Alessandro Berri
Content in this edit is translated from the existing Italian Wikipedia article at Alessandro Berri page in Wikipedia Italy; see its history for attribution.
Alessandro Berri (Castelnuovo Scrivia, end XV century - Castelnuovo Scrivia, 2nd half XVI century) was an Italian painter who lived in Piedmont around the 1500s.
Life
There is no clear information about his dates of birth and death, because most of sources about him are dating back to the 1800s.[1][2]
However, these sources tell that his place of birth was Castelnuovo Scrivia (a town in the province of Alessandria) and that he was the nephew of Vincenzo Bandello (uncle of the novelist Matteo Bandello) the prior of the church of Santa Maria delle Grazie in Milan during the period when Leonardo painted "The Last Supper".
According to the 19-century historian Goffredo Casalis, thanks to the intercession of Vincenzo Bandello, Leonardo became the tutor of Alessandro Berri: "..(Leonardo)…spent quite a long time in Castelnuovo, where [Alessandro Berri] was introduced [to Leonardo] through Matteo Bandello and his uncle Vincenzo… (Leonardo) on his hosts request accepted to train Alessandro Berri in the art of painting…".[3]
These sources also tell that Alessandro Berri became a "distinguished pupil"[4] of his great Maestro.
There are no further sources of information that may give exact data about the artistic and painterly development of Alessandro Berri.
From research conducted recently,[5] Alessandro Berri was married to Gabriella Signorio, lived in Castelnuovo Scrivia in the district of "de Molinis" and certainly had 6 children even if it is not to be excluded that he had others.
Works
His most known work of art is a copy of the "Ultima Cena - Last Supper" which can be admired above the altar of the Corpus Domini Chapel of Saints Peter and Paul church in Castelnuovo Scrivia.
The artwork (260x265cm) is painted on a table made of five pieces of poplar wood commissioned by the "Company of the Holy Sacrament" of Castelnuovo Scrivia, of which Alessandro Berri was a member brother.
He considerably lowered its cost both for the love for his Company and "for the good feeling he had to leave this important memory of his virtue to his Country in such an important place…".[6]
The paint itself can be seen as a copy of "The Last Supper" of Leonardo, but with the characters placed in a specular manner in spite of the original.
Other known works are:
- An oil paint "Madonna in trono col Bambino" (1569) which in the past was located at the picture gallery of Tortona and now is preserved in the Civic Museum of Palazzo Centurione (location of the City Hall) of Castelnuovo Scrivia. The paint is signed in the lower part "Alexander Birius neocastrensis pinxit anno 1569";
- the frescoes on the southern part of "dell’Arengo" room of the Castello Podestarile or Pretorio Palace (Castle of Torriani e Bandello) in Castelnuovo Scrivia. In the lower side of an ornament there is the inscription "De Berris faciebat 1557";
- the coat of arms of the Avalos Gonzaga Family, rulers of Castelnuovo Scrivia from 1526 till 1588, in the Castle of Torriani e Bandello;
- two frescoes portraying the Prophets (1570–1571) on both sides of the altar in the Corpus Domini chapel, ordered by the "Company of the Holy Sacrament".
Credited to Alessandro Berri is also the altar-step of "The Last Supper" where are illustrated some Stories of the Passion. This artwork, sawed in the centre to insert a tabernacle, was re-discovered during the 1986 restoration works of "The Last Supper" hidden by the lower wooden frame of the altar.
Bibliography
- Antonello Brunetti, La parrocchiale "Santi Pietro e Paolo" di Castelnuovo Scrivia, 2005, pp. 163-182
- Antonello Brunetti, Storia e arte miscellanea castelnovese, Comune of Castelnuovo Scrivia, 2005, pp. 165-172
- Goffredo Casalis, Dizionario geografico, storico, statistico, commerciale degli stati di S.M. il re di Sardegna, G. Maspero, 1837, pages 209 and 213
- A.L. Millin, Voyage en Savoie, en Piémont, à Nice, et à Gênes, Chez C. Wassermann, 1816, page 287
- A. Cavagna Sangiuliani, Studi storici 1, Volume 1, 1870, pag 168
- Giulio Antonio Costa, Preggi & obblighi della Venerabilissima Compagnia del SS. Sacramento, 1680
- VV.AA., Il restauro dell'Ultima Cena di Alessandro Berri sec XV, Quaderni della Biblioteca Comunale "P.A. Soldini", Castelnuovo Scrivia 1986
- VV.AA, Storia arte e restauri nel tortonese. Il palazzetto medioevale. Dipinti e sculture, Cassa di Risparmio di Tortona, 1993, pages 94 and 97
See also
Footnotes
- Casalis, Goffredo (1837). "Dizionario geografico, storico, statistico, commerciale degli stati di S.M. il re di Sardegna". Google Books. p. 209.
- Sangiuliani, Cavagna (1870). Studi storici. p. 168 – via Internet Archive.
alessandro berri.
- Casalis, Goffredo (1837). "Dizionario geografico, storico, statistico, commerciale degli stati di S.M. il re di Sardegna". Google Books. p. 209.
- Casalis, Goffredo (1837). "Dizionario geografico, storico, statistico, commerciale degli stati di S.M. il re di Sardegna". Google Books. p. 213.
- Brunetti, Antonello (2005). La parrocchiale Santi Pietro e Paolo di Castelnuovo Scrivia. pp. 163–182.
- Costa, Giulio Antonio (1680). Preggi & Obblighi della Venerabilissima Compagnia del SS. Sacramento.