Adelaide Film Festival

The Adelaide Film Festival (ADLFF) is an international film festival held biennially in odd-numbered years in mid-October for two weeks, in Adelaide, South Australia, and recently with briefer events in intervening years. The ADLFF has a strong focus on local South Australian and Australian produced content, with the Adelaide Film Festival Investment Fund (AFFIF) established to fund investment in Australian films.

Adelaide Film Festival
LocationAdelaide, Australia
Founded2003
AwardsInternational Feature Film Award –

Flinders University Documentary Prize – FTRS International VR Award – Don Dunstan Award – The Jim Bettison and Helen James Award – Indigenous Feature Documentary Initiative –

INSITE Award
Directed byAmanda Duthie (2012–)
Katrina Sedgwick (2002–2011)
Hosted byPatrons Margaret Pomeranz and David Stratton
Festival datenext: October 2019
Websiteadelaidefilmfestival.org

Established in 2003, it was listed in Variety's "50 Unmissable Film Festivals" in 2007.

History

An independently financed Adelaide International Film Festival had been held from 1959 to 1980.[1] The idea of a new film festival to stimulate the local film industry and celebrate the 30th anniversary of the South Australian Film Corporation was raised by South Australian Premier Hon. Mike Rann in 2002, and a director and board were appointed.[2] The Adelaide Film Festival Investment Fund was created to fund the Film Festival and other events.[1]

The inaugural Adelaide Film Festival was held from 28 February to 3 March 2003. It ran a programme of screenings, special events and forums in a number of cinemas across Adelaide.[1] Since then, the Festival has been held in 2005, 2007, 2009, 2011, 2013, 2015, 2016 (a one-off "Rogue" event), 2017, 2018 and a "pop-up" weekend festival in March 2019.[3]

It was known as the BigPond Adelaide Film Festival, or BAFF, until 2011, as its main sponsor was BigPond (now Telstra Media).[4]

Since 2017, Festival events have taken place mainly at the GU Event Cinemas in Hindley Street, with some sessions at the smaller Mercury Cinema in Morphett Street.

Festival directors

Katrina Sedgwick was the Festival's founding director in 2002.[5][2] She had previously co-founded the 1995 Sydney Fringe Festival, was the Special Events Producer (1998, 2000) for the Adelaide Festival of Arts, and the Artistic Director for the 2002 Adelaide Fringe.[6] In 2007, Sedgwick introduced an international jury prize to the festival.[2] At the time of her stepping down from the role of Festival director in 2013, Sedgwick said that the festival was the first in Australia to introduce an international competition, and a production fund, and that ticket sales had grown by 20 per cent each year.[7]

2013 was Amanda Duthie's first year as Festival Director, after spending eight years at the Australian Broadcasting Corporation and eight years at the Special Broadcasting Service during the 1990s.[8]

ADLFF events

2013: 10–20 October
Main article: 2013 Adelaide Film Festival

The 6th Adelaide Film Festival took place from 10 to 20 October 2013. This was Amanda Duthie's first year as Festival Director (after eight years at the Australian Broadcasting Corporation and eight years at the Special Broadcasting Service during the 1990s), having taken over from Katrina Sedgwick. Margaret Pomeranz and David Stratton served as the festival's patrons.

Scott Hicks received the 2013 Don Dunstan Award for his contribution to the Australian film industry.

The poster in 2013 depicted Screen Worship, which celebrates work for all screens—cinema, television, phone and computer.

2015: 15–25 October
Main article: 2015 Adelaide Film Festival

The 7th Adelaide Film Festival was held from 15–25 October 2015. Amanda Duthie was again the Festival Director. On the opening night of the festival, Director and screenwriter Andrew Bovell received the 2015 Don Dunstan Award for his contribution to the Australian film industry.

The festival opened with Scott Hicks's documentary film Highly Strung, and closed with Paolo Sorrentino's drama film Youth.

More than 180 feature films were screened at the festival, 40 of which were Australian films, 24 South Australian films and total of 51 countries were represented at the Festival.

As part of the 2015 Adelaide Film Festival, a public art installation was presented, incorporating a Laneway Cinema in Cinema Place, showing moving image artworks, and a 'Reactive Wall', where six artists created 2D visual artworks live in response to content within the festival.

