Waterloo

"The throne? You know what the throne is, Ney? The throne is an overdecorated chair. It's what's behind the throne that matters."

—Napoleon

Waterloo was a 1970 film produced by Dino Delaurentis that told the story of the events leading up to the climactic battle of the Napoleonic Wars. One of the most expensive films ever made up to that time, it was a box office failure of legendary proportions but has since gained substantially more respect as an exemplar of old-fashioned epic-style film-making.

The cast featured Rod Steiger as Napoleon, Christopher Plummer as the Duke of Wellington, and Dan O'Herlihy as Ney. Orson Welles had a well-paid cameo as Louis XVIII, the Bourbon monarch Napoleon overthrows. Director Sergei Bondarchuk recruited thousands of Soviet soldiers as extras and reshaped a large area of Russian countryside to match the topography of the Waterloo battlefield.

Tropes used in Waterloo include:

• Anyone Can Die: Several officers, particularly on the British side, die almost as soon as they are introduced.
• Band of Brothers: The French are always saying "Vive L'Emperor". The British cheer themselves, because they are the ones who are going to beat the French. In other words redcoats think they would win even if a greengrocer was in charge.
  • When Wellington calls his men "scum" his dance partner reminds him that he expects them to die for him. Wellington certainly does want his men to face death but is ambiguous about whether he wants it to be for him. When she questions further she asks, "out of duty?" and Wellington agrees. Wellington only wants men who obey his office, not his person and the only distinction he claims is being a gentleman which according to him, Napoleon is not.
• Battle Epic
• Bling of War
• Brave Scot: The Highlanders
• The Cavalry: The Prussian army. Which really does contain cavalry.
• Compressed Adaptation: According to Leonard Maltin, the original Russian version is close to four hours long. This may explain why the Black Duke of Brunswick is seen at the Duchess of Richmond's ball, but his death at Quatre Bras the following day is neither seen nor alluded to.
• Cool Versus Awesome: Subverted. Napoleon was as the movie showed, sick on the day of battle with an embarrassing disease which emperors are not supposed to get. Given that, Boney handles the campaign pretty well right up to that point, managing to pry the two armies apart and buy some time time to concentrate on the British.
• Crowning Moment of Awesome: Napoleon faces down an entire army and causes them to join his side.
• Dances and Balls: The Duchess of Richmond's ball, featuring Scottish folkdancing and waltzes.
• Deadpan Snarker: Wellington. Of course.
• Death Seeker: To a degree, Napoleon by the end of the film. He's badly ill, and wanting something more than to do die in exile, he tries to accompany the Old Guard on their last march. His doctors and generals talk him out of it.
• Defensive Feint Trap: Wellington successfully does this, getting Ney to lead the French cavalry into being decimated.
  • Although it would seem in the film that it happened accidentally (Wellington actually was forced to give ground). In reality it may even have been a rationalization thought up by the French after the battle.
    • Taking cover on the reverse-slope was a signature move of Wellington's. It bought cover from fire but it surprisingly often lured the enemy into attacking.
• Did Not Do the Research: Somewhat subverted, as by all accounts they did quite a lot of research, but historical accuracy often was trumped by Rule of Cool and Rule of Drama. Still, it would not have lost anything essential if they had left Marshal Soult out of the first scene at Fontainebleau in 1814 - he was actually in the South of France fighting Wellington at the time - or using what in 1815 was exclusively the Austrian anthem as a leitmotif for the Prussians.
• Everything's Louder with Bagpipes
• Epic Movie: 15,000 Soviet foot soldiers and 2,000 cavalrymen as extras, lead to some stunning imagery.
• Fake Nationality: Quite a few. Blücher is played by a Georgian (from the Caucasus), Ney by an Irishman, Wellington by a Canadian, and Napoleon by an American.
• A Father to His Men: Averted. Napoleon acts like a God-Emperor. Wellington is a machine that happens to wear a uniform. Blücher comes closest but he is only in a few scenes.
• Four-Star Badass: Wellington, Bonaparte, Blücher plus several subordinates.
• Getting Crap Past the Radar: Literally, at least in the DVD. When the Old-guard is called to yield the reply "merde" is given. The subtitle represents it as "no". Literally, it means "shit".
• Glory Days: Napoleon makes frequent references to past battles and triumphs, insisting that he can do the same again. Not at Waterloo.
  • To an extent, all of France sees Napoleon's rule as their glory days, and are eager to reclaim it when he escapes from exile.
• Good Colors, Evil Colors: The Prussians seem to be in black mostly for the menacing, sinister effect it has. In actual fact their uniforms were mostly dark blue, rather like the French.
• Grave Robbing: Shown briefly in the end, with locals rummaging through the battlefield taking valuables off the dead.
• Heroic BSOD: Wellington and Napoleon are both in BSOD mode after Waterloo. "The only thing sadder than a battle won is a battle lost."
• Historical Domain Character: The entire cast, essentially.
• Hollywood Tactics: Surprisingly little. But there should have been a lot less exploding shells and a lot more roundshot which would have been bouncing around visibly at the end of its flight.
• Insufferable Genius: Both Wellington and Napoleon. However Wellington is just a human who happens to be good at war and knows it, and his arrogance can be excused by his reserved personality. Napoleon seems to be more concerned with his personal glory.
• Jerk With a Heart of Gold: Wellington often comes off as an outrageous snob but once in a while human feelings peek through.
• Leave No Survivors: A heroic (?) example from Blücher.

