Aldo Fiorelli
Aldo Fiorelli (1915–1983) was an Italian actor who appeared in around thirty films between 1938 and 1960. One of his final roles was Argos, the Shipbuilder in the 1958 film Hercules[1] and its 1959 sequel Hercules Unchained.
Aldo Fiorelli | |
|---|---|
 Fiorelli in Anthony of Padua (1949) | |
| Born | 8 May 1915 |
| Died | 1983 |
| Occupation | Actor |
| Years active | 1938–1960 (film) |
Filmography
| Year | Title | Role | Notes |
|---|---|---|---|
| 1938 | Il conte di Brechard | ||
| 1938 | Jeanne Doré | ||
| 1939 | The Faceless Voice | Un tecnico addetto alla moviola | |
| 1939 | Batticuore | Un allievo del professore Comte | |
| 1939 | Trial and Death of Socrates | Fedone | |
| 1940 | The Thrill of the Skies | Franco | |
| 1940 | The Siege of the Alcazar | Francisco | |
| 1940 | Goodbye Youth | Ernesto | |
| 1940 | Manovre d'amore | ||
| 1941 | L'orizzonte dipinto | Massimo | |
| 1941 | Honeymoon | Mario | |
| 1942 | Oro nero | ||
| 1942 | Margherita fra i tre | Paolo Nardelli | |
| 1943 | L'usuraio | Stefano Varni, suo figlio | |
| 1943 | Incontri di notte | Paolo Rossi | |
| 1944 | Tre ragazze cercano marito | Stefano | |
| 1945 | Vivere ancora | ||
| 1947 | Christmas at Camp 119 | Guido, il fiorentino | |
| 1949 | Anthony of Padua | Fernando - poi Antonio di Padova | |
| 1949 | Napoli eterna canzone | Uncredited | |
| 1949 | La figlia del peccato | Ernesto | |
| 1950 | Hearts at Sea | Tenente Gabrielli | |
| 1952 | The Wonderful Adventures of Guerrin Meschino | Alessandro | |
| 1952 | Dramma sul Tevere | Aldo Rossi | |
| 1953 | The Pagans | Renzo Da Ceri | |
| 1953 | Anna perdonami | Paolo | |
| 1954 | Il cardinale Lambertini | Abbot Cavalcanti | |
| 1955 | Tua per la vita | Silvestri | |
| 1958 | Hercules | Argos the Shipbuilder | |
| 1959 | Hercules Unchained | ||
| 1960 | The Warrior Empress | Scarface | (final film role) |
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gollark: I'm actually working on a robotics thing (at school, in a moderately sized team) which will need to move around objects, and it seems like it'll be quite hard.
gollark: Natural language processing is also a different and highly ææææææææ problem.
gollark: Voice recognition and object manipulation are pretty different problems.
gollark: A what?
References
- Hughes p.2
External links
Bibliography
- Hughes, Howard. Cinema Italiano: The Complete Guide from Classics to Cult. I.B.Tauris, 2011.
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