2016: October – "AFF Goes Rogue"

Having previously been held biennially, the Adelaide Film Festival went "rogue" in October 2016 with a "mini-festival" in an in-between year. The first of the works commissioned by the Adelaide Film Festival Fund was the Australian premiere season of Collisions (5–30 October). Then there was a free talk by Greg Mackie at the Adelaide Festival of Ideas on 23 October, and the events culminated in a 4-day mini-festival (27–30 October) featuring world premiere screenings of two films – Australia's first Muslim rom-com Ali's Wedding, based on the life of actor, writer and comedian Osamah Sami, and a special "work in progress" screening of David Stratton's Stories of Australian Cinema, directed by Sally Aitken[9] (later released as David Stratton: A Cinematic Life[10]). Other films shown were Gimme Danger, a documentary film about the Stooges, and a retrospective screening of Lucky Miles (2007).[11]

2017: 5–15 October

At the 2017 festival, the theme "Vive le Punk" celebrated the punk movement's 40th anniversary. It featured A Fantastic Woman, Call Me By Your Name, a set by Adelaide punk band Exploding White Mice and Ai Weiwei's documentary about migration, Human Flow.[12]

2018: 10–21 October

In April 2017, the Premier Jay Weatherill announced that a full festival, including new funding of A$1m for the ADL Film Fest Fund, would run again in October 2018.[13]

Hotel Mumbai, Can You Ever Forgive Me?, rock documentary Bad Reputation (about Joan Jett) and The Nightingale (directed by Babadook director Jennifer Kent) were some of the films shown.[14]

2019: 5–7 April Pop Up Event

In April 2019, a weekend "pop-up" event was held, to showcase Wayne Blair's romcom, Top End Wedding, and Adelaide filmmaker Sophie Hyde's Australian/Irish co-production Animals.[15]

Board

The Board of the Adelaide Film Festival as of May 2019 consisted of:[16]

  • Chair, Sandra Sdraulig AM,[17] a lawyer with more than 20 years experience as a film and TV executive, in both the commercial and cultural sectors of the Australian film, TV and digital media industry. Sdraulig has been involved since the founding, having developed the original plan for its establishment in 2001.[16]
  • Andrew Mackie, a film distributor, former managing director of Dendy Films, co-founder of the film distribution company Transmission Films, and an executive producer. Joined 2014.[16]
  • Maria Ravese,[18] an accountant focused on the provision of taxation and HR related services associated with employment, and with extensive experience dealing with cross border regulatory compliance obligations in the entertainment and media industry. Joined 2014.[16]
  • Martha Coleman,[18] a producer of film and television, a former Head of Development at Screen Australia, and now heading production company Revlover.[16]
  • Sandy Verschoor, Lord Mayor of the City of Adelaide, previously CEO of the Adelaide Fringe and the Adelaide Festival, producer of the Adelaide Festival of Ideas in 2018.[16]
  • Anton Andreacchio, producer and entrepreneur, board member of the South Australian Film Corporation and Entrepreneurship Advisory Board.[16]

Former Board members include Cheryl Bart,[5][17] Andrew Bovell,[19] Judith Crombie,[5] Mojgan Khadem,[5] Gabrielle Kelly,[5] Wayne Lewis,[19] Barry Loane,[5] Sue Maslin,[19] Jacinta Thompson,[19] Leanne Thomas[19] Sam White, Greg Knagge and Jamie Restas.[20][19]

Awards

Don Dunstan Award

The Don Dunstan Award was established in honour of Don Dunstan, Premier of South Australia and is presented by the Board of the Adelaide Film Festival in recognition of the outstanding contribution by an individual to the Australian film industry who has "enriched Australian screen culture through their work".

Past recipients have included:[21]

Feature Fiction Award

ADL Film Fest was the first Australian film festival to create a juried prize for best feature film.

2018

Awarded to Kamila Andini for The Seen and Unseen.[29]

The films selected for competition:

  • The Ballad of Buster Scruggs dir: Joel Coen, Ethan Coen (USA)
  • Beautiful Boy dir: Felix Van Groeningen (USA)
  • Burning dir: Lee Chang-Dong (South Korea)
  • Capharnaum dir: Nadine Labaki (France, Lebanon, USA)
  • Celeste dir: Ben Hackworth (Australia)
  • Emu Runner dir: Imogen Thomas (Australia)
  • Girl dir: Lukas Dhont (Belgium)
  • Memories of My Body dir: Garin Nugroho (Indonesia)
  • Roma dir: Alfonso Cuaron (Mexico)
  • The Seen and Unseen dir: Kamila Andini (Australia, Indonesia, Netherlands, Qatar)

