Albany and Sturgess
 | This page needs some cleaning up to be presentable. There does not appear to be a work named "Albany and Sturgess" w:Floc'h indicates there are characters named "Sir Francis Albany" and "Olivia Sturgess ". This page needs to be re-written to be brought into alignment with Real Life. |
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Albany & Sturgess (1977-) is a French-Belgian comic book series by Jean-Claude Floc'h and François Rivière, and considered the best contemporary example of the use of the ligne claire style popularized in the 1930s by Hergé (creator of Tintin).
The series is in fact a loose collection of stories--mostly murder mysteries--whose common thread is the appearance, as supporting characters or narrators, of two fictional figures of the British literary world, writer Olivia Sturgess and critic Francis Albany. It's eventually revealed that all said stories were in fact written by Sturgess herself.
- Alternate Continuity: In "A la recherche de Sir Malcolm", Albany and Sturgess know each other as children and are among the passengers onboard the Titanic. But in "Olivia Sturgess 1914-2004", it's explained that they met as adults in 1938, and in any case Sturgess's date of birth is two years after the sinking of the famous ship.
- Amateur Sleuth: Both main characters, and other one-shot protagonists.
- Bob Haircut: Sturgess spends her entire adult life sporting a haircut inspired by Louise Brooks.
- Continuity Porn: Apart from the aforementioned exception, "Olivia Sturgess 1914-2004" is one long exercize in Continuity Porn. And it works beautifully, too.
- Dream Sequence: A suitably nightmarish one in "Le Rendez-vous de Sevenoaks".
- Heterosexual Life Partners: Subverted. Albany and Sturgess are very much in a non-romantic lifelong relationship, but that's because each of them is in fact homosexual.
- Mind Screw: "Le Rendez-vous de Sevenoaks" has a narrative structure inspired by the works of Jorge Luis Borges.
- Mockumentary: "Olivia Sturgess 1914-2004" takes the form of a documentary about Sturgess's life.
- Nobody Over 50 Is Gay: Averted with both characters.
- Shout-Out: An Alfred Hitchcock lookalike briefly appears in "A la recherche de Sir Malcolm", the way Hitchcock liked to do in his own films. And a page of "Black Out" is a reference to a collaborative project by Hergé and Edgar P. Jacobs (of Blake and Mortimer fame).
- Show Within the Show: "Underground" depicts the shooting of a movie. And the entire series was retroactively presented as so many stories within the story in "Olivia Sturgess 1914-2004".
- Special Guest: In "Le Dossier Harding", the two heroes have a cup of tea in the company of Agatha Christie. And in "Olivia Sturgess 1914-2004", various other literary figures and artists have cameos: Noel Coward, Somerset Maugham, Charlotte Rampling, etc...
- Tap on the Head: Happens to Albany in "Le Dossier Harding".
- Villainous Crossdresser: Forbes in "Le Dossier Harding".
- What Do You Mean Its Not Symbolic: Lampshaded with the costume party in "Olivia Sturgess 1914-2004"; the two characters wear disguises that reflect their deeper natures, as a psychologist comments in voiceover.
- WW 2: The "Blitz" trilogy takes place in 1940.