Afterglow: A Last Conversation with Pauline Kael
Afterglow: A Last Conversation with Pauline Kael (2003) is among the last publicly available materials to gather film critic Pauline Kael's thoughts on the movie medium, prior to her death on September 3, 2001. The book was prepared by jazz critic Francis Davis.
Background
In the book, she describes her affinity for the new works of directors such as Quentin Tarantino, Paul Thomas Anderson and David O. Russell, showing an appreciation for Pulp Fiction, Jackie Brown, the first half of Boogie Nights, Magnolia, and Three Kings. She also favorably considers the television shows Sex and the City and the first season of The Sopranos. She laments what she considers to be the declining quality of Steven Spielberg's and Martin Scorsese's recent work.
gollark: Not so risky that you could lose an *unknowable* amount of money.
gollark: Which probably means high premiums, which means people won't buy it and then complain when something bad happens.
gollark: Pandemic insurance which didn't run on the government strategy of "just borrow tons of money and hope it doesn't break things" would need lots of money saved.
gollark: Same here with "national insurance", allegedly, but it just goes into the main government moneypile.
gollark: They give you money if you're unemployed *maybe* subject to some preconditions because government, and you *maybe* pay taxes (here, people below a certain income don't).
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