2020 Texas Gladiators

2020 Texas Gladiators (Italian: Texas 2000)[1] is a 1984 Italian science fiction action film co-directed by Joe D'Amato and George Eastman.[4]

2020 Texas Gladiators
Directed by
Screenplay by
  • George Eastman
  • Aldo Florio[1]
Story by
  • George Eastman
  • Aldo Florio[1]
StarringAl Cliver
Music byFrancis Taylor[1]
CinematographyJoe D'Amato[1]
Production
company
Eureka Cinematografica[1]
Distributed byEureka Cinematografica[1]
Release date
March 1984
Running time
91 minutes[2]
CountryItaly[3]

Plot

After bitter wars and natural disasters, the earth is devastated, depopulated and chaotic; morality and law no longer exist. Marauding gangs terrorize the last gatherings of peace-loving people, who often gather around churches. Only a small group of volunteers - the Rangers - fight back against injustice.

In Texas in 2020, degenerate villains raid a monastery in which pretty Maida took refuge, when five roving Rangers show up. The battle-hardened men quickly succeed in repelling the attackers and restoring order. However, during the incident, one of her saviors named Catch Dog falls into disgrace as he tries to rape Maida. He is eventually rejected by his comrades. Later, Ranger Nexus separates from his friends, taking Maida with him.

Five years later, Nexus and Maida live with their little daughter a seemingly safe life in the settlement of Free Town. In addition to basic services, the community operates a power plant and uranium mine. The village's energy reserves soon lure in dark outlaws. One day, disaster strikes as Catch Dog manages to bring down Free Town with his gang. Catch Dog himself acts on behalf of the "Black One", a totalitarian ruler who subjugates the population with his thugs. In an attempt to resist, Nexus dies. The able-bodied men are enslaved and used as laborers in the uranium production, the women are sold to different bars in the area.

At some point, the three remaining Rangers meet Maida and set her free from her master, a gambler. The three encounter and manage to enlist the help of an indigenous tribe. Ultimately, the Rangers and the recruited warriors succeed in taking back Free Town. The regime of terror is overthrown. Both Catch Dog and Black One are killed, and in the midst of combat, also one of the Ranger succumbs to his injuries. In the end, Maida and her daughter can expect a happier future. The two remaining Rangers leave.

Cast

Production

In a 1996 interview, D'Amato stated that Eastman "didn't feel confident enough in the action scenes and so I dealt with those, leaving him to the direction of the actors. But in this case, the name recorded at the Ministry (director's credit) was mine."[5] D'Amato received directing credit, although Eastman directed most of the dialogue scenes according to D'Amato.[5] Eastman also stated in 1996, that "These (post-atomic) films, which were made in the wake of the various Mad Max movies, were decidedly crummy. The set designs were poor....and the genre met a swift and well-deserved death. I only wrote these awful movies for financial reasons....no attempt at originality was made at all."[6]

Release

2020 Texas Gladiators was passed by Italian censors in 1984.[1] The film has been released under several titles, including Anno 2020: I Gladiatori del Futuro (lit. Year 2020 Gladiators of the Future), Futoro, 2020: Freedom Fighters, 2020: The Rangers of Texas and Sudden Death.[4] The film was released on VHS in 1985 by Media Home Entertainment.[7]

Reception

In his book Horror and Science Fiction Film IV, Donald C Willis described the film as an "undistinguished actioner" that had a "long wait for the climactic novelty of a battle waged with bows and arrows, cycles, shields, rifles, machine guns, and hatchets"[8] Donald Guarisco (AllMovie) noted how the film did not "follow the usual formula of ripping off The Road Warrior or Escape From New York (though it does take some visual cues from those sources)." but was closer to a spaghetti western that was "updated with some futuristic gadgetry."[9] The review referred to the story telling as "fairly brain-dead", noting that first half of the film is hard to follow as it moved from scene to scene with no transitions or any connecting scenes to explain a passage of time.[9] The review commented on the characters as "cardboard" and the dialogue as "often hilarious" noting that "there is some type of action every few minutes in this flick. The end result is daft but never dull and that duality makes Anno 2020 - I Gladiatori Del Futuro good late-night fodder for fans of trashy b-movies."[9] TV Guide referred to the film as "an inept action picture" that was derivative of the "infinitely superior "Mad Max" series" and that "One can go on and on pointing out the innumerable problems of the film or that the director must be morally spent, but the fact will remain that 2020 Texas Gladiators is nothing but more egesta from the Italian exploitation factory."[10]

gollark: ...
gollark: Although ours is too, as it is confusingly funded via a weird combination of semi-subsidized loans and the government.
gollark: * paid-for-by-other-people
gollark: Anyway, the convention here is seemingly to live near university while going there and shove some of the cost onto student loans you're forced to pay back for 30 years, so commuting isn't a huge issue.
gollark: I could just be lying in a convoluted way.

See also

References

Footnotes
  1. "Texas 2000 (1984)" (in Italian). Archivo del Cinema Italiano. Retrieved August 9, 2016.
  2. Willis 1997, p. 523.
  3. Brennan, Sandra. "Anno 2020 - I gladiatori del futuro (1982)". AllMovie. Retrieved August 9, 2016.
  4. Paul 2005, p. 199.
  5. Palmerini & Mistretta 1996, p. 79.
  6. Palmerini & Mistretta 1996, p. 108.
  7. "Retailing". Billboard. Vol. 97 no. 50. Nielsen Business Media, Inc. December 14, 1985. p. 24. ISSN 0006-2510.
  8. Willis 1997, p. 524.
  9. Guarisco, Donald. "Anno 2020 - I gladiatori del futuro (1982)". AllMovie. Retrieved August 9, 2016.
  10. "2020 Texas Gladiators". TV Guide. Retrieved August 9, 2016.

Sources
  • Paul, Louis (2005). Italian Horror Film Directors. McFarland. ISBN 978-0-7864-8749-3.CS1 maint: ref=harv (link)
  • Willis, Donald C. (1997). Horror and Science Fiction Films IV. Scarecrow Press. ISBN 0-8108-3055-8.CS1 maint: ref=harv (link)
  • Palmerini, Luca M.; Mistretta, Gaetano (1996). Spaghetti Nightmares. Fantasma Books. p. 79. ISBN 0963498274.CS1 maint: ref=harv (link)
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