, some distros ship it with that.

References
  1. "Halloween Thrills and Chills from the American Modern Ensemble". New York Music Daily. Retrieved 22 July 2015.
  2. Robert Paterson's website
  3. Smith, Steve (March 26, 2013). "Composers Explain Whys and Wherefores". The New York Times. The New York Times. Retrieved 22 July 2015.
  4. Smith, Steve (November 5, 2009). "Creative Confections for Woodwinds and Strings". The New York Times. The New York Times. Retrieved 22 July 2015.
  5. Sandow, Greg. "From Victoria Paterson: Filling the house for new music". Arts Journal. Arts Journal.
  6. Bruce, David. "American Modern Ensemble Interview 569". Composition Today. Retrieved 22 July 2015.
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