American Boyfriend: A Suburban Love Story

American Boyfriend: A Suburban Love Story is the second studio album by American recording artist Kevin Abstract, released on November 18, 2016.[1]

American Boyfriend: A Suburban Love Story
Studio album by
Kevin Abstract
ReleasedNovember 18, 2016
Studio
Genre
Length37:39
LabelBrockhampton Records
Producer
Kevin Abstract chronology
MTV1987
(2014)		 American Boyfriend: A Suburban Love Story
(2016)		 Arizona Baby
(2019)
CD cover
Singles from American Boyfriend: A Suburban Love Story
  1. "Echo"
    Released: November 30, 2015
  2. "Empty"
    Released: September 20, 2016
  3. "Yellow"
    Released: November 2, 2016
  4. "Miserable America"
    Released: November 3, 2016

Background

On January 15, 2015, Kevin Abstract informed fans via his Twitter page that his record was to be titled Death of a Supermodel and that it would be released later in the year.[2] This album was then later discarded, however. Abstract then announced that he was working on a different album, They Shoot Horses, a part of the Death of a Supermodel trilogy. In November, the first single from They Shoot Horses, "Echo" was released, along with a music video directed by Tyler Mitchell.

At the end of June 2016, Kevin announced that he had changed the title of his upcoming album to American Boyfriend: A Suburban Love Story and that it would still be coming later in the year.

The album's second single "Empty" was released on September 20, 2016, alongside a self-directed music video.[3]

The album's release date was confirmed as November 18 on October 24. The album's artwork, designed by Tyler Mitchell and Henock "HK" Sileshi, and track listing were released on October 31.

The album's third single, "Yellow" was premiered by Zane Lowe on Beats One on November 2,[4] followed by "Miserable America", premiered by Shane Powers on Dash Radio the next day.[5]

Reception

American Boyfriend: A Suburban Love Story received generally positive reviews upon release. Ryan Bassil of Noisey said, "it's one of the most nuanced and touching documentations of the gloriously testing period that forms the experience of growing up and becoming yourself."[6] David Turner of Pitchfork said, "American Boyfriend can feel a bit scattered and unsure, but it’s an album seeking love in a world now primed to find new angles for hate. For that reason alone, it feels welcome."[7]

Track listing
No.TitleWriter(s)Producer(s)Length
1."Empty"
3:14
2."Seventeen"
  • Abstract
  • Uzowuru
2:45
3."Blink"Abstract
  • Blair
  • Abstract
  • Kleinman[b]
  • Uzowuru[b]
2:55
4."Friendship"Abstract
  • Hemnani
  • Abstract
0:23
5."Tattoo"
  • Abstract
  • William Wood
  • Uzowuru
  • Boring
3:27
6."Yellow"
  • Abstract
  • Uzowuru
  • Boring
  • Uzowuru
  • Kleinman
  • Keith
3:31
7."Suburbian Born"Abstract
  • Robert Hale
  • Abstract
  • Joba
1:09
8."Kin"Abstract
  • Kleinman
  • Abstract
0:29 / 3:26
9."Runner"
  • Abstract
  • Blair
2:57
10."Flintridge"Abstract
  • Abstract
  • Blair
  • Hemnani
0:37
11."Papercut"Abstract
  • Hemnani
  • Uzowuru
  • Kleinman[b]
3:27
12."June 29"UzowuruKleinman0:48
13."Miserable America"
  • Abstract
  • Uzowuru
2:45
14."American Boyfriend"
  • Abstract
  • Bearface
  • Uzowuru
  • Bearface
  • Reed
3:58
15."Echo"
  • Abstract
  • Wood
  • Hemnani
  • Albert Gordon
  • Kleinman[b]
  • Uzowuru[b]
2:36
16."I Do (End Credits)"
2:38
Total length:37:39 / 41:36

Notes

  • ^[a] signifies a co-producer
  • ^[b] signifies an additional producer
  • On the physical version of the album, "Kin" is 3:26 long.
  • "Seventeen" features additional vocals by Ivana Nwokike and Sunday Osunwa.
  • "Tattoo" features additional vocals by Sunday Osunwa.
  • "Yellow" features additional vocals by Ivana Nwokike, Sunday Osunwa, Teo Halm and Roy Blair.
  • "Runner" features vocals by Roy Blair.
  • "Papercut" features additional vocals by Ivana Nwokike and Roy Blair.
  • "June 29th" features vocals by Sunday Osunwa.
  • "Miserable America" features additional vocals by Russell "Joba" Boring.
  • "Echo" features additional vocals by Roy Blair.