2017

Awarded to Rungano Nyoni for I Am Not A Witch (France, United Kingdom)

The other films selected for competition:

  • Arrhythmia dir: Boris Khlebnikov (Russia, Finland, Germany)
  • Birdshot dir: Mikhail Red(Philippines, Qatar)
  • The Cakemaker dir: Ofir Raul GraizerGermany, Israel)
  • Call Me By Your Name dir: Luca Guadagnino(Italy, France)
  • How To Talk To Girls at Parties dir: John Cameron Mitchell(UK, USA)
  • A Man of Integrity dir: Mahommad Rasoulof(Iran)
  • The Nothing Factory dir: Pedro Pinho(Portugal)
  • The Square dir: Ruben Östlund(Denmark, Germany, Sweden, France)
  • Thelma dir: Joachim Trier(Sweden, Norway, Denmark, France)

2015

Awarded to Gabriel Mascaro for Neon Bull (Brazil/ Uruguay/ Netherlands)

The other films selected for competition:

· 316, dir. Payment Haghani (Iran)

· Carol, dir. Todd Haynes (UK/ USA)

· Father, dir. Visar Morina (Kosovo/ Germany/ Macedonia/ France)

· Freeheld, dir. Peter Sollett (USA)

· Gold Coast, dir. Daniel Dencik (Denmark)

· Lamb, dir. Yared Zeleke (France/ Ethiopia/ Germany/ Norway)

· Looking For Grace, dir. Sue Brooks (Australia)

· Office, dir. Hong Won-Chan (South Korea)

· Tanna, dir Bentley Dean and Martin Butler (Australia/ Vanuatu)

2013

Awarded to Reha Erdem for Jîn (Turkey).

The other films selected for competition:

· Bastards, dir. Claire Denis (France)

· Beatriz's War, dir. Luigi Acquisto & Bety Reis (East Timor)

· The Dance of Reality, dir. Alejandro Jodorowsky (Chile)

· How I live Now, dir Kevin Macdonald (UK)

· The Notebook, dir. Janos Szasz (Hungary/ Germany/ Austria/ France)

· Omar, dir. Hany Abu-Assad (Palestine)

· Only Lovers Left Alive, dir. Jim Jarmusch (UK, Germany, France, Cyprus, US)

· The Past, dir Asghar Farhadi (France/ Italy)

· The Selfish Giant, dir Clio Barnard (UK)

· Stranger by the Lake, dir. Alain Guiraudie (France)

· These Final Hours, dir. Zak Hilditch (Australia)

2011

Awarded to Denis Villeneuve for Incendies (Canada/ France).

The other films selected for competition:

· Meek's Cutoff, dir. Kelly Reichardt (USA)

· Mysteries of Lisbon, dir. Raoul Ruiz (Portugal, France)

· Nostalgia For the Light, dir. Patricio Guzman (Chile, France, Germany)

· October, dir. Daniel Vega & Diego Vega (Peru/ Venezuela/ Spain)

· The Piano in a Factory, dir. Zhang Meng (China)

· Shut Up Little Man! An Audio Misadventure, dir. Matthew Bate (Australia)

· Tuesday, After Christmas. Dir. Radu Muntean (Romania)

· Whisper With the Wind, dir. Shahram Alidi (Iran/ Iraq)

· Year Without A Summer, dir Tan Chui Mui (Malaysia)

2009

Awarded to So-yong Kim for Treeless Mountain (USA/ South Korea).

The other films selected for competition:

· All Around Us, dir. Hashiguchi Ryosuke (Japan)

· A Christmas Tale, dir. Arnaud Desplechins (France)

· Dean Spanley, dir. Toa Fraser (UK/ NZ)

· Gomorrah, dir. Matteo Garrone (Italy)

· Jalainur, dir. Zhao Ye (China)

· Kisses, dir. Lance Daly (Ireland/ Sweden)

· My Tehran For Sale dir. Granaz Moussavi (Australia)

· My Year Without Sex dir. Sarah Watt (Australia)

· Stella, dir. Sylvie Verheyde (France)

· The Sky, The Earth and The Rain, dir. José Luis Torres Leiva (Chile/ France/ Germany)

· Teza, dir. Haile Gerima (Ethiopia/ Germany/ France)

· Zift, dir. Javor Gardev (Bulgaria)

2007

Awarded to Jia Zhangke for Still Life (China).

