African Film (magazine)

African Film was a Nigerian comics magazine, published between 1968 and 1972.[1] It was just one of the many photo comics or "look books" that flooded English-speaking West Africa in the early post-colonial era. Catering to the new urban youth, the series featured the mythical persona of Lance Spearman, a.k.a. "The Spear," a black James Bond-like crime fighter as the central character.[2] The character was portrayed by Jore Mkwanazi[3]

African Film
Cover of African Film No 103: The Spear meets Bomber Brown, Chapter 2.
CategoriesPhotocomics Magazine
FrequencyWeekly
PublisherDrum Publications Ltd
First issue1968-1972
CompanyDrum Publications Ltd
CountryNigeria
LanguageEnglish
Website

Content and Themes

In contrast to the racist stereotype of the uncivilised, uneducated, spear-carrying cannibal, or the eroticised "noble savage" that characterised the depictions of Africans in most Western comic books from the time, Spearman was sharp, stylish and sophisticated.[4]

Combining re-appropriated Western references with a distinctly African cultural identity, he reflected a newly defined black Atlantic modernity. Here was a comic book hero that presented a potential critique of colonialism, as well as a significant variation in how the genre classically figured normality and otherness.

Publishing

African Film was published by South African Drum Publications in Nigeria[5] and later also Kenya and Ghana in the early 60s. Although the series was criticised for its sometimes stereotyped portrayals of blackness and masculinity, it nonetheless had a lasting influence in fostering postcolonial pride and identity.[6] Its combination of extreme (often cartoon-like) violence, with pastiches of early Hollywood melodramas, dashes of romance and glamour - via the street and touches of black nationalism preceded the Blaxploitation explosion in American cinemas in the 70s and its use of inventive DIY tactics to overcome budget constraints (Spearman's trademark Corvette Stingray was often a picture of a dinky-toy) had a lasting influence on the Nollywood industry.[1]

gollark: But mostly we're just hesitant to ban people who could be better, I guess.
gollark: Well, free speech good?
gollark: Actually, definitionally, you can't.
gollark: Being *nice* on the internet? Who needs THAT, right?
gollark: How rule-2-compliant of you.

References
  1. Taylor & Francis Online. (9 Mar 2010). A prequel to Nollywood: South African photo novels and their pan-African consumption in the late 1960s Retrieved 6 July 2013
  2. The Palm Beach Post. (9 Aug 1970). Africa's James Bond
  3. "Missing Spearman". This Day, Live. Archived from the original on 2014-03-26.
  4. Mail & Guardian. (7 Dec 2012) The evolution of African pulp fiction
  5. Matthias Krings (20 July 2015). African Appropriations: Cultural Difference, Mimesis, and Media. Indiana University Press. p. 56. ISBN 978-0-253-01640-9. Retrieved 20 August 2015.
  6. Africa's media empire:Drum's expansion to Nigeria

Further reading
  • Nwachukwu Frank Ukadike. Black African Cinema, University of California Press, 1994.
  • Chimurengal Library
  • "Tangazo kwa wenye magazeti ya Lance Spearman", Swahili Times, November 5, 2007 -
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.