Alan Eichler
Alan Eichler (born July 17, 1944) is an American theatrical producer, talent manager and press agent[1] who has represented numerous stage productions, produced Grammy-winning record albums and managed such singers as Anita O'Day,[2] Hadda Brooks,[3] Nellie Lutcher,[4] Ruth Brown,[5] Johnnie Ray[6] and Yma Sumac.[7]
Early life and career
Born in Elmhurst, Queens, New York, United States, Eichler began his career in the mailroom as an apprentice to the publicist Lee Solters in 1963, and worked his way up to account executive at Solters' firm Solters, O'Rourke and Sabinson.[8] Following admission to the Association of Theatrical Press Agents and Managers union in 1969, he worked as publicist on productions of Hello, Dolly! (musical),[8] George M! and Hair (musical).[9] He also promoted several major off-Broadway hits including Paul Zindel's Pulitzer Prize-winning The Effect of Gamma Rays on Man-in-the-Moon Marigolds, the Elaine May-Terrence McNally double-bill "Adaptation/Next (play)" with James Coco, Harold Pinter's The Tea Party and The Basement, the long-running rock musical Your Own Thing, Andre Gregory's experimental adaptation of Alice in Wonderland, and Tom Stoppard's The Real Inspector Hound.[10] Eichler also represented several noteworthy "flops" during this period including Shelley Winters' only attempt at playwrighting, One Night Stands of a Noisy Passenger with Robert De Niro, Sally Kirkland and Diane Ladd; Tina Howe's The Nest with Jill Clayburgh; Leland Hayward's last production The Mother Lover with Eileen Heckart; and Larry Kramer's Four Friends with Brad Davis (actor).[11]
Later theatrical work and productions
In 1970, he began a long association with playwright Tom Eyen,[12] starting with The Dirtiest Show in Town and continuing with the prison comedy Women Behind Bars (which Eichler also co-produced),[13] The Neon Woman starring Divine, Why Hanna's Skirt Won't Stay Down with Helen Hanft,[14] The White Whore and the Bit Player, and the Tony Award-winning musical Dreamgirls. He also worked with actor-director-playwright Charles Ludlam and helped establish Ludlam's Ridiculous Theatrical Company as one of the major forces of New York's avant-garde theatre, with such cult hits as Camille (performed by Ludlam in drag), Bluebeard, Stage Blood, Hot Ice, and the cabaret play The Ventriloquist's Wife. In 1974, he became co-producer with Geraldine Fitzgerald of her one-woman musical show Streetsongs, which had three separate extended theatrical runs over the next several years both on and off-Broadway, a TV version on PBS and an original cast record album.[15] He also represented Fitzgerald for all of her other ventures for the rest of her stage and film career. He helped steer the course of an unusual 1975 rock opera entitled The Lieutenant, based on the My Lai Massacre, which began as a small workshop production at the Queens Theatre in the Park, before traveling to Broadway. It only managed to run for nine performances, but was nominated for four Tony Awards including Best Musical and Best Actor in a Musical (Eddie Mekka).[16]
He promoted the 1976 Jerry Rubin self-help book Growing Up at Thirty-Seven. In 1978, he was associate producer of the Broadway musical Timbuktu!, an African-American adaptation of the Chet Forrest-Robert Wright musical Kismet, starring Eartha Kitt, Melba Moore and Gilbert Price.[17] He also toured with the show for two years as press agent and continued to have a long association with Kitt. He next publicized the Broadway production of Martin Sherman's play Bent with Richard Gere.[18] In 1980, he began a year-long tour as press agent with the first national company of The Best Little Whorehouse in Texas starring Alexis Smith, following which he settled in Los Angeles. He arranged the very first AIDS benefit for APLA Health in 1983, which was a special Midnight performance of Women Behind Bars at the Roxy Theatre (West Hollywood).[19] In 1994, he produced an original musical, Swanson on Sunset, about the attempts of Gloria Swanson to create a musical version of her film hit Sunset Boulevard, with writer Dickson Hughes and actor Richard Stapley. It played an extended engagement at the Hollywood Roosevelt Hotel Cinegrill.[20]