The other films selected for competition:

· Bamako, dir. Abderrahmane Sissako (France/ Mali)

· Boxing Day, dir. Kriv Stenders (Australia)

· Colossal Youth, dir. Pedro Costa (France/ Portugal/ Switzerland)

· Family Law, dir. Daniel Burman (Argentina/ Italy/France/ Spain)

· Grbavica, dir. Jasmila Zbanic (Austria/ Bosni/ Germany/ Croatia)

· Half Moon dir. Bahman Ghobadi (Austria/ France/ Iran/ Iraq)

· The Home Song Stories dir. Tony Ayres (Australia)

· The Lives of Others dir. Florian Henckel von Donnersmarck (Germany)

· Madeinusa dir. Claudia Llosa (Peru/ Spain)

· Syndromes and a Century dir. Apichatpong Weerasethakul (Thailand)

Flinders University International Documentary Prize

The Flinders University International Documentary Award celebrates distinctive factual filmmaking.

2018

Awarded to Gabrielle Brady for Island of the Hungry Ghosts.[29]

  • América dir:Erick Stoll, Chase Whiteside (United States)
  • Chris the Swissdir:Anja Kofmel (Finland, Switzerland, Germany, Croatia)
  • Ex-Shaman (Ex-Pajé)Dir: Luiz Bolognesi (Brazil)
  • Generation Wealthdir: Lauren Greenfield (United States)
  • Happy Sad Man dir: Genevieve Bailey (Australia)
  • Island of the Hungry Ghosts dir:Gabrielle Brady (Australia, United Kingdom, Germany)
  • Putin's Witnessesdir: Vitaly Mansky (Czech Republic, Latvia, Switzerland)
  • The Cleanersdir:Hans Block, Moritz Riesewieck (United States, Netherlands, Brazil, Germany, Italy)
  • The Eyes of Orson Wellesdir: Mark Cousins (United Kingdom)
  • Walden dir:Daniel Zimmermann (Austria, Switzerland)

2017

Awarded to Ziad Kalthoum for Taste of Cement (Germany, Syria Qatar, Lebanon, United Arab Emirates)

The other films selected for competition:

  • Death in the Terminal dir: Tali Shamesh & Asaf Sudri (Israel)
  • The Departure dir: Lana Wilson (US)
  • Dolphin Man dir: Lefteris Charitos (Japan, Greene, Canada, France, Italy)
  • Faces Places dir: Angès Varda (France)
  • From Under The Rubble dir: Anne Tsoulis (Australia)
  • Human Flow dir: Ai Weiwei (Germany, US)
  • My Mother's Lost Children dir: Danny Ben-Moshe (Australia)
  • My Year With Helen dir: Gaylene Preston (New Zealand)
  • Pecking Order dir: Slavko Martinov (New Zealand)

2015

Awarded to Amber Fares for Speed Sisters (USA/ Palestine)

The other films selected for competition:

· Brand: A Second Coming, dir. Ondi Timoner (UK/ USA)

· He Named Me Malala, dir. Davis Guggenheim (USA)

· I Am Belfast, dir. Mark Cousins (UK)

· Ice and the Sky, dir. Luc Jacquet (France)

· The Pearl Button, dir. Patricio Guzman (Chile/ France/ Spain)

· The Propaganda Game, dir. Alvaro Longoria (Spain/ France)

· Remembering the Man, dir. Nickolas Bird, Eleanor Sharpe (Australia)

· Sherpa, dir. Jennifer Peedom (Australia)

· Heart of a Dog, dir. Laurie Anderson (USA)

2013 (Inaugural competition)

Awarded to Jakeb Anhvu for Blush of Fruit (Australia, Vietnam).

The other films selected for competition:

· A World Not Ours, dir. Mahdi Fleifel (UK, Lebanon, Denmark)

· Electro Moscow, dir. Elena Tikhonova (Austria)

· Fire in the Blood, dir. Dylan Mohan Gray (India)

· Here Be Dragons, dir. Mark Cousins (Uk, Albania)

· Leviathan, dir. Véréna Paravel (UK, USA, France)

· Once My Mother, dir. Sophia Turkiewicz (Australia, Poland)

· Particle Fever, dir. Mark Levinson (USA)

· The Missing Picture, dir. Rithy Panh (France, Cambodia)

· The Search for Emak Bakia,dir. Oskar Alegria (Spain)

AFTRS International VR Award

In 2017 ADL Film Fest introduced the AFTRS ADL Film Fest International VR Award, the first competition of its kind in Australia, adding to the festival's reputation as a leader in screen culture, having been the first Australian festival to introduce an international competition, and the first to invest directly in film production with the ADL Film Fest Fund.

