Ahmed Benyahia

Ahmed Benyahia (Arabic: أحمد بن يحيى‎; born in Constantine, Algeria, in 1943) is an Algerian artist.[1]

Ahmed Benyahia
Born (1943-05-11) 11 May 1943
Constantine, Algeria
Known forPainting

He is a notable alumnus of the École nationale supérieure des Beaux-Arts of Paris, where as a student in the late 1960s he played an instrumental role in successfully bringing French sculptor César Baldaccini as a Professor there, of whom he was to become a distinguished disciple and protégé.[2][2][3]

He was a co-designer of his eponymous César Award trophy, French cinema equivalent of the American Oscar.

Ahmed Benyahia is the brother of Algerian French artist Samta Benyahia.[4] and father of infographic artist and cartoonist Racim Benyahia.[5]

Biography

Born on 11 May 1943, in what is today Chelghoum Laïd[6] (formerly known as Chateau-dun-du-Rhumel), Ahmed Benyahia received his early education there.

He then grew up at the Rebain Cherif, for long considered the intellectual hub of the city of Constantine, a short distance from the school of the famous Algerian polymath and reformist Ben Badis.

In 1957, at age 13, he joined Constantine's École municipale des beaux-arts, then under French administration, which allowed him to teach painting, drawing, and history at the Hihi El Mekki High School in Kantara for a year.[6]

After distinguishing himself at l'École nationale des beaux-arts in Algiers, where his works were featured on several major international events (such as, among others, the First International Forum of Algeria[7]) in 1964, he moved to Paris in 1966, where he was admitted to the École nationale supérieure des Beaux-Arts. In 1972, he was awarded the post of professor at the University of Constantine, and in 1977 exhibited his artworks in the city for the first time. Subsequently, he staged a series of exhibitions in France.[8] While in Constantine, he was commissioned to design a building to commemorate the life of Zighoud Youcef, who died in 1956 at the age of 35, and the Guelma memorial, which commemorates the victims of a massacre on 8 May 1945.[6]

Paris: bringing César to les Beaux-arts

After moving to Paris, Ahmed's artistic talent would not go unnoticed by French sculptor César, who joined the faculty of the prestigious École after a group of students headed by Ahmed urged him to become their Professor.

The Board members of the École nationale initially refused to grant a professorship to César, but were subsequently forced to reconsider their stance due to the students' pressure.

Ahmed became the protégé of the renowned French artist. He worked on several projects under his supervision, and was co-designer of his eponymous César Award trophy, French cinema equivalent of the American Oscar.

He is the mentor of Samta Benyahia.

Master and disciple: César and Ahmed Benyahia

Highly recommending the young Ahmed Benyahia to his friend, the architect Fernand Pouillon, César had this to say about his Algerian disciple:

The holder of this letter is Algerian and sculptor, I've known him for three years now. He has been from the outset among the students who came to look for me in order to be their Professor at les Beaux-Arts. He is an extremely talented gentleman. He possesses a mastery and a profound technical knowledge of all the media and means of sculptural expression. It is quite rare to meet in a young man of this age displaying such firmness and intransigence, a self-discipline so powerful when it comes to his artistic work. I ask you to help him fulfill himself, because he deserves it.[2]

— Letter of César Baldaccini to Fernand Pouillon, cited in French in La Tribune, May 11, 2012.

Preserving the cultural heritage of Constantine

Ahmed Benyahia is also the founder and president of the Association for the Defense of the Old Rock of Constantine,[9] which boasts a long history of striving for the preservation of the national heritage of the city of Constantine.

Thanks to the intense activism of the association headed by Ahmed Benyahia, a great number of monuments and landmarks dating back to the Phoenician, Roman, and Ottoman era were saved from destruction, which was planned by the local authorities in order to initiate several new urban projects such as the construction of parking lots and tramway lines. Several of these monuments and landmarks were subsequently classified as UNESCO World Heritage Sites. [10]

Family ties

He is the brother of Samta Benyahia[4] of whom he was the mentor for several years, as well as the brother of the late Doctor Azzouz Benyahia of Constantine, who was the target of a political assassination during the Algerian legislative elections of 1997.

Mohammed Seddik Benyahia, militant nationalist, former Minister of Foreign Affaires and architect of the liberation of the American hostages held in Iran after the Iranian revolution, is not a direct relative. He is however a member of the greater Benyahia family, who hails from the large Aures tribe of the Abdennours.

He is the father of illustrator artist and cartoonist Racim Benyahia.[5]

Some works
  • Sculpture of the Emir Abdelkader, Mexico City, 1986
  • Statue of the Military Academy of Cherchell, commemorating the Algerian Struggle for Independence
  • Sculpture of Algerian national hero Zighoud Youcef, 1975
  • Co-designer of the César Award trophy, French cinema equivalent of the American Oscar, 1976

Following the designation of the Medina of Fez in Morocco as a world heritage site in 1981, Benyahia designed a commemorative medal for UNESCO, to celebrate its status. The medal which shows the minaret of the Karaouine was engraved by Pierre Javaudin and produced by the Paris Mint.[11]

gollark: Trees are ***evil luddites***. They disrupt progress. You have to take them down/deconstruct them constantly.
gollark: *past
gollark: Aaaaarhh. Scratch... it melts my brain...
gollark: Are you making some sort of lisp?
gollark: Possibly Bad Stuff:* Many things are not typescripted, so you have horrible dynamic looseness floating around* Micromodules are just ridiculous* Most things are not really standardised properly (require vs ES6 import, which of the 5 million ES*s to use, bundling (webpack/parcel/rollup/crazier madness), etc)

References
  1. Cheurfi, Achour (2004). Le livre des peintres algériens: dictionnaire biographique. Edition ANEP. p. 27. ISBN 978-9961-756-64-5.
  2. Abdelhamid Lemili (11 May 2012). "Ahmed Benyahia ou l'art de l'Anticonformisme". La Tribune. Archived from the original on 18 October 2012.
  3. "Le Jeune Independant - De l'info sans défaut". www.jeune-independant.net (in French). Retrieved 5 February 2018.
  4. Hodes, Roxane (2003). Voyages d'artistes. Paris Musées. p. 141. ISBN 978-2-87900-782-3.
  5. Nouri Nesrouche (19 December 2012). "Racim Benyahia : La BD dans la peau". El Watan. Archived from the original on 25 September 2013. Retrieved 12 September 2013.
  6. "Encyclopaedia of Algerian Postage Stamps" (PDF). Algerian Ministry of Post, Information Technology and Communications. p. 54. Retrieved 28 August 2013.
  7. "1re Foire internationale d'Alger (FIA – 28 septembre – 11 octobre 1964)". Archived from the original on 4 March 2016. Retrieved 16 May 2012.
  8. "Ahmed Benyahia". Algerie Philatelie. Archived from the original on 4 March 2016. Retrieved 28 August 2013.
  9. "Prison du Coudiat de Constantine". vitaminedz.org (in French). Retrieved 5 February 2018.
  10. "courrier APC". www.constantine-hier-aujourdhui.fr. Retrieved 5 February 2018.
  11. "Fez (Morocco)". UNESCO. Retrieved 27 August 2013.
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