Music and management
Eichler shifted his focus to music and helped establish several jazz clubs and cabarets including the Hollywood Roosevelt Hotel's Cinegrill,[21] the Oak Room at Perino's, the Westwood Marquis[22] and the Vine St. Bar and Grill, where he also helped produce a series of live albums featuring Nina Simone, Joe Williams, Marlena Shaw, Etta James, Maxine Sullivan, Annie Ross, and LaVern Baker.[23] In 1986, he produced all-star benefit shows at the Vine Street Bar and Grill that raised money to obtain a star on the Hollywood Walk of Fame for Billie Holiday.[24]
He helped restore the careers of Anita O'Day[25] (who he managed for 25 years),[26] Yma Sumac (who he managed for more than 20 years[27] and launched on a new international career),[28] Ruth Brown (who won a Tony, a Grammy Award and was inducted into the Rock and Roll Hall of Fame),[29] Johnnie Ray,[30] Helen Forrest,[31] Ella Mae Morse,[32] Thelma Carpenter[33] (including her Broadway run in Hello, Dolly! and her movie debut in The Wiz), Monica Lewis,[34][35] Roberta Sherwood,[36] Maxine Sullivan,[37] Jimmy Scott,[38] Dolly Dawn,[39] and Maxene Andrews of the Andrews Sisters (who he launched on a successful solo career in 1979).[40] He brought Hadda Brooks out of a 16-year retirement,[41] and signed her to DRG Records and Virgin Records.[3]
In 1983, Eichler created original cabaret acts for veteran film stars Vivian Blaine[42] and Virginia O'Brien.[43] Also in 1983, he launched Mamie Van Doren[44] on a new career as a disco recording star.[45] He helped Knots Landing co-star Larry Riley launch a singing career in 1988, and produced the actor's tribute-show to Louis Jordan, Let the Good Times Roll.[46] Eichler promoted the 50th anniversary concert by client Patti Page[47] at Carnegie Hall in 1997 and arranged the release of the live recording, which earned Page her first Grammy.[48] He co-produced Ruth Brown's Grammy Award-winning album Blues on Broadway.[49] He helped O'Day recover from a long illness in 1999, and arranged for her comeback concert at New York's Avery Fisher Hall.[50]
Eichler was instrumental in arranging LaVern Baker's return to the US after a 20-year absence, and obtained two new album deals for her with Rhino Records and DRG Records.[51] He also promoted comeback concerts for Joni James,[52] at New York's Town Hall, Avery Fisher Hall and Carnegie Hall, as well as the Academy of Television Arts and Sciences Theatre in Los Angeles and the Academy of Music in Philadelphia, where she was backed by the Count Basie Orchestra. He created and produced the show Voices—Hollywood's Secret Singing Stars,[53] featuring four vocalists (Annette Warren, India Adams, Betty Wand and Jo Ann Greer).
Current activity
In 2010, Eichler produced a six-CD retrospective covering the seven-decade career of vocalist Jane Harvey,[54] including previously-unreleased recordings she made with Duke Ellington, Les Paul and Ellis Larkins.[55] In 2020, he co-produced a stage revival of Women Behind Bars at the Ricardo Montalban Theatre in Hollywood[56], which was also filmed. He is currently executive producer of a documentary film "Boulevard!"[57], about Gloria Swanson's failed attempt to turn Sunset Boulevard (film) into a musical.
References
- Wharton, David (October 2, 1988). "Alan Eichler Is Bringing Vintage Cabaret Stars Back to Limelight". Los Angeles Times. Retrieved January 26, 2012.
- autobiography of Anita O'Day: "High Times, Hard Times" (New York NY, G.P. Putnam's Sons, 1981) p.294
- Jack Mizzer. "The Doo Wop Cafe and Doo Wop Cafe Radio site". Doowopcafe.net. Archived from the original on February 20, 2012. Retrieved January 26, 2012.
