All Platinum Records

All Platinum Records was a record company started in 1967 by singer/writer/producer Sylvia Robinson and her husband, businessman Joe Robinson, who had previously worked in the recording industry.

All Platinum Records
Thereto
Industryrecord label
FateActive
Tax Dormitory
Founded1967
United States
FounderSylvia Robinson
Joe Robinson
HeadquartersUnited States
Total assetsUS$6.6million
ParentWMG (1985-present)
UMG (1985-present)
DMG (1985-present)

All Platinum and its subsidiary labels, including Stang, Vibration, Turbo and Astroscope, specialised in soul and R&B music. Many of the company's releases were recorded at its Soul Sound Studios, using the company's in-house musicians, at its Englewood, New Jersey base. The company released four singles that reached number one on the Billboard R&B chart but failed to top the Hot 100 pop chart.

The label started as Platinum Records but the prefix of 'All' was added to avoid confusion with a Miami label. The company, with Sylvia helming the creative operations as well as producing or co-producing many releases, racked up a series of R&B and Pop hits during the 70s, despite being only a small independent concern.

The company's mainstay act was the all-male group, The Moments (later Ray, Goodman & Brown) whose first hit at the end of 1968 launched the Stang label, "Not On The Outside" (#13 Billboard R&B, #57 pop). The group, with a few early personnel changes, stayed with the company for ten years, resulting in over 25 R&B hits and 15 Hot 100 entries. These included the million-seller, "Love on a Two-Way Street" in 1970 (#1 R&B, #3 pop) and another R&B chart-topper, "Look at Me (I'm in Love)", which also reached #39 on the pop chart in 1975. The group's Harry Ray and Al Goodman branched out as writers and producers in their later years at the company.

Other major hits for the All-Platinum labels included Sylvia's own million-selling "Pillow Talk" in 1973 (#1 R&B, #3 pop); Shirley & Company's "Shame, Shame, Shame" in 1975 (#1 R&B, #12 pop); Donnie Elbert's version of "Where Did Our Love Go" in 1971 (#6 R&B, #15 pop); Brother To Brother's "In The Bottle" in 1974 (#9 R&B, #46 pop); Linda Jones' "Your Precious Love" in 1972 (#15 R&B, #74 pop); and The Whatnauts' 1971 hit, "I'll Erase Away Your Pain" (#14 R&B, #71 pop).

The Moments also had considerable success in the UK with three Top 10 hits including "Girls" (#3) in 1975 and All Platinum also had its own label in the UK for a few years during the mid-1970s.

All Platinum purchased Chess Records with assistance from the European record concern, Polygram in 1975, after Chess fell into bankruptcy. However, the move was not a success as All Platinum was unable to keep steadily releasing material from Chess's roster of artists.[1]

The Robinsons launched a new subsidiary label, Sugar Hill Records in 1979 to concentrate on the fast-emerging rap/hip hop music scene. Sylvia switched her efforts to the new label completely, following early major success with "Rapper's Delight" (1979) and then "The Message" (1982), as the company's other labels went quiet. Sugar Hill as a label came to an end in 1986 after a disagreement with distributors, MCA, resulted in protracted litigation.

The Robinsons maintained their studio operation through to 2002 when the Englewood studios (by then, renamed Sugar Hill Studios) burnt down in a fire. Joe Robinson had died two years earlier and then Sylvia died in hospital in 2011 at the age of 75.

Artists
gollark: (also, I'm still annoyed at crates.io squatting)
gollark: Rust is great except for 1 and learning curve.
gollark: JS meets... very slightly 2 (Ramda exists), 4, occasionally (very occasionally) 5, obviously 6 and mostly 7.
gollark: Haskell meets 1 (obviously), 2, 3, kind of 5 and maaaybe 7.
gollark: - nice, nonbrackety haskell syntax- functional-programming-oriented- strongly typed- pragmatic and not horribly complicated - yes, selective applicative functors or whatever new haskell thing is now being worked on may be elegant, but learning every needlessly fancy thing just takes away from *actually writing useful stuff*- good tooling (see: Rust; run screaming from: Go, C(++))- web platform, ideally (yes, it has Problems™, but there's something to be said for ability to just navigate to a webpage and run your stuff- good libraries/community

See also
  • List of record labels

Footnotes
  1. Review of Deep in the Night by Etta James. Rolling Stone, June 1, 1978.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.