"Raise high the black flags, my children. No prisoners. No pity. I will shoot any man I see with pity in him."

• • Obviously no such order was given in reality and none of the Prussian regiments at Waterloo had black flags. Also the film glosses over the fact that French were in no mood for taking prisoners on that campaign. Unlike Blücher's order in the film, the order given by one of the French Guard commanders, General Rouguet, at Ligny (two days before Waterloo) is authenticated: "Warn the grenadiers that the first man who brings me a prisoner will be shot!" (Henry Lachouque's The Anatomy of Glory notes approvingly: "His threat was superfluous. The last struggle of Europe against Napoleon, of the kings against the Revolution, was a struggle to the death.")
    • It would have been a foolish order to give for purely pragmatic reasons as the whole idea of the war was to get Boney out of the way so that things could settle down and Frenchmen who think they can't surrender are bad for Prussia's interest. It does however reflect that European states which had endured occupation would consider things less clinically then British who were fighting a professional's war.
• Leeroy Jenkins: Ney is the perfect man to lead a charge. He's also the perfect candidate to charge into a trap.
• Mauve Shirts: Throughout the movie we follow a couple of veteran troops in Napoleon's Old Guard, giving an insight into these troops. Just before the end of the movie, we see their bodies among the dead.
• Moment of Silence: Subverted. When an important supporting character dies, there is barely a pause. Only at the end does anyone reflect on the amount of blood that was shed.
  • The end makes things appear more quiet than they were, leaving out the pursuit - the film shows Napoleon boarding his coach, but not that shortly afterwards he had to jump out of it onto a horse to avoid being captured by Prussian hussars - and also the meeting of Wellington and Blücher at the inn La Belle Alliance.
• My Country, Right or Wrong: Ney. Based on his perception of France's needs, Ney changes sides at least three times.
• My Defense Need Not Protect Me Forever: Essentially the heart of the battle. Wellington holds the French off just long enough for the Prussian to arrive, and then both armies overwhelm the French.
  • Also leads to a memorable scene where Ney stands in the midst of the battlefield as the Old Guard begins retreating and Ney screams at the soldiers, the heavens, and fate itself for more time. "One more hour! One more hour, we have them beaten! One more hour we have them beaten!"
• Napoleonic Wars: Obviously.
• Officer and a Gentleman: Several. Christopher Plummer looks and acts just like one would expect Wellington to look. It helps that he has a strange resemblance to the portraits.
  • Wellington has almost the same personality as Captain Von Trapp. It is closer to being Truth in Television in his case.
• Oh Crap: Quite a few, but particularly memorable ones from wellington upon being told just how low his men are running on ammo, and from Napoleon when he hears about the Old Guard's retreat.
• Pragmatic Adaptation: Looks like they were aiming for the Anglophone market most, so with the exception of a few non-speaking foreign officers on his staff, all you see of Wellington's army is English, Scottish and Irish officers and soldiers. The contingents from various German states and the Kingdom of the United Netherlands (Dutch and Belgian), who in actual fact composed roughly two-thirds of his army, are completely invisible.
• The Proud Elite: Wellington, by far.
  • Wellington is definitely not someone who looks like you would want to meet at Starbucks and of course would not be caught dead at Starbucks anyway. But on the other hand at least he knows the proper price of his privileges.
• Redshirt Army: Subverted. The British have red shirts of course. However they are better described as The Determinator.
• Rule of Cool: Units with cool uniforms have a better chance of appearing, most notably the Polish Lancers of the Imperial Guard, who get to repulse the Scots Greys (in reality it was two regiments of line lancers) and the Prussian Leibhusaren (black jackets, silver skulls and crossed bones on the front of the shako), who were not even part of Blücher's army.
• Rule of Drama: As the campaign opens, the Ball in Brussels on the evening of June 15 is intercut with the French Army of the North crossing the border on morning of June 14. Towards the end of the movie, the attack by the Prussian IV Corps at Plancenoit (in the back of the French army, which actually had been going on for the better part of the afternoon) and that of the I Corps near Frichermont (on the French right flank) are telescoped into one event.
• Scenery Gorn: A lot of it.
  • Some scenes seem drawn from paintings.
    • The counterattack of the Scot's Grays looks a little like Lady Butler's Scotland Forever.
• Sequel: Waterloo followed hard on the heels of Bondarchuk's massive Oscar-winning War and Peace, for which they had already trained several divisions of the Soviet Army in Napoleonic tactics. These were now joined by the actual Gordon Highlanders.
• Star-Crossed Lovers: De Lancey and his bride.
• Stiff Upper Lip: The British. Of course.
• Tear Jerker: Napoleon bidding adieu to his guard in the court of Fontainbleau.
• Thou Shalt Not Kill: Subverted, after a fashion. A soldier decides to adopt this attitude in the middle of battle and is promptly cut down. Since this is a movie about a massive historical battle, you expect a lot of killing to go on, and it does.
  • Wellington sees his corpse at the end and remembers it and thinks of his famous quote about only a battle lost being sadder then a battle won.
• Villainous Breakdown: Napoleon suffers one near the beginning when his marshals plead for him to abdicate the throne and surrender.
• What a Senseless Waste of Human Life
• You Shall Not Pass: A last division of Napoleon's troops attempt to buy time for escape by blocking the English and Prussian armies. When they refuse to surrender, Wellington has no choice but to let the cannons open up on them.