50th Anniversary of the Republic Sculptures

The 50th Anniversary of the Republic Sculptures are 20 sculptures erected in Istanbul that were created by selected Turkish sculptors in honor of the 50th anniversary of the Turkish Republic.

History

In May 1972, the Committee for the 50th Anniversary of the Republic Celebrations, gathered at the Istanbul Governors headquarters and initially they wanted 50 sculptures to be created to celebrate the 50 years however due to lack of funds they reduced the number to 20.[1]

On Sept, 13 1973, the sketches and photos sent by the 20 selected artists are approved by the board members of the committee.[1]

Context in Turkish sculpture

It was difficult for Turkish sculptors to get exposure in the years between 1950 and 1960. What sculptors need is for their sculptures to be displayed in public spaces. Sculptures, other than monuments, were not really present until 1973.[2]

The project to create 50 sculptures for Istanbul within the scope of the 50th anniversary celebrations of the Turkish Republic was a turning point for Turkish sculpture. For the first time, sculptors were given a chance, outside the scope of monuments, to create sculptures for pre-determined locations. This allowed for a shift to modern sculpture from monumental sculpture. The result of the project, which initially set out to create 50 sculptures, were 20 sculptures erected in Istanbuls public spaces by important sculptors which reflected their original sculpting style.[2]

The sculptures
Original Name Translated Name Location Sculptor Year
İşçi Heykeli Workers Statue Tophane Muzaffer Ertoran 1973
Güzel İstanbul Beautiful Istanbul Yıldız Park Gürdal Duyar 1973
Yağmur Rain Arnavutköy Akıntı Burnu Ferit Özşen 1973
Soyut: Negatif Form Abstract: Negative Form Gümüşsuyu Park, Dolmabahçe Metin Haseki 1973
Soyut: Yükseliş Abstract: Ascension in front of the Hilton Hotel, Harbiye Bihrat Mavitan 1973
İkimiz[1] The Two of Us Taksim Gezi Park Namık Denizhan 1973
Abstract Maçka Haluk Tezonar 1973
Abstract Bebek Park Ali Teoman Germaner 1973
Bahar Spring Emirgan Park[3] Hakkı Karayiğitoğlu 1973
Soyut: Dayanışma Abstract: Solidarity Fındıklı Park Zühtü Müridoğlu 1973
Soyut: Yankı Abstract: Echo Gümüşsuyu Park Hüseyin Anka Özhan 1973
Abstract Fındıklı Park Füsun Onur 1973
Abstract Taşlık Park, Beşiktaş Yavuz Görey 1973
Birlik Unity Barbaros Boulevard, Beşiktaşi Mehmet Uyanık 1973
Mimar Sinan Mimar Sinan Saraçhane Park, Fatih Nusret Suman 1973
Abstract 4.Levent Seyhun Topuz 1973
Figür Figure Orduevi Garden, Harbiye Zerrin Bölükbaşı 1973
Soyut: Bediha Muvahhit Anısına Abstract: In Honor of Bediha Muvahhit Yenikapı Tamer Başoğlu 1973
Abstract Gülhane Park Kuzgun Acar 1973
Kadın figürü Female figure Gülhane Park Kamil Sonad 1973

[4][5]

Dramatic fate of the sculptures

Surprisingly, many of these 20 sculptures met a dramatic end or were disturbed, damaged and/or removed from their location, some not even few days after they were erected.

Güzel İstanbul, by Gürdal Duyar, is removed from its foundation at Karaköy square, being found 'indecent', and is removed to the Yıldız Park being damaged in the process; İşçi by Muzaffer Ertoran becomes the targeted in attacks; the fate of Nusret Sumans Mimar Sinan is unknown; İkimiz by Namık Denizhan is removed due to 'damage from external factors'; Birlik by Mehmet Uyanık, becomes the victim of a municipal compressor gun in 1986; Yükseliş by Bihrat Mavitran is sacrificed to road construction in 1984; Yağmur by Ferit Özşen suffers natures wrath; the abstract composition by Füsun Onur is removed during Bedrettin Dalans Municipal tenure in 1985; the abstract sculpture by Seyhun Topuz collapses due to 'natural causes' in 1984; the abstract sculpture by Tamer Başoğlu disappears in 1986; the abstract sculpture by Yavuz Görey is believed to have been stolen for its material (bronze) and similarly the abstract sculpture by Metin Haseki disappears for its material (copper).[1]

Recent events

In 2011, 7 of the sculptures were cleaned and restored in the scope of the "sculpture project". Hüseyin Anka Özkans Yankı was worked on for 6 hours under the consultancy of Dr. Üzlifat Özgümü and at the end was reportedly restored to its original state. Within the scope of the restorations the sculptures to be restored till the end of 2012 are the Abstract in Maçka, Bahar in Emirgan Park, the Republic 50. Years Monument in Galatasaray Square, Dayanışma in Fındıklı Park, Figür in front of the Muhsin Ertuğrul Theater, and the abstract sculpture at Bebek children's park.[6]

gollark: The more uses of `itertools` in your code, the better it is.
gollark: It was very clear, if by clear you mean not particularly clear.
gollark: Then just generate all the right starting positions, have the varying things vary appropriately, and something something mirror.
gollark: You pick a set of dimensions to keep constant and a set which should vary with each other (this is how diagonals work).
gollark: I'm not sure how else you'd do it. The current way sort of kind of makes sense.

References
  1. Pelvanoğlu, Burcu. "Kamusal Alanda Çağdaş Heykel". sanalmuze.org (in Turkish). Virtual Museum. Retrieved 13 May 2018.
  2. Ece 2011, p. 13.
  3. DURBAŞ, REFİK (11 October 2008). "İstanbul'un heykel gündemi". Sabah. Retrieved 12 May 2018.
  4. Baron Von PLASTIK (17 July 2013). "İstanbul'da Güncel Arkeoloji: Cumhuriyetin 50. Yılı Heykelleri". Retrieved 12 May 2018.
  5. Ece 2011, p. 16.
  6. ""Cumhuriyetin 50. Yıl Heykelleri" Onarılıyor". Istanbul. HABERLER.COM. 24 September 2011. Retrieved 12 May 2018.

Sources
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