- Feather, Leonard (March 29, 1987). "Nellie Lutcher: This Real Gone Gal Is Back". Los Angeles Times. Retrieved January 26, 2012.
- "The Great Life". The Hollywood Reporter. AllBusiness.com. October 21, 1999. Retrieved January 26, 2012.
- Biography of Johnnie Ray: "Cry" by Jonny Whiteside (New York, NY, Barricade Books, 1994) p.403
- "Incredibly Strange Music, Vol. 2" by V. Vale and Andrea Juno (San Francisco, CA,Re/Search Publications, 1994) p. 168.
- http://www.callondolly.com/alan-eichler/
- The Broadway League. "The official source for Broadway Information". IBDB. Retrieved January 26, 2012.
- "Lortel Archives-The Internet Off-Broadway Database". Lortel.org. Archived from the original on August 13, 2012. Retrieved January 26, 2012.
- http://www.lortel.org/lla_archive/index.cfm?search_by=show&title=Four%20Friends
- https://www.latimes.com/entertainment/movies/la-et-mn-classic-hollywood-gloria-grahame-20171223-story.html
- Eyen, Tom (November 2, 2007). Women behind bars: a new play – Tom Eyen. ISBN 9780573618130. Retrieved January 26, 2012.
- Vitello, Paul (June 5, 2013). "Helen Hanft, Master of Camp Way Off Broadway, Dies at 79". The New York Times.
- "Geraldine Fitzgerald Biography (1914–)". Filmreference.com. November 24, 1914. Retrieved January 26, 2012.
- The Broadway League. "The Lieutenant". IBDB. Retrieved January 26, 2012.
- "Alan Eichler Theatre Credits". Broadwayworld.com. Retrieved January 26, 2012.
- Benjamin A. Hodges (2003). Forbidden acts: pioneering gay & lesbian plays of the twentieth century. ISBN 9781557835871. Retrieved January 26, 2012.
- https://www.youtube.com/watch?v=kYlZAQqoTpk
- Isenberg, Barbara (October 27, 1993). "How 'Sunset Boulevard' Got the Whiz-Bang Musical Treatment : The spooky and pathetic Norma Desmond. The creepy mansion on Sunset. The cynical, busted screenwriter. Andrew Lloyd Webber's vision of the classic film about Hollywood makes its U.S. debut in the town that spawned the original". Los Angeles Times. p. 6. Retrieved January 26, 2012.
- Wharton, David (October 2, 1988). "Alan Eichler | Rediscoveries : Alan Eichler Is Bringing Vintage Cabaret Stars Back to Limelight". Los Angeles Times. Retrieved January 26, 2012.
- Wharton, David (May 27, 1990). "Westwood Marquis | An Evening at the Westwood Marquis Can Feel Like Autumn in New York : Lounge features mixture of jazz, cabaret and show tunes". Los Angeles Times. Retrieved January 26, 2012.
- "Blue Rhythms" by Chip Deffaa (Urbana,IL, University of Illinois Press,1996)p.179
- Alan Eichler says. "Billie Holiday | Hollywood Walk of Fame". Walkoffame.com. Retrieved January 26, 2012.
- https://web.archive.org/web/20081220201008/http://www.buddybregman.com/stories.html
- "ANITA O'DAY; Agent Maligned". The New York Times. July 4, 1999. Retrieved January 26, 2012.
- Hutchings, David (March 16, 1987). "Watch the Crystal Chandeliers! Incan Yma Sumac, the Five-Octave Phenom of the '50s, Is Back in Camp". People. Retrieved January 26, 2012.
- biography of Yma Sumac: The Art Behind the Legend by Nicholas E. Limansky (New York, NY, YBK Publishers,2008)p.185
- autobiography of Ruth Brown: "Miss Rhythm" (New York, NY, Donald I. Fine Publishers,1996)
- biography of Johnnie Ray: "Beyond the Marquee" by Tad Mann (Bloomington,IN, Authorhouse, 2006)p.208
- Oliver, Myrna (July 13, 1999). "Helen Forrest; Vocalist Sang With Shaw, Goodman, James Big Bands". Los Angeles Times. Retrieved January 26, 2012.
