Ørnulf Bast

Ørnulf Bast (25 January 1907 – 28 October 1974) was a Norwegian sculptor and painter particularly known for his public monuments.[1]

Ørnulf Bast, 1968

Background

Ørnulf Bjarne Bast was born in Oslo. His parents were Halsten Andersen Bast Birklund (1870–1952) and Ida Mathilde Kristensen (1870–1960). Bast studied at the Norwegian National Academy of Fine Arts (Statens kunstakademi) from 1927-30. He made several study trips, first to France from 1928 to 1929 and later to Britain, Germany, Greece, Italy, Spain and North Africa, including Egypt, 1930 and 1932, and a new journey to Paris 1937.[2]

Career

He completed a wide range of public memorials and decorations in a quiet style, characterized by a French-dominated class flight of sculptural tradition. Of note are Borregaard-monumentet in Sarpsborg (1937), St. Hallvards brønn in Bragernes square in Drammen (1940–1952), Tvillingsøstrene (1947–1949) in Copenhagen, Evig liv (1948–1949) at Sehesteds plass in Oslo and Ung kvinne (1946–47) at St. Hanshaugen Park in Oslo, and Kongens Nei (1949–50) in Elverum.[3]

Among his works were the identical bronze statues titles The Norwegian Lady dedicated in 1962, which were placed in Moss, Norway and Virginia Beach, Virginia facing each other across the ocean. The statues were modeled after the figurehead of the Norwegian bark Dictator, home ported in Moss, which foundered and sank in the Graveyard of the Atlantic off the coast of Virginia Beach on 27–28 March 1891. Despite substantial lifesaving efforts from shore, seven persons died, including the captain's pregnant wife and four-year-old son. The new statues re-established old ties between the two communities, and in 1974, they became sister cities. Annual events are held at the Bast statues.[4]

During the occupation of Norway by Nazi Germany, Bast and his wife supplied a cover-up apartment for the Norwegian resistance movement, specifically for the Staff of the sabotage squad Aks 13000, for some time. From 1947 until his death in 1974, Bast had a permanent residence in the summer at Fuglevik ved Rakke in Brunlanes, south of Larvik, where he also had his studio. Ørnulf Bast was awarded the King's Medal of Merit (Kongens fortjenstmedalje) in gold.[5]

Selected works
Evig liv (1948-1949)
sculpture by Ørnulf Bast at Sehesteds plass
  • Bronseløver, 1930–31
  • Borregaard-monumentet, 1936–39
  • St. Hallvards brønn, 1940–52
  • Ung kvinne, 1946–47
  • Tvillingsøstrene, 1947–49
  • Evig liv 1947–49
  • Stavernpiken, 1948–49
  • Kongens Nei, 1949–50
  • Fole, 1953,
  • Kristian Birkeland, 1960
  • The Norwegian Lady, 1962
  • Herman Wildenvey, 1965–67
  • Metamorfose av Nike fra Samothrake, 1966–67
  • Skogsarbeideren, 1967–68
  • Haakon VII, 1969
  • Einar Skjæraasen-monument, 1970
  • Pike med fugl, 1977
gollark: What would you *use* them for?
gollark: You could probably vaguely look at what it looks like, but NAND flash is just going to be a big grid of capacitors or whatever, and you will know very little about how it's made.
gollark: I doubt you could do anything with them even if you have them.
gollark: I see. If it is now multithreaded and running into power limits you should get advantages out of running it on better hardware somewhere.
gollark: Surely there are other ways to do that.

References
  1. Ørnulf Bjarne Bast (Store norske leksikon)
  2. Ørnulf Bast – utdypning (Store norske leksikon)
  3. Ørnulf Bast (1907-1974) Billedhugger, maler, grafiker, forfatter
  4. The Norwegian Lady
  5. Øyen, Odd, ed. (2007). Milorg D13 i kamp. Fra det hemmelige militære motstandsarbeidet i Oslo og omegn 1940–1945 (in Norwegian) (2nd ed.). Oslo: Orion. p. 96. ISBN 978-82-458-0839-1.
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