2018

Awarded to Michael Beets for The Unknown Patient.[29]

  • Borderline dir:Assaf Machnes(Israel)
  • Carriberrie Dir: Dominic Allen (Australia)
  • Dinner Party  Dir: Angel Manuel Soto (United States)
  • Kobold Dir: Max Sacker (Germany)
  • Parragirls Past, Present: unlocking memories of institutional 'care'  Dir: Parragirls Past, Present Creative Team (Australia)
  • Roomsdir:Christian Zipfel (Germany)
  • The Real Thing  Dir: Benoit Felici(France)
  • The Unknown Patient  Dir: Michael Beets (Australia)
  • The Whale  dir:Jung Woo Park (South Korea)
  • Your Spiritual Temple Sucks  Dir: John Hsu (Taiwan)

2017 (inaugural award)

Awarded to Michelle and Uri Kranot for Nothing Happens (Denmark, France)

Special Mention to Selly Raby Kane for The Other Dakar (Senegal)

The other VR works selected for competition:

  • Bloodless dir. Gina Kim (South Korea)
  • Chocolate dir. Tyler Hurd (US)
  • The Extraction dir. Khoa Do (Australia)
  • Melita dir. Nicolás Alcalá (US)
  • Mother's Ghost dir. Johan Knattrup Jensen (Denmark)
  • My Name Is Peter Stillman dir. Lysandar Ashton (UK)
  • Once Upon A Time in the Western Suburbs dir. Matthew Bate, Gideon Obarzanek (Australia)
  • Prehistoric VR dir. Samantha Lang, Scott Wright (Australia)

The Jim Bettison and Helen James Award

The Jim Bettison and Helen James Award was established to recognise Australians who have contributed exemplary and inspiring lifelong work of high achievement and benefit, and whose work would have benefits for both the individual concerned and for the wider Australian community by extension, completion and/or dissemination of it. The annual award of A$50,000 is made to an individual who has contributed significantly in their area of expertise.

2017: Robert McFarlane, social documentary and arts photographer

2016: Meryl Tankard, dancer, choreographer and director; and Tim Jarvis, adventurer and environmental scientist

2015 Greg Mackie OAM, founder of the Adelaide Festival of Ideas

Indigenous Feature Documentary Initiative

In partnership with Screen Australia, KOJO and the National Film and Sound Archive, this initiative, the first of its kind, supports innovative, observational and/or social justice documentaries, with up $738,000 in funding. The award provides funding for an established Indigenous film-maker to make a feature-length documentary.

In 2017, ADLFF held the World Première of the resulting film – Larissa Behrendt's After the Apology. The film focuses on a group of grandmothers taking on the system over the increase in Indigenous child removal in the years following Kevin Rudd's apology to the “Stolen Generations”.

INSITE Award

The Adelaide Film Festival teamed up with the Australian Writers' Guild to present the INSITE Award at the 2013 Festival.[30]

The Award celebrates and acknowledges outstanding work produced by AWG writers and provides an important development opportunity. The winner gets to meet industry directors and producers, with a view to moving the project onto the screen. This is an opportunity to uncover first‐class unproduced screenplays by Australian writers, and provide industry opportunities for them.[30]

Past winners have included:

  • 2017 Petrova, written by Bec Peniston-Bird.
  • 2015 Martingale, written by Harry Aletras.
  • 2013 Tigress, written by Jane Hampson.[31]
  • 2011 The Unlikeliest Hero, by Barbara Connell, is being filmed by New Zealand director James Cunningham in an official Australia/New Zealand co-production. The completion of the film is timed to coincide with the 100-year commemorations of ANZAC Day.[32][33][34]
  • 2009 Writing Rain, written by Ben Chessell.[35]
  • 2007 Salt, by Priscilla Cameron and Heather Phillips,[36] was directed by Michael Angus in 2009. The film played at the Adelaide Film Festival that same year.
  • 2005 Cut Snake, by Blake Ayshford, was filmed by director Tony Ayres.[30]