- Holden, Stephen (October 18, 1999). "Ella Mae Morse, 75, Vocalist Who Transcended Pop Genres". The New York Times. Retrieved January 26, 2012.
- "THELMA CARPENTER – SEEMS LIKE OLD TIMES (SEPIA 1080)". Sepiarecords.com. November 6, 2006. Archived from the original on January 2, 2008. Retrieved January 26, 2012.
- autobiography of Monica Lewis: Hollywood Through My Eyes (Brule, WI, Cable Publishing, 2011) p.247
- https://www.washingtonpost.com/entertainment/monica-lewis-singer-actress-known-as-voice-of-chiquita-bananas-dies-at-93/2015/06/13/8b11cad4-11e4-11e5-adec-e82f8395c032_story.html
- https://www.allmusic.com/album/release/introducing-roberta-sherwood-mr0001442961/credits
- A Biographical Guide to the Great Jazz and Pop Singers by Will Friedwald (New York, NY, Pantheon Books, 2010) p. 463
- https://www.nytimes.com/1989/07/18/arts/review-pop-jimmy-scott-wails-blues-at-ballroom.html
- https://articles.latimes.com/2002/dec/20/local/me-dawn20
- Hawn, Jack (August 14, 1985). "48 Years After 'Bmbds,' Maxene Andrews Is A Solo". Los Angeles Times. Retrieved January 26, 2012.
- Watrous, Peter (July 26, 1989). "With Boogie-Woogie, Hadda Brooks Is Back". The New York Times. Retrieved January 26, 2012.
- "Vivian Blaine – Live In Hollywood (CD, Album) at Discogs". Discogs.com. Retrieved January 26, 2012.
- "Salutes The Great MGM Musicals Soundtrack CD Album". Cduniverse.com. August 23, 2005. Retrieved January 26, 2012.
- Alan Mercer (January 20, 1953). "Alan Mercer's PROFILE: September 2010". Amprofile.blogspot.com. Retrieved January 26, 2012.
- autobiography of Mamie Van Doren: "Playing the Field" (New York, NY, G.P. Putnam's Sons, 1987) p.273
- Heckman, Don (November 3, 1988). "CABARET REVIEW : Riley's Tribute to Louis Jordan". Los Angeles Times. Retrieved January 26, 2012.
- "SHORT TAKES : Singer Patti Page Gets Married". Los Angeles Times. May 14, 1990. Retrieved January 26, 2012.
- autobiography of Patti Page: "This Is My Song" (Bath,NH,Kathdan Books,2009)
- "Alan Eichler @ ARTISTdirect.com – Free Alan Eichler Music Videos, Downloads, News, Biography, MP3, Lyrics and More". Artistdirect.com. Retrieved January 26, 2012.
- Leibowitz, Ed (July 18, 1999). "They Said She'd Never Sing Again". Los Angeles Times. Retrieved January 26, 2012.
- Gardner, Elysa (August 26, 1995). "Hall of Famer Returns to the Spotlight : Pop Beat: After a roller-coaster career and losing both legs to diabetes, singer LaVern Baker prepares for a Cinegrill gig and plans a life beyond concerts". Los Angeles Times. Retrieved January 26, 2012.
- http://articles.philly.com/1996-09-27/entertainment/25635136_1_joni-james-mgm-records-tony-acquaviva
- "'Voices' Revue to Open Aug. 27". Los Angeles Times. August 16, 1991. Retrieved January 26, 2012.
- http://jazztimes.com/articles/30308-jane-harvey-no-regrets
- http://jazzlives.wordpress.com/tag/alan-eichler/
- https://www.themontalban.com/womenbehindbars
- https://www.imdb.com/title/tt8437164/?ref_=fn_tt_tt_1