Afro-Punk (film)

Afro-Punk (2003) is a 66-minute documentary film directed by James Spooner, exploring the roles of African Americans within what was then an overwhelmingly white punk scene across the United States of America—and taking place as the world shifted with the galvanizing power of the internet. The film focuses on the lives of four African Americans dedicated to the punk rock lifestyle, interspersed with interviews from scores of black punk rockers from all over the United States. Fans of the film and the music inspired an alternative movement, that later became the annual Afropunk Festival beginning in 2005.

Afro-Punk
Directed byJames Spooner
Produced byAyanna Mackins
James Spooner
Matthew Morgan
StarringMatt Davis
Mariko Jones
Moe Mitchell
Tamar-kali Brown
Distributed byJames Spooner
Release date
2003
Running time
66 minutes
LanguageEnglish

Summary

Afro-Punk explores the lives of black youth within a white punk subculture with the aim of expanding notions of blackness and reclaiming rock's roots by providing a platform for black artists that were not given the opportunity elsewhere.[1] Growing up bi-racial on the streets of New York City, Spooner discovered and connected with the punk music scene and its culture but also felt alienated from both his white peers in the scene and the black community outside the scene. After examining the world of hardcore punk in America at the time, and noticing the lack of people of color, along with the absence of dialogue around race despite its activist leanings, he began to question what it means to be black within alternative scenes. Digging deeper into the subject of race became the inspiration for his documentary. Traveling throughout the United States and abroad, Spooner followed the lives of four African Americans who submerged and dedicated their lives to the punk rock scene and its values. Through exclusive interviews with punks and various punk rock bands including, Fishbone, 24-7 Spyz, and Dead Kennedys, Spooner's documentary covered issues of loneliness, exile, inter-racial dating, and the double lives people of color lead within a predominately white sub-cultured community.[2]

Spooner toured the film throughout the United States and the world, screening it over 300 times, garnering followers, and building community. He then created a message board to connect alternative black people from around the world.[3] Soon after he held shows to foster that community. Shows included Bad Brains Tributes, The Double Consciousness Rock series at CBGBs, a west coast tour and screening with Ricky Fitts, and others.

Afro-Punk features performances by Bad Brains, Tamar-kali, Cipher, and Ten Grand. It also contains exclusive interviews by members of Fishbone, 24-7 Spyz, Dead Kennedys, Candiria, Orange 9mm, The Veldt, and TV on the Radio, among others. (Matt Davis, guitarist and vocalist of Ten Grand, died on August 10, 2003, shortly after the film was released.)

Festivals and recognition

In 2003, the documentary was featured at the American Black Film Festival, the Pan African Film & Arts Festival, Festival International de Cine de Mar del Plata, and The Milan International Film Festival. It won an Official Selection at the Toronto International Film Festival, an Audience Award at the Black Harvest International Film and Video Festival in Chicago, an award for Excellence in Documentary Filmmaking at the Roxbury Film Festival in Boston, and an award for Best Documentary at the International Jamerican Film and Music Festival in Jamaica.

Developments since the film

In 2005, James Spooner and Matthew Morgan co-founded the annual Afropunk Festival held in Brooklyn, New York after a series of prior music gatherings entitled "The Liberation Sessions" and inspired by the black punk community active on their message boards. Spooner's last year with the festival was in 2008 due to philosophical differences with its direction.[4]

gollark: Also, so that it's educational, the movie needs to show what each character is (both char code and Unicode name) and explain important details like UTF-8 encoding.
gollark: Maybe have a character not render properly, as a joke.
gollark: And have invisible characters act as important things.
gollark: the emoji movie except NOT TERRIBLE and including ALL UNICODE PLANES
gollark: This does not appear very RANDOM™.

See also

References
  1. Afropunk Started With a Documentary, Village Voice
  2. How Afropunk Became a Full Blown Movement, Racked Magazine
  3. How a Message Board Turned Into a Movement, Fader Magazine
  4. "Afropunk No Longer Punk", Vice Magazine
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.