Éamonn Ó Gallchobhair

Éamonn Ó Gallchobhair (30 September 1906 – 27 December 1982)[1] was an Irish composer, and a major representative of the conservative side in Irish art music.

Life

Ó Gallchobhair (anglicised "O'Gallagher") was born in Dundalk, County Louth, and studied music in Dublin at the Leinster School of Music and the Royal Irish Academy of Music (1927–1935).

During 1948–1949 Ó Gallchobhair briefly conducted the Radio Éireann Light Orchestra (today the RTÉ Concert Orchestra). In 1962, he succeeded Seán Ó Riada as conductor of the Abbey Theatre ensemble until it was dissolved after a few years. During this time, he is said to have lived on Pembroke Road.[2]

Ó Gallchobhair was a composition teacher for students including John Kinsella.

In old age he lived with his wife for parts of the year in Spain and Italy. He died in Alicante (Spain).

Music

Ó Gallchobhair was a prolific composer and arranger of Irish traditional music for a wide range of instrumentations. He played in a number of orchestras and chamber ensembles for which he frequently wrote or arranged music. Many of these were very popular during his lifetime and were frequently performed or broadcast.

Between 1935 and 1942 he wrote eleven "Dance Dramas", ballets on folklore themes, with one of the latter commissioned by Joan Denise Moriarty.[3] This included the 2,5 hour production Catháir Linn (1942). He also wrote five light operas, or operettas, on Irish (Gaelic) texts, between 1944 and 1963, including Nocturne sa chearnóg (1942), Trágadh na Taoide (1950), Íoc-shláinte an ghrá (1954) and An mhaighdean mhara (1960).[4] Later he gained some fame through Hollywood film scores, including John Ford's The Rising of the Moon.[5]

Ó Gallchobhair was a major representative of the conservative side in Irish twentieth-century art music. He consciously eschewed contemporary styles and techniques of composition and argued repeatedly that Irish art music should be based on traditional music.[6] With this position he stood in stark contrast to contemporary Irish composers such as Aloys Fleischmann, Frederick May, or Brian Boydell.

gollark: In any case, I am not a linguist, but I think it's technically possible to produce an AST from English, or something like that, but really impractical. There is no regular grammar, words can't be cleanly mapped to concepts because they carry connotations pulled in from common discourse and the context surrounding them, many of them mean multiple things, you have to be able to resolve pronouns and references to past text, etc.
gollark: I am not aware of there being 22 base units of words or whatever.
gollark: What?
gollark: Try parsing, say, English grammar with a set of unambiguous rules.
gollark: To wildly speculate about why, it's probably that real-world problems are generally too complicated and nuanced for a practical amount of handcoded rules to work.

References
  1. Axel Klein: "Ó Gallchobhair, Éamonn", in: Harry White & Barra Boydell (eds.): The Encyclopaedia of Music in Ireland (Dublin: UCD Press, 2013), p. 763–4.
  2. Oram, Hugh (1 October 2014). The Little Book of Ballsbridge. The History Press. ISBN 9780750958295. Retrieved 25 April 2017.
  3. "The Music for the Ballet". Cork City Libraries - The Music for the Ballet. Cork City Libraries. Retrieved 25 April 2017.
  4. Pine, Richard. The Disappointed Bridge: Ireland and the Post-Colonial World. p. 171. ISBN 1443860980.
  5. Axel Klein: Die Musik Irlands im 20. Jahrhundert (Hildesheim; Georg Olms Verlag, 1996, p. 446.
  6. See, for example, É. Ó Gallchbhair: "Music – Atavism", in: Ireland To-day vol. 1 (1936), no. 1, p. 56–8.
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