Juries

International Feature Film Prize – Juries

2017

  • Leena Alam (Actor, Afghanistan)
  • Catherine Fitzgerald (Filmmaker, New Zealand)
  • Martin Rabarts (Head of EYE International, Netherlands)
  • João Pedro Rodrigues (Filmmaker, Portugal)
  • Miranda Dear (Producer, Australia)

2015

· Christian Jeune (Cannes Film Festival) – Jury President

· Annemarie Jacir (Filmmaker, Palestine)

· Maggie Lee (Variety Asia Chief Film Critic)

· Sophie Hyde (Filmmaker, Australia)

· Tom Hajdu (and Disrupter CEO,)

2013

· Al Clark (Filmmaker, Australia) – Jury President

· Maryanne Redpath (Berlin Film Festival)

· Wayne Blair (Filmmaker, Australia)

· Lawrence Weschler (Writer, USA )

· Liz Watts (Filmmaker, Australia)

2011

· Julietta Sichel (Karlovy Vary International Film Festival) – Jury President

· Trevor Groth (Sundance Film Festival)

· Pierre Rissient (Cineaste, France)

· Hossein Valamanesh (Visual artist, Australia)

· Robin Gutch (Producer/ MD, Warp Films, UK)

2009

· Laurence Kardish (Senior Film Curator, MoMA, USA) – Jury President

· JM Coetzee (Writer, Australia)

· Jo Dyer (Filmmaker, Australia)

· Bill Gosden (Festival Director, New Zealand International Film Festival)

· Naomi Kawase (Filmmaker, Japan)

· Hannah McGill (Artistic Director, Edinburgh International Film Festival)

· David Stratton (Cineaste, Film Critic, Australia)

2007

· Noah Cowan (Toronto Film Festival Co-Director)

· J.M. Coetzee (Writer, Australia)

· Mick Harvey (Composer, Australia)

· Margaret Pomeranz (Film Critic, Australia)

· Ana Kokkinos (Filmmaker, Australia)

· James Hewison (CEO, Australian Film Institute)

· Clara Law (Filmmaker, Australia)

Flinders University Documentary Prize – juries

2017

  • Molly Reynolds (Filmmaker, Australia)
  • Hania Mroué (Filmmaker, Lebanon)
  • Eva Orner (Filmmaker, Australia)

2015

· Jane Shoettle (Toronto Film Festival)

· Michael Loebenstein (CEO National Film and Sound Archive)

· Beck Cole (Filmmaker, Australia)

2013

· Joost Den Hartog (Director of DocWeek/ AIDC)

· Cherelle Zheng (Channel Zero Media, China)

· Kristy Matheson (Australian Centre for the Moving Image, Australia)

AFTRS INTERNATIONAL VR AWARD – juries

2017

  • Rachel Landers (AFTRS Head of Documentary)
  • Mathew Tizard (Google Global Creative Team's Creative Technologist)
  • Amanda Duthie (ADL Film Fest's Artistic Director and VR champion)

Recognition

In 2007, the ADLFF featured in Variety Magazine's Top 50 unmissable film festivals[37] around the world.[38] They qualified their search by saying:

Of the planet’s 1,000-plus film fests, only a select few pack industry impact. A few dozen more, by virtue of vision, originality, striking setting, audience zest and/or their ability to mine a unique niche, also rank as must-attends.

gollark: *uses lynx*
gollark: For every technique for making pages faster, like CDNs and inlining CSS and whatever, we get ten megabytes of random ad cruft.
gollark: Possibly because I am one of the few users to have third party cookies turned off.
gollark: Whenever I try to visit a tweet on my phone, it just completely refuses to work.
gollark: Or use the I N T E R N E T, which probably has some information on it.