Personnel
  • Kevin Abstract – lead artist, creative direction, writer (tracks 1-11, 13-16), production (tracks 3, 4, 7, 8, 10, 16), co-production (track 2), additional production (track 9), engineering (track 9)
  • Bearface – writer (track 14), production (track 14), engineering (track 14)
  • Ramsay Bell – photographer
  • Bradley Bledsoe – publicity
  • Russell "Joba" Boring – writer (tracks 1, 5, 6), production (track 7), trumpet (track 11), additional programming (track 13), additional vocals (track 13), engineering (tracks 1, 5, 7, 11, 13), mix (tracks 3, 4, 7, 16)
  • Austin Brown – photographer
  • Captain Noah – additional guitars (track 5, 6)
  • Chris Clancy – management
  • Kelly Clancy – management
  • Jordan Cole – children's choir (track 1)
  • Izzy Commers – photographer
  • Daedelus – additional synths (track 6)
  • Nick Dierl – publicity
  • Jeff Gitty – writer (track 16), additional guitars (track 6), vocoder (track 16)
  • Albert Gordon – production (track 15)
  • Ashlan Grey – photographer
  • Robert Hale – production (track 7)
  • Teo Halm – assistant production (tracks 5, 6), additional vocals (track 6)
  • Romil Hemnani – production (tracks 2, 4, 10, 11, 15, 16), co-production (track 5), additional production (tracks 1, 9), additional drum programming (tracks 9, 13), engineering (tracks 2, 4, 5, 9-11, 13, 15, 16)
  • Carmen Jackson – choir (tracks 5, 13)
  • Jordan Jackson – choir (tracks 5, 13)
  • Jordan Jones – engineering (track 6)
  • Om'Mas Keith – production (tracks 5, 6), vocal production (track 6), choir arrangement (track 5), engineering (track 6)
  • Brandon Thoreau Kelly – engineering (track 6)
  • Jeff Kleinman – mastering, production (1, 5, 6, 8, 9, 12, 13), co-production (track 2), additional production (tracks 3, 11, 15, 16), additional guitars (track 14), engineering (tracks 1, 2, 5, 8, 9, 11, 13, 14, 16), mix (tracks 1, 2, 5, 6, 8-12)
  • Jack Loken – guitar (track 10), additional guitar (track 9)
  • Roy Mabie – writer (tracks 1, 9), production (tracks 3, 10), additional production (track 9), drum programming (track 6), vocals (track 9), additional vocals (tracks 6, 11, 15), engineering (3, 6, 10, 15)
  • Craig Marshall – legal counsel
  • Tyler Mitchell – photographer
  • Jon Nunes – management
  • Ivana Nwokike – additional vocals (tracks 2, 6, 11)
  • Anish Ochani – management
  • Robert Ontenient – web development
  • Sunday Osunwa – vocals (track 12) additional vocals (tracks 2, 5, 6)
  • Ricky Reed – production (tracks 13, 14), additional guitars (track 14), engineering (tracks 13, 14), mix (tracks 13, 14)
  • Michael Rosen – harmonica (track 5)
  • Henock Sileshi – creative direction, album art design and packaging
  • Jaslyn Taylee – children's choir (track 1)
  • Michael Uzowuru – executive producer, writer (tracks 1, 2, 5, 6, 12-14), production (tracks 1, 5, 6, 9, 11, 13), co-production (track 2), additional production (tracks 3, 15, 16), choir arrangement (tracks 5, 13)
  • Brian Washington – management
  • William Wood – writer (tracks 5, 15)
  • VanJess – choir (tracks 5, 13), choir arrangement (track 13)
gollark: It's easy to say that if you are just vaguely considering that, running it through the relatively unhurried processes of philosophizing™, that sort of thing. But probably less so if it's actually being turned over to emotion and such, because broadly speaking people reaaaallly don't want to die.
gollark: Am I better at resisting peer pressure than other people: well, I'd *like* to think so, but so would probably everyone else ever.
gollark: Anyway, I have, I think, reasonably strong "no genocide" ethics. But I don't know if, in a situation where everyone seemed implicitly/explicitly okay with helping with genocides, and where I feared that I would be punished if I either didn't help in some way or didn't appear supportive of helping, I would actually stick to this, since I don't think I've ever been in an environment with those sorts of pressures.
gollark: Maybe I should try arbitrarily increasing the confusion via recursion.
gollark: If people are randomly assigned (after initial mental development and such) to an environment where they're much more likely to do bad things, and one where they aren't, then it seems unreasonable to call people who are otherwise the same worse from being in the likely-to-do-bad-things environment.I suppose you could argue that how "good" you are is more about the change in probability between environments/the probability of a given real world environment being one which causes you to do bad things. But we can't check those with current technology.

References
  1. "Kevin Abstract Announces Release Date For Upcoming Album American Boyfriend".
  2. "helmet boy on Twitter". Twitter. Retrieved November 2, 2016.
  3. "Kevin Abstract Drops New Track 'Empty,' Plus Semi-NSFW Video: Watch".
  4. "helmet boy on Twitter". Twitter. Retrieved November 2, 2016.
  5. Shane Powers [@Theshanepowers] (November 3, 2016). "Tonight. 8pm pst. LIVE. @kevinabstract drops a song off the new record that no one on earth has heard before....Wee…" (Tweet) – via Twitter.
  6. "Kevin Abstract's 'American Boyfriend' is Unlike Any Record You've Heard This Year - Noisey". Noisey. Retrieved January 29, 2017.
  7. http://pitchfork.com/reviews/albums/22689-american-boyfriend-a-suburban-love-story/
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