Émile André

François-Émile André (August 22, 1871 March 10, 1933) was a French architect, artist, and furniture designer. He was the son of the architect of Charles André and the father of two other architects, Jacques and Michel André.

François-Émile André
Born(1871-08-22)August 22, 1871
DiedMarch 10, 1933(1933-03-10) (aged 61)
NationalityFrench
Alma materÉcole des Beaux-Arts
OccupationArchitect
PracticeÉcole de Nancy
Villa Les Glycines, Nancy.

Life and career

André was born in Nancy, France. He studied architecture at the École des Beaux-Arts in Paris.[1]

From 1894 to 1900, he traveled to Tunisia, Sicily, Egypt, Persia, and Ceylon, during which time he produced numerous notebooks that included drawings, watercolors, and photographs. He had already worked in the studio of his father, Charles, André, then with Eugène Vallin, with whom he developed the principles of Art Nouveau.

He was slated to become a professor of applied arts and architecture with the École de Nancy, and is considered to be one of the group's principal architects. He built more than a dozen Art Nouveau buildings in Nancy between 1901 and 1912.

gollark: Yes, it's called SCP-682.
gollark: Some of them are just weird for reasons other than that, though.
gollark: 4703 somehow *does things* just because the law says it can, even though the law is just a human concept and only affects what humans do.
gollark: Really, one of the main things which makes (some) SCPs weird is that they take convenient abstractions/concepts and turn them into immutable physical laws, while our real universe just runs on... well, physics. 173 is affected by line of sight, even though this is just a thing humans do to reason about... looking at things. 005 is just a magic item which unlocks things, 048 is just a label we assign to things which somehow affects them.
gollark: Alternatively, the machine breaks, if it prefers simple changes - so I guess make it STUPIDLY redundant.

References

  1. Edmond Delaire, Les Architectes Élèves à l'École des Beaux-Arts 1793-1907 (Paris: Librarie de Construction Moderne, 1907).
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