Özge Özberk

Özge Özberk (born 13 August 1976) is a Turkish actress who has acted in many films, television series and plays.

Özge Özberk
Born (1976-08-13) 13 August 1976
OccupationActress
Years active1993–present
Spouse(s)
Hayim Sadioğlu
(
m. 2007; div. 2012)
[1]
Children1

Biography

Özge Özberk was born in Istanbul, Turkey in 1976. Her brother is actor, Özgür Özberk. She studied theater at Istanbul University and Mujdat Gezen Arts Centre. She gained recognition with her role in the Turkish film, GORA. [2] Her most recent roles are in the films 'Mavi Gözlü Dev' and in a historical drama series called 'Kırık Kanatlar'.

As of 2013, she stars in the Turkish TV series Pis Yedili.[3] In 2017, she started a new TV series "Kalbimdeki Deniz" as "Deniz"

Filmography

Movies

  • 2012 - N'apcaz Şimdi?
  • 2008 - A.R.O.G
  • 2008 - 120
  • 2007 - Mavi Gözlü Dev
  • 2005 - Babam ve Oğlum
  • 2004 - G.O.R.A.
  • 2000 - Yıldız Tepe

TV Series

  • 2020 - Bir Annenin Günahı
  • 2016 - Kalbimdeki Deniz
  • 2011 - Pis Yedili
  • 2011 - Canım Babam
  • 2008 - Yol Arkadaşım
  • 2008 - Sinekli Bakkal
  • 2007 - Geniş Zamanlar
  • 2005–2006 - Kırık Kanatlar
  • 2004 - Çemberimde Gül Oya
  • 2000 - Yıldız Tepe
  • 1999 - Sır Dosyası
  • 1997 - Bir Demet Tiyatro
  • 1995 - Bizim Ev
  • 1993 - Şaban Askerde
  • 1989 - Bizimkiler

Short Movies

  • 2007 - Hakimiyet
gollark: This might be fixable if you have some kind of zero-knowledge voting thing and/or ways for smaller groups of people to decide to produce stuff.
gollark: If you require everyone/a majority to say "yes, let us make the thing" publicly, then you probably won't get any of the thing - if you say "yes, let us make the thing" then someone will probably go "wow, you are a bad/shameful person for supporting the thing".
gollark: Say most/many people like a thing, but the unfathomable mechanisms of culture™ have decided that it's bad/shameful/whatever. In our society, as long as it isn't something which a plurality of people *really* dislike, you can probably get it anyway since you don't need everyone's buy-in. And over time the thing might become more widely accepted by unfathomable mechanisms of culture™.
gollark: I also think that if you decide what to produce via social things instead of the current financial mechanisms, you would probably have less innovation (if you have a cool new thing™, you have to convince a lot of people it's a good idea, rather than just convincing a few specialized people that it's good enough to get some investment) and could get stuck in weird signalling loops.
gollark: So it's possible to be somewhat insulated from whatever bizarre trends are sweeping things.

References


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