References
  1. "Adelaide International Film Festival". SA Memory. State Library of South Australia. 12 November 2007. Archived from the original on 1 April 2015. Retrieved 10 February 2015.
  2. Swift, Brendan (5 September 2011). "Katrina Sedgwick to leave BigPond Adelaide Film Festival". if.com.au. Retrieved 23 May 2019.
  3. "About ADL Film Fest". Adelaide Film Festival. Retrieved 23 May 2019.
  4. "About". Adelaide Film Festival Archive. Retrieved 23 May 2019.
  5. George, Sandy (28 May 2002). "Sedgwick named director of new Adelaide film festival". ScreenDaily. Retrieved 10 February 2015.
  6. "Katrina Sedgwick – Advisor". SA Film Lab. Archived from the original on 13 February 2015. Retrieved 10 February 2015.
  7. George, Sandy (5 September 2011). "Adelaide to lose founding director Katrina Sedgwick". ScreenDaily. Retrieved 10 February 2015.
  8. George, Sandy (8 December 2011). "Amanda Duthie to head Adelaide Film Festival". SBS. Retrieved 8 February 2015.
  9. "David Stratton's Stories of Australian Cinema". Adelaide Film Festival. Retrieved 22 May 2019.
  10. David Stratton: A Cinematic Life (2017) on IMDb
  11. "Archives: 2016 AFF Goes Rogue". Adelaide Film Festival. Retrieved 22 May 2019.
  12. "2017 Film Festival". Retrieved 25 May 2019.
  13. "ADL Film Fest announces 2018 Festival and $1m fund opens". Adelaide Film Festival. Retrieved 25 May 2019.
  14. Keen, Suzie (12 September 2018). "Adelaide Film Festival unveils full 2018 line-up". InDaily. Retrieved 25 May 2019.
  15. "Pop Up Event". Adelaide Film Festival. Retrieved 25 May 2019.
  16. "Board". Adelaide Film Festival. Retrieved 25 May 2019.
  17. Swift, Brendan (21 October 2011). "Former Film Vic boss Sandra Sdraulig appointed Adelaide Film Festival chairman". IF.com. Archived from the original on 14 February 2015. Retrieved 14 February 2015.
  18. SA Film Corporation Archived 14 February 2015 at the Wayback Machine (17 November 2014) Adelaide Film Festival Announces 2015 Dates and Two New Board Members
  19. Adelaide Film Festival (29 October 2013) Annual Report 2012/13. Retrieved 14 February 2015.
  20. Adelaide Film Festival official website Board. Retrieved 14 February 2015.
  21. Duthie, Amanda (2018). Kin: An Extraordinary Australian Filmmaking Family. Mile End, S.A.: Wakefield Press. pp. x–ix. ISBN 9781743056028.
  22. Adelaide Film Festival (30 August 2013) Don Dunstan Award Recipient Announced. Retrieved 10 February 2015.
  23. CameraWork (21 January 2005) Dennis O'Rourke to Receive Don Dunstan Award at AFF 2005. Retrieved 9 February 2015.
  24. George, Sandy (19 January 2007). "Cowan to head Adelaide Film Festival jury". ScreenDaily. Retrieved 9 February 2015.
  25. IF.com Archived 9 February 2015 at the Wayback Machine (10 February 2009) Jan Chapman to receive Don Dunstan Award. Retrieved 8 February 2015.
  26. IF.com (25 February 2011) Judy Davis accepts 2011 Don Dunstan Award
  27. Knight, David (29 August 2013). "Adelaide Film Festival Program". The Adelaide Review. Retrieved 7 February 2015.
  28. McDonald, Patrick (10 October 2013). "Shine director Scott Hicks receives Don Dunstan Award for film career at Adelaide Film Festival". The Advertiser. Retrieved 9 February 2015.
  29. "Awards". Adelaide Film Festival. Retrieved 25 May 2019.
  30. "Adelaide Film Festival to Celebrate Writers with INSITE Award". IF.com. 24 June 2013. Archived from the original on 14 February 2015. Retrieved 14 February 2015.
  31. "RMIT student wins top screenwriting award". Medianet. 22 October 2013. Retrieved 14 February 2015.
  32. "2013 INSITE Award Entries Due July 26". IF.com. 22 July 2013. Archived from the original on 14 February 2015. Retrieved 14 February 2015.
  33. Taylor Media Barbara Connell. Retrieved 14 February 2015.
  34. IF.com (26 January 2011) Insite winner is "The Unlikeliest Hero". Retrieved 14 February 2015.
  35. IF.com Archived 14 February 2015 at the Wayback Machine (13 February 2009) AWG announces INSITE winner. Retrieved 14 February 2015.
  36. IF.com Archived 14 February 2015 at the Wayback Machine (22 October 2008) AWG issues final call for screenplays. Retrieved 14 February 2015.
  37. Variety Staff (7 September 2007). "50 unmissable film festivals". Variety Magazine. Los Angeles. Retrieved 14 February 2015.
  38. Arts Project Australia Archived 3 March 2015 at the Wayback Machine, (4 March 2007) Adelaide Film Festival 2007. Retrieved 8 February 2015.

Further reading
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