ACE Open
ACE Open is a contemporary visual art organisation based in Adelaide, South Australia. It was established in 2017[1] following the merger of the Contemporary Art Centre of South Australia and the Australian Experimental Art Foundation.[2]
Former name | Contemporary Art Centre of South Australia & Australian Experimental Art Foundation |
---|---|
Established | 2017 |
Location | Lion Arts Centre, Adelaide |
Type | Contemporary art gallery |
Director | Patrice Sharkey |
CEO | Louise Dunn |
Chairperson | Kate Irving |
Website | Official website |
The organisation is located in the Lion Arts Centre in the West End of North Terrace, where it inhabits an area specifically designed for artistic use, including a gallery, office space, artist's studios and a free space, formerly the Dark Horsey bookshop, which can be used for events and other purposes. It also includes the former Feast Festival rooms across the laneway.[3] It presents an annual program of free exhibitions by South Australian, Australian and international artists, and hosts events including artist talks, workshops, celebrations and screenings.[4]
ACE Open's vision is to "transform, expand, create and understand our world through contemporary art". Its mission is: "ACE Open provides space for artists and audiences to champion creativity, forge connection and break new ground in contemporary art".[5]
Its inaugural CEO was Liz Nowell,[3] who was appointed director of the Brisbane Institute of Modern Art in March 2019.[6]
References
- "Meet ACE Open — Art Guide Australia". Art Guide Australia. 16 March 2017. Retrieved 13 November 2017.
- "Funding cuts force SA visual arts organisations to merge - InDaily". InDaily. 3 August 2016. Retrieved 13 November 2017.
- "An ACE Up Our Sleeves". Broadsheet. Retrieved 13 November 2017.
- "About". ACE Open. Retrieved 7 August 2019.
- "Vision and Mission — ACE Open". ACE Open. Retrieved 13 November 2017.
- Marsh, Walter (27 March 2019). "ACE Open head Liz Nowell appointed director of Brisbane Institute of Modern Art". Adelaide Review. Retrieved 